The
Official AoSHQ Classical Music Playlist (as compiled by Hadrian the Seventh)
|
Composer |
Title |
Artist |
Time |
|
Adolphe
Adam |
Mes
amis, écoutez l'histoire (from Le postillon de Longjumeau) |
Nicolai
Gedda (Chapelou); The Orchestre National de la RTF conducted by Georges
Prêtre |
3:48 |
|
O Holy Night |
Rosario La
Spina (tenor); The Monte Carlo Philharmonic Orchestra conducted by Richard
Mills |
3:53 |
|
|
Suite from Giselle |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
11:25 |
|
|
John
Adams |
Short Ride in
a Fast Machine |
The San
Francisco Symphony Orchestra conducted by Edo de Waart |
4:20 |
|
Richard
Addinsell |
Warsaw
Concerto |
Misha Dichter
(piano); The Philharmonia Orchestra conducted by Sir Neville Marriner |
8:12 |
|
Isaac
Albéniz |
Asturias,
Op. 47, No. 5 |
Andrés
Segovia (guitar) |
6:27 |
|
Tomaso
Albinoni |
Adagio in G
minor |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
8:00 |
|
Kenneth
Alford |
Colonel Bogey |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
4:08 |
|
Hugo
Alfvén |
Swedish
Rhapsody No. 1, Op. 19, Midsummer Watch |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
13:13 |
|
Charles
Alkan |
Le
chemin de fer, Op. 27 |
Laurent
Martin (piano) |
5:00 |
|
Le festin
d'Ésope, Op. 39, No. 12 |
Michael Ponti
(piano) |
8:57 |
|
|
Quasi-Faust,
Op. 33, No. 2 |
Raymond
Lewenthal (piano) |
11:20 |
|
|
Gregorio
Allegri |
Miserere |
The
Sixteen conducted by Harry Christophers |
11:55 |
|
Johann
Altenburg |
Concerto
in C major for 7 Trumpets |
The
Philharmonia Virtuosi |
5:35 |
|
Leroy
Anderson |
Scottish
Suite |
The BBC
Concert Orchestra conducted by Leonard Slatkin |
10:30 |
|
The
Sleigh Ride |
The
Royal Philharmonic Orchestra conducted by John Rutter |
3:10 |
|
|
The
Syncopated Clock |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
2:25 |
|
|
The
Waltzing Cat |
The
Eastman-Rochester Pops Orchestra conducted by Frederick Fennell |
2:27 |
|
|
Elfride
Andrée |
Concert
Overture in D major |
The
Swedish Radio Symphony Orchestra conducted by Michael Bartosch |
11:13 |
|
John
Ansell |
Overture,
Plymouth Hoe |
The
BBC National Orchestra of Wales conducted by Rumon Gamba |
8:05 |
|
Jean-Baptiste
Arban |
Variations on
The Carnival of Venice |
Wynton
Marsalis (trumpet); The Eastman Wind Ensemble conducted by Donald Hunsberger |
7:40 |
|
Anton
Arensky |
Overture
to A Dream on the Volga |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
7:07 |
|
Leo
Arnauld |
Bugler's
Dream |
The
Concert Arts Orchestra conducted by Felix Slatkin |
3:58 |
|
Thomas
Arne |
Rule
Britannia (arranged by Sir Malcolm Sargent) |
Anne Collins
(contralto); The Liverpool Philharmonic Choir and the Royal Liverpool
Philharmonic Orchestra conducted by Sir Charles Groves |
6:00 |
|
Malcolm
Arnold |
Four Cornish
Dances, Op. 91 |
The
Philharmonia Orchestra conducted by Bryden Thomson |
8:49 |
|
Four Scottish
Dances, Op. 59 |
The Queensland
Symphony Orchestra conducted by Andrew Penny |
8:41 |
|
|
March
from Bridge on the River Kwai |
The
London Symphony Orchestra conducted by Richard Hickox |
3:14 |
|
|
Overture, Peterloo,
Op. 97 |
The City of
Birmingham Symphony Orchestra conducted by Sir Malcolm Arnold |
9:04 |
|
|
Daniel
Auber |
Amour sacré
de la patrie (from La muette de Portici) |
Alfredo Kraus
(Masaniello), Jean-Philippe Lafont (Pietro); The Monte Carlo Philharmonic
Orchestra conducted by Thomas Fulton |
5:47 |
|
Overture to Fra
Diavolo |
The Moravian
Philharmonic Orchestra conducted by Dario Salvi |
8:08 |
|
|
Overture
to Marco Spada |
The
New Philharmonia Orchestra conducted by Richard Bonynge |
9:03 |
|
|
Overture to Masaniello |
The Orchestre
Lamoureux conducted by Igor Markevitch |
8:23 |
|
|
Johann
Sebastian Bach |
Air
on the G string, BWV 1068 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
6:06 |
|
Arioso,
BWV 156 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
4:39 |
|
|
Behold,
my Savior now is taken (from the St. Matthew Passion, BWV 244) |
Dame
Felicity Lott (soprano), Alfreda Hodgson (alto); The Bach Choir and the
Thames Chamber Orchestra conducted by Sir David Willcocks |
4:56 |
|
|
Bist
du bei mir, BWV 508 |
Dame
Janet Baker (alto); The Academy of St. Martin-in-the-Fields conducted by Sir
Neville Marriner |
2:55 |
|
|
Brandenburg
Concerto No. 2 in F major, BWV 1047 |
The Academy
of Ancient Music conducted by Christopher Hogwood |
11:24 |
|
|
Brandenburg
Concerto No. 3 in G major, BWV 1048 |
The English
Concert conducted by Trevor Pinnock |
11:08 |
|
|
Brandenburg
Concerto No. 5 in D major, BWV 1050 |
The
Orchestra of the Age of Enlightenment |
20:44 |
|
|
Cello Suite
No. 1 in G major, BWV 1007 |
Yo-Yo Ma
(cello) |
16:42 |
|
|
Chaconne from
the Partita No. 2 in D minor, BWV 1004 (orchestrated by Joachim Raff) |
The BBC
Philharmonic Orchestra conducted by Leonard Slatkin |
13:13 |
|
|
Chromatic
Fantasia and Fugue in D minor, BWV 903 |
Kenneth
Gilbert (harpsichord) |
12:41 |
|
|
Come, sweet
Death, BWV 478 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
3:40 |
|
|
Come
ye daughters, share my mourning (from the St. Matthew Passion, BWV 244) |
The
Collegiate Chorale, the Boys’ Choir of the Church of the Transformation and
the New York Philharmonic conducted by Leonard Bernstein |
7:57 |
|
|
Concerto in A
minor for Four Harpsichords and Orchestra, BWV 1065 |
Christianne
Jaccottet, Christine Sartoretti, Nicole Hostettler and Leonore Klinckerfus
(harpsichords); The Württemberg Chamber Orchestra conducted by Jörg Fäber |
10:13 |
|
|
Concerto in D
minor for Two Violins and Orchestra, BWV 1043 |
Jascha
Heifetz and Erick Friedman (violins); The New Symphony Orchestra of London
conducted by Sir Malcolm Sargent |
14:38 |
|
|
Ein' feste
Burg ist unser Gott, BWV 720 (orchestrated by Leopold Stokowski) |
The
Bournemouth Symphony Orchestra conducted by José Serebrier |
2:46 |
|
|
Fantasia
and Fugue in C minor, BWV 537 (orchestrated by Sir Edward Elgar) |
The
London Philharmonic Orchestra conducted by Sir Adrian Boult |
8:48 |
|
|
Fantasia
and Fugue in G minor, BWV 542 |
Simon
Preston (organ) |
10:52 |
|
|
Fugue in G
minor, BWV 578, Little (orchestrated by Lucien Calliet) |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
3:38 |
|
|
In
tears of grief, dear Lord, we leave thee (from the St. Matthew Passion, BWV
244) |
Ex
Cathedra conducted by Jeffrey Skidmore |
7:11 |
|
|
Italian
Concerto in F major, BWV 971 |
Trevor
Pinnock (harpsichord) |
12:26 |
|
|
Jauchzet!
Frohlocket!, BWV 248 |
The Amsterdam
Baroque Orchestra and Choir conducted by Ton Koopman |
7:48 |
|
|
Jesu,
Joy of Man's Desiring, BWV 147 (arranged by Guillermo Figueroa) |
The
Orpheus Chamber Orchestra |
3:24 |
|
|
Minuet
and Bandiere from the Orchestral Suite No. 2, BWV 1067 |
The
Munich Bach Orchestra conducted by Karl Richter |
3:00 |
|
|
My Spirit be
Joyful, BWV 146 |
Douglas Major
(organ); The Empire Brass |
5:25 |
|
|
Oboe
Concerto in G minor, BWV 1056 |
Ingo
Goritzki (oboe); The Stuttgart Bach Collegium conducted by Helmuth Rilling |
9:25 |
|
|
Passacaglia
and Fugue in C minor, BWV 582 (orchestrated by Eugene Ormandy) |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
14:38 |
|
|
Prelude and
Fugue in A minor, BWV 543 |
Christopher
Herrick (organ) |
9:49 |
|
|
Prelude and
Fugue in C major, BWV 846 (from the Well-Tempered Clavier, Book 1) |
Maurizio
Pollini (piano) |
3:49 |
|
|
Prelude and
Fugue in D major, BWV 532 (orchestrated by Ottorino Respighi) |
The Seattle
Symphony Orchestra conducted by Gerard Schwarz |
10:08 |
|
|
Prelude and
Fugue in E flat major, BWV 522, St. Anne (orchestrated by Arnold
Schoenberg) |
The Boston
Symphony Orchestra conducted by Seiji Ozawa |
14:46 |
|
|
Prelude and
Fugue in G major, BWV 541 |
Anthony
Newman (organ) |
6:51 |
|
|
Preludium
in E major, BWV 1006 (arranged by Leopold Stokowski) |
The
BBC Philharmonic Orchestra conducted by Matthias Bamert |
3:50 |
|
|
Sanctus (from
the Mass in B minor, BWV 232) |
The
Monteverdi Choir and the English Baroque Soloists conducted by Sir John Eliot
Gardiner |
5:27 |
|
|
Schlummert
ein, BWV 82 |
Mack Harrell
(baritone); The RCA Orchestra conducted by Robert Shaw |
9:35 |
|
|
Sheep May
Safely Graze, BWV 208 |
The Norman
Luboff Choir and the London Symphony Orchestra conducted by Leopold Stokowski |
6:26 |
|
|
Sinfonia in D
major, BWV 1045 |
Isabelle
Faust (violin); The Collegeum Musicum of Stuttgart conducted by Helmuth
Rilling |
5:45 |
|
|
Sleepers,
Awake, BWV 140 |
The Orchestra
and Chorus of the Bach Guild conducted by Felix Prohaska |
4:43 |
|
|
Toccata and
Fugue in D minor, BWV 565 |
Michael
Murray (organ) |
8:38 |
|
|
Violin
Concerto in A minor, BWV 1041 |
Hilary Hahn
(violin); The Los Angeles Chamber Orchestra conducted by Jeffrey Kahane |
13:32 |
|
|
Tekla
Bądarzewska |
The Maiden's
Prayer, Op. 4 |
Péter Nagy
(piano) |
4:41 |
|
E.
E. Bagley |
National
Emblem March |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
3:06 |
|
Mili
Balakirev |
Oriental
Fantasy, Islamey |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
9:02 |
|
Michael
Balfe |
I
Dreamt I Dwelt in Marble Halls (from The Bohemian Girl) |
Yvonne
Kenny (Arline); The Melbourne Symphony Orchestra conducted by Vladimir
Kamirski |
4:11 |
|
Overture
to The Bohemian Girl |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
8:42 |
|
|
Samuel
Barber |
Adagio for
Strings, Op. 11b |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
9:14 |
|
First Essay
for Orchestra, Op. 17 |
The Detroit
Symphony Orchestra conducted by Neeme Järvi |
8:10 |
|
|
Music
for a Scene from Shelley, Op. 7 |
The
Symphony of the Air conducted by Vladimir Golschmann |
9:02 |
|
|
Must
the winter come so soon? (from Vanessa) |
Roberta
Alexander (Vanessa); The Netherlands Radio Philharmonic Orchestra conducted
by Edo de Waart |
2:24 |
|
|
Overture
to The School for Scandal |
The New York
Philharmonic conducted by Thomas Schippers |
7:45 |
|
|
Second Essay
for Orchestra, Op. 17 |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
10:55 |
|
|
Toccata
Festiva, Op. 36 |
Thomas
Trotter (organ); The Scottish National Orchestra conducted by Marin Alsop |
14:17 |
|
|
Violin
Concerto, Op. 14 |
Gil Shaham
(violin); The London Symphony Orchestra conducted by André Previn |
22:58 |
|
|
Béla
Bartók |
Concerto
for Orchestra |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
37:50 |
|
Music
for Strings, Percussion and Celesta |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
28:06 |
|
|
Piano
Concerto No. 2 |
Géza
Anda (piano); The Berlin Radio Symphony Orchestra conducted by Ferenc Fricsay |
28:31 |
|
|
Piano
Concerto No. 3 |
Martha
Argerich (piano); The Montreal Symphony Orchestra conducted by Charles Dutoit |
24:58 |
|
|
Suite
from The Miraculous Mandarin |
The
London Symphony Orchestra conducted by Sir Georg Solti |
17:46 |
|
|
Hubert
Bath |
Cornish
Rhapsody |
Phillip Fowke
(piano); The RTE Concert Orchestra conducted by Proinnsias Ó Duinn |
6:09 |
|
Arnold
Bax |
Christmas Eve |
The London
Philharmonic Orchestra conducted by Bryden Thomson |
17:56 |
|
Tintagel |
The
London Symphony Orchestra conducted by Sir John Barbirolli |
15:04 |
|
|
Antonio
Bazzini |
Scherzo
fantastique, Les rondes des Lutins, Op. 25 |
Gil Shaham
(violin), Jonathan Feldman (piano) |
5:29 |
|
Ludwig
van Beethoven |
Abscheulicher!..
Komm, Hoffnung (from Fidelio) |
Birgit
Nilsson (Leonore); The Philharmonia Orchestra conducted by Heinz Wallberg |
7:44 |
|
Ah! perfido,
Op. 65 |
Charlotte
Margiano (soprano); The Orchestre Révolutionnaire et Romantique conducted by
Sir John Eliot Gardiner |
12:44 |
|
|
Alleluia
Chorus from Christ on the Mount of Olives, Op. 85 |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
4:05 |
|
|
Bagatelle
No. 25 in A minor, Für Elise |
Rudolf
Buchbinder (piano) |
2:47 |
|
|
Fantasy in C
major for Piano, Chorus and Orchestra, Op. 80 |
Maurizio
Pollini (piano); The Vienna State Opera Chorus and the Vienna Philharmonic
Orchestra conducted by Claudio Abbado |
18:14 |
|
|
Gloria from
the Missa Solemnis in D major, Op. 123 |
Martina
Arroyo (soprano), Maureen Forrester (mezzo soprano), Richard Lewis (tenor),
Cesare Siepi (bass); The Singing City Choirs and the Philadelphia Orchestra
conducted by Eugene Ormandy |
17:11 |
|
|
Grosse Fugue
in B flat major, Op. 133 (orchestrated by Michael Gielen) |
The Orchestra
of the Southwest German Radio, Baden-Baden conducted by Michael Gielen |
16:08 |
|
|
Leonore
Overture No. 3, Op. 72b |
The New York
Philharmonic conducted by Leonard Bernstein |
13:17 |
|
|
Minuet in G
major |
I Musici |
2:48 |
|
|
Overture
to Coriolanus, Op. 62 |
The
Philharmonia Orchestra conducted by Otto Klemperer |
8:04 |
|
|
Overture to Egmont,
Op. 84 |
The Cleveland
Orchestra conducted by George Szell |
8:41 |
|
|
Overture
to King Stephen, Op. 117 |
The
Gewandhaus Orchestra of Leipzig conducted by Riccardo Chailly |
5:57 |
|
|
Overture,
Name Day, Op. 115 |
The
Concertgebouw Orchestra of Amsterdam conducted by Eugen Jochum |
6:53 |
|
|
Overture, The
Consecration of the House, Op. 124 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
10:24 |
|
|
Piano
Concerto No. 5 in E flat major, Op. 73, Emperor |
Murray
Perahia (piano); The Concertgebouw Orchestra of Amsterdam conducted by
Bernard Haitink |
38:47 |
|
|
Piano
Sonata No. 8 in C minor, Op. 13, Pathétique |
Maurizio
Pollini (piano) |
17:28 |
|
|
Piano Sonata
No. 14 in C sharp major, Op. 27, No. 2, Moonlight |
Alfred
Brendel (piano) |
16:07 |
|
|
Piano
Sonata No. 26 in E flat major, Op. 81a, Les Adieux |
Emil Gilels
(piano) |
17:28 |
|
|
Pistol Scene
from Fidelio |
Dame
Gwyneth Jones (Leonore), James King (Florestan), Franz Crass (Rocco), Theo
Adam (Don Pizarro); The Staatskapelle Dresden conducted by Karl Böhm |
4:35 |
|
|
Prisoner's
Chorus from Fidelio |
The Vienna
State Opera Chorus and the Vienna Philharmonic Orchestra conducted by Lorin
Maazel |
8:23 |
|
|
Rondo in G
major in the Hungarian Style, Op. 129, Rage Over a Lost Penny |
Alfred
Brendel (piano) |
6:16 |
|
|
Symphony
No. 3 in E flat major, Op. 55, Eroica |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
48:05 |
|
|
Symphony
No. 5 in C minor, Op. 67 |
The
Vienna Philharmonic Orchestra conducted by Carlos Kleiber |
33:26 |
|
|
Symphony
No. 6 in F major, Op. 68, Pastoral |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
37:50 |
|
|
Symphony
No. 7 in A major, Op. 92 |
The
Pittsburgh Symphony Orchestra conducted by William Steinberg |
37:56 |
|
|
Symphony
No. 9 in D minor, Op. 125, Choral |
Irmgard
Seefried (soprano), Maureen Forrester (contralto), Ernst Haefliger (tenor),
Dietrich Fischer-Dieskau (baritone), The Choir of St. Hedwig's Cathedral,
Berlin and the Berlin Philharmonic Orchestra conducted by Ferenc Fricsay |
68:37 |
|
|
Turkish
March from The Ruins of Athens |
The
Royal Philharmonic Orchestra conducted by Sir Thomas Beecham |
1:52 |
|
|
Wer
ein holdes Weib errungen (from Fidelio) |
Hildegard
Behrens (Leonore), Peter Hofmann (Florestan), Hans Sotin (Rocco), Sonia Ghazarian
(Marzelline), David Kübler (Jacquino), Gwynne Howell (Don Fernando); The
Chicago Symphony Orchestra and Chorus conducted by Sir Georg Solti |
3:47 |
|
|
Vincenzo
Bellini |
Ah! non
credea mirarti (from La sonnambula) |
Anna Netrebko
(Amina), Saimir Pirgu (Elvino); The Mahler Chamber Orchestra conducted by
Claudio Abbado |
4:14 |
|
Ah!
se un'urna è a me concessa (from Beatrice di Tenda) |
Dame
Joan Sutherland (Beatrice); The Ambrosian Singers and the London Symphony
Orchestra conducted by Richard Bonynge |
7:34 |
|
|
Casta
diva (from Norma) |
Beverly
Sills (Norma); The John Alldis Choir and the New Philharmonia Orchestra
conducted by James Levine |
8:25 |
|
|
D'un pensiero
e d'un accento… Non più nozze (from La sonnambula) |
Dame Joan
Sutherland (Amina), Luciano Pavarotti (Elvino); The London Opera Chorus and
the National Philharmonic Orchestra of London conducted by Richard Bonynge |
7:28 |
|
|
Mira,
o Norma (from Norma) |
Monserrat Caballé
(Norma), Fiorenza Cossotto (Adalgisa); The London Philharmonic Orchestra
conducted by Carlo Felice Cillario |
7:51 |
|
|
Oh! vieni al
tempio… Ma tu già mi fuggi? (from I puritani) |
Beverly Sills
(Elvira), Louis Qullico (Riccardo), Paul Plishka (Giorgio), Riccardo
Cassinelli (Bruno), Richard Van Allen (Valton); The Ambrosian Opera Chorus
and the London Philharmonic Orchestra conducted by Julius Rudel |
9:23 |
|
|
Overture to I
Capuleti e i Montecchi |
The Orchestra
dell'Accademia Nazionale di Santa Cecilia conducted by Myung Whun Chung |
4:42 |
|
|
Son vergin
vezzosa (from I puritani) |
Montserrat
Caballé (Elvira), Julia Hamari (Enrichetta), Alfredo Kraus (Arturo), Agostino
Ferrin (Giorgio); The Ambrosian Opera Chorus and the Philharmonia Orchestra
conducted by Riccardo Muti |
5:28 |
|
|
Ralph
Benatzky |
Im
Salzkammergut (from White Horse Inn) |
Marion
Grimaldi (Josepha); The Mike Sammes Singers and the 20th Century Symphony
Orchestra conducted by Johnny Douglas |
3:40 |
|
Julius
Benedict |
Overture to The
Lily of Killarney |
The Victorian
Opera Orchestra conducted by Richard Bonynge |
8:43 |
|
Arthur
Benjamin |
Jamaican
Rumba |
The
BBC Concert Orchestra conducted by Vernon Handley |
2:21 |
|
Luciano
Berio |
Four Original
Versions of Boccherini’s Ritirata notturna di Madrid |
The Giuseppe
Verdi Symphony Orchestra of Milan conducted by Riccardo Chailly |
6:28 |
|
Hector
Berlioz |
Dies
Irae (from the Requiem, Op. 5) |
The Choirs of
Radio France, the French National Orchestra and the Radio France Philharmonic
Orchestra conducted by Leonard Bernstein |
12:55 |
|
Grand
fête chez Capulet (from Roméo et Juliette) |
The
Philadelphia Orchestra conducted by Riccardo Muti |
6:00 |
|
|
Judex
Crederis (from the Te Deum, Op. 22) |
The
London Symphony Chorus, the London Philharmonic Chorus and the European
Community Youth Orchestra conducted by Claudio Abbado |
10:29 |
|
|
La belle
voyageuse, Op. 2, No. 4 |
Sheila
Armstrong (soprano); The London Symphony Orchestra conducted by Sir Colin
Davis |
5:39 |
|
|
La
captive, Op. 12 |
Véronique
Gens (soprano); The Orchestra of the Lyon Opera conducted by Louis Langrée |
7:43 |
|
|
L'îsle
inconnue (from Les nuits d'été) |
Yvonne
Minton (soprano); The BBC Symphony Orchestra conducted by Pierre Boulez |
3:45 |
|
|
Love
Scene (from Roméo et Juliette) |
The
BBC Symphony Orchestra conducted by Sir Andrew Davis |
14:58 |
|
|
Overture
to Benvenuto Cellini |
The
London Symphony Orchestra conducted by André Previn |
10:08 |
|
|
Overture,
Les francs-juges |
The
Montreal Symphony Orchestra conducted by Charles Dutoit |
11:40 |
|
|
Overture, The
Corsair, Op. 21 |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
8:14 |
|
|
Queen
Mab Scherzo (from Roméo et Juliette) |
The
Chicago Symphony Orchestra conducted by Carlo Maria Giulini |
8:46 |
|
|
Roman
Carnival Overture |
The
Berlin Philharmonic Orchestra conducted by Lorin Maazel |
8:42 |
|
|
Royal
Hunt and Storm from Les Troyens |
The
Chorus and Orchestra of the Royal Opera House, Covent Garden conducted by
Bernard Haitink |
9:44 |
|
|
Symphonie
Fantastique, Op. 14 |
The
Boston Symphony Orchestra conducted by Charles Munch |
49:14 |
|
|
The
Shepherds' Farewell (from L'enfance du Christ) |
The
Atlanta Symphony Orchestra and Chorus conducted by Robert Shaw |
5:24 |
|
|
Three Pieces
from La damnation de Faust, Op. 24 |
The
Philadelphia Orchestra conducted by Charles Munch |
12:12 |
|
|
Trojan
March |
The
City of Birmingham Symphony Orchestra conducted by Louis Frémaux |
5:24 |
|
|
Leonard
Bernstein |
Overture
to Candide |
The
New York Philharmonic conducted by Leonard Bernstein |
4:12 |
|
Franz
Berwald |
Overture
to The Queen of Golconda |
The
Royal Philharmonic Orchestra conducted by Ulf Björlin |
7:16 |
|
Ronald
Binge |
Elizabethan
Serenade |
The RCA
Orchestra conducted by Douglas Gamley |
2:49 |
|
Henry
Bishop |
Home! Sweet
Home! |
The New York
Vocal Arts Ensemble conducted by Raymond Beegle |
2:59 |
|
Georges
Bizet |
Chorus
of the Smugglers (from Carmen) |
Leontyne
Price (Carmen), Franco Corelli (Don José), Monique Linval (Frasquita),
Geneviève Macaux (Mercédes), Jean-Christophe Benoit (Dancaire); The Vienna
State Opera Chorus and the Vienna Philharmonic Orchestra conducted by Herbert
von Karajan |
4:56 |
|
Flower
Song (from Carmen) |
Plácido
Domingo (Don José); The London Symphony Orchestra conducted by Claudio Abbado |
4:22 |
|
|
Gypsy
Song (from Carmen) |
Marilyn
Horne (Carmen), Collet Boky (Frasquita),
Marcia Baldwin (Mercédes); The Metropolitan Opera Orchestra and Chorus
conducted by Leonard Bernstein |
4:56 |
|
|
Habanera
(from Carmen) |
Julia Migenes
(Carmen); The Choir of Radio France and the French National Orchestra
conducted by Lorin Maazel |
4:12 |
|
|
L'Arlésienne
Suite No. 1 |
The
Cleveland Orchestra conducted by George Szell |
17:18 |
|
|
L'Arlésienne
Suite No. 2 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
16:59 |
|
|
Micaëla's
Air (from Carmen) |
Dame
Kiri Te Kanawa (Micaëla); The London Philharmonic Orchestra conducted by Sir
Georg Solti |
5:48 |
|
|
Petite Suite |
The RTÉ
National Symphony Orchestra conducted by Jean-Luc Tingaud |
10:44 |
|
|
Seguidilla
(from Carmen) |
Grace
Bumbry (Carmen), Jon Vickers (Don José); The Paris Opera Orchestra conducted
by Rafael Frühbeck de Burgos |
4:39 |
|
|
Suite
from La jolie fille de Perth |
The
Montreal Symphony Orchestra conducted by Charles Dutoit |
12:36 |
|
|
Suite
No. 1 from Carmen |
The
National Philharmonic Orchestra of London conducted by Leopold Stokowski |
12:06 |
|
|
Suite
No. 2 from Carmen |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
19:47 |
|
|
Symphony
in C major |
The
Royal Philharmonic Orchestra conducted by Charles Munch |
25:05 |
|
|
Then
from the sacred shrine (from The Pearl Fishers) |
Barry Banks
(Nadir), Simon Keenlyside (Zurga); The London Philharmonic Orchestra
conducted by David Parry |
7:10 |
|
|
Toreador's
Song (from Carmen) |
Bryn
Terfel (Escamillo); The London Symphony Orchestra conducted by Barry
Wordsworth |
3:52 |
|
|
Ernest
Bloch |
Baal
Shem |
Joshua
Bell (violin); The Baltimore Symphony Orchestra conducted by David Zinman |
14:11 |
|
Schelomo |
Leonard
Rose (cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
21:12 |
|
|
Luigi
Boccherini |
Minuet |
I
Musici |
4:11 |
|
String
Quintet in C major, G. 324, La musica notturna delle strade di madrid |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
10:29 |
|
|
François
Boïeldieu |
Overture to La
dame blanche |
The Detroit
Symphony Orchestra conducted by Paul Paray |
7:25 |
|
Overture to Le
calife de Bagdad |
The New
Philharmonia Orchestra conducted by Richard Bonynge |
7:44 |
|
|
Arrigo
Boito |
Salve
Regina! (from Mefistofele) |
The Ambrosian
Opera Chorus and the London Symphony Orchestra conducted by Julius Rudel |
6:37 |
|
Joseph
Bonnet |
Elfes, Op. 7,
No. 11 |
Jane
Parker-Smith (organ) |
3:51 |
|
Alexander
Borodin |
In the
Steppes of Central Asia |
The
Gothenburg Symphony Orchestra conducted by Neeme Järvi |
7:33 |
|
Nocturne |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
8:59 |
|
|
Overture to Prince
Igor |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
10:13 |
|
|
Polovetsian
Dances |
The John
Alldis Choir and the National Phiharmonic Orchestra of London conducted by
Loris Tjeknavorian |
11:33 |
|
|
Symphony No.
2 in B minor |
The Royal
Philharmonic Orchestra conducted by Vladimir Ashkenazy |
27:10 |
|
|
Dmitri
Bortniansky |
Ich
bete an die Macht der Liebe |
The
Leipzig Radio Choir conducted by Jörg-Peter Weigle |
3:43 |
|
William
Boyce |
Symphony
No. 5 in D major |
I
Solisti di Zagreb conducted by Antonio Janigro |
7:27 |
|
Peter
Boyer |
New
Beginnings |
The London
Symphony Orchestra conducted by Peter Boyer |
11:47 |
|
Johannes
Brahms |
Academic
Festival Overture, Op. 80 |
The
Gewandhaus Orchestra of Leipzig conducted by Riccardo Chailly |
9:24 |
|
Alto
Rhapsody, Op. 53 |
Dame Janet
Baker (Alto); The John Alldis Choir and the London Philharmonic Orchestra
conducted by Sir Adrian Boult |
12:03 |
|
|
Blessed are
they that mourn (from A German Requiem, Op. 45) |
The Mormon
Tabernacle Choir and the Utah Symphony Orchestra conducted by Craig Jessop |
10:38 |
|
|
Concerto in A
minor for Violin, Cello and Orchestra, Op. 102 |
Itzhak
Perlman (violin), Mstislav Rostropovich (cello); The Concertgebouw Orchestra
of Amsterdam conducted by Bernard Haitink |
33:25 |
|
|
Hungarian
Dance No. 5 in G minor |
The
London Symphony Orchestra conducted by Antal Doráti |
2:11 |
|
|
Hungarian
Dance No. 6 in D major |
The
Vienna Philharmonic Orchestra conducted by Claudio Abbado |
3:09 |
|
|
Hungarian
Dance No. 7 in A major |
The Budapest
Festival Orchestra conducted by Iván Fischer |
1:55 |
|
|
Piano
Concerto No. 1 in D minor, Op. 15 |
Leon
Fleisher (piano); The Cleveland Orchestra conducted by George Szell |
46:52 |
|
|
Piano
Concerto No. 2 in B flat major, Op. 83 |
Van Cliburn
(piano); The Chicago Symphony Orchestra conducted by Fritz Reiner |
48:31 |
|
|
Rhapsody in G
minor, Op. 79, No. 2 |
Martha
Argerich (piano) |
6:34 |
|
|
Serenade
No. 1 in D major, Op. 11 |
The
Leipzig Gewandhaus Orchestra conducted by Riccardo Chailly |
39:11 |
|
|
Symphony No.
1 in C minor, Op. 68 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
45:40 |
|
|
Symphony
No. 2 in D major, Op. 73 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
41:07 |
|
|
Symphony
No. 3 in F major, Op. 90 |
The
Columbia Symphony Orchestra conducted by Bruno Walter |
33:21 |
|
|
Symphony
No. 4 in E minor, Op. 98 |
The
Vienna Philharmonic Orchestra conducted by Carlos Kleiber |
39:41 |
|
|
Tragic
Overture, Op. 81 |
The
National Philharmonic Orchestra of London conducted by Leopold Stokowski |
11:46 |
|
|
Variations in
B flat major on a Theme by Haydn, Op. 56a |
The Vienna
Philharmonic Orchestra conducted by István Kertész |
18:44 |
|
|
Violin
Concerto in D major, Op. 77 |
Lisa
Batiashvili (violin); The Staatskapelle Dresden conducted by Christian
Thielemann |
38:00 |
|
|
Wiegenlied,
Op. 49, No. 4 |
Anne Sofie
von Otter (soprano), Bengt Forsberg (piano) |
1:55 |
|
|
Frank Bridge |
There is a
Willow grows aslant a Brook |
The English
Chamber Orchestra conducted by Jeffrey Tate |
10:20 |
|
Benjamin
Britten |
Four Sea
Interludes from Peter Grimes, Op. 33a |
The
Ulster Orchestra conducted by Vernon Handley |
15:45 |
|
Matinées
Musicales, Op. 24 (after Gioacchino Rossini) |
The National
Philharmonic Orchestra of London conducted by Richard Bonynge |
13:20 |
|
|
Passacaglia
from Peter Grimes |
The London
Symphony Orchestra conducted by André Previn |
7:31 |
|
|
Simple
Symphony, Op. 4 |
The
Orpheus Chamber Orchestra |
17:57 |
|
|
Sinfonia
da Requiem, Op. 20 |
The
Philharmonia Orchestra conducted by Benjamin Britten |
20:39 |
|
|
Soirées
Musicales, Op. 9 (after Gioacchino Rossini) |
The National
Philharmonic Orchestra of London conducted by Richard Bonynge |
9:49 |
|
|
The
Young Person's Guide to the Orchestra, Op. 34 |
The
London Symphony Orchestra conducted by Benjamin Britten |
16:37 |
|
|
Max
Bruch |
Kol
Nidrei, Op. 47 |
János
Starker (cello); The London Symphony Orchestra conducted by Antal Doráti |
9:57 |
|
Scottish
Fantasy, Op. 46 |
Jascha
Heifetz (violin); The New Symphony Orchestra of London conducted by Sir
Malcolm Sargent |
25:50 |
|
|
Violin
Concerto No. 1 in G minor, Op. 26 |
Kyung
Wha Chung (violin); The Royal Philharmonic Orchestra conducted by Rudolf
Kempe |
24:20 |
|
|
Anton
Bruckner |
Ave
Maria |
The
Monteverdi Choir conducted by Sir John Eliot Gardiner |
4:11 |
|
Christus
factus est |
The
Choir of King's College, Cambridge conducted by Sir Stephen Cleobury |
5:16 |
|
|
Ecce
sacerdos magnus |
The
Corydon Singers conducted by Matthew Best |
5:06 |
|
|
Gloria from
the Mass No. 3 in F minor |
The New
Philharmonia Orchestra and Chorus conducted by Daniel Barenboim |
10:06 |
|
|
Locus
iste |
Tenebrae
conducted by Nigel Short |
3:31 |
|
|
Os justi |
The
Bavarian Radio Chorus conducted by Eugen Jochum |
5:08 |
|
|
Psalm
150 |
Pamela
Coburn (soprano); The Gächinger Kantorei and the Bach-Collegium Stuttgart
conducted by Helmuth Rilling |
9:40 |
|
|
Te
Deum |
Maria
Stader (soprano), Helen Vanni (alto), Stanley Kolk (tenor), Herbert Beattie
(bass); The Temple University Chorus and the Philadelphia Orchestra conducted
by Eugene Ormandy |
18:46 |
|
|
Vexilla
regis |
Polyphony
conducted by Stephen Layton |
5:04 |
|
|
Geoffrey
Burgon |
Nunc dimittis |
Michael Laird
(trumpet), Jeremy Suter (organ); The Chorus of Chichester Cathedral conducted
by Alan Thurlow |
2:58 |
|
Ferruccio
Busoni |
Comedy
Overture |
The
Orchestre Sinfonia di Roma conducted by Francesco La Vecchia |
6:59 |
|
Divertimento
for Flute and Orchestra |
Aurèle Nicolet
(flute); The Gewandhaus Orchestra of Leipzig conducted by Kurt Masur |
9:29 |
|
|
Tanswalzer,
Op. 53 |
The
BBC Philharmonic Orchestra conducted by Neeme Järvi |
12:32 |
|
|
George
Butterworth |
The
Banks of Green Willow |
The English
Chamber Orchestra conducted by Sir Jeffrey Tate |
6:48 |
|
Dietrich
Buxtehude |
Prelude
and Fugue in G minor, BuxWV 149 |
E.
Power Biggs (organ) |
7:28 |
|
Joseph
Canteloube |
Baïlèro |
Dame Kiri Te
Kanawa (soprano); The English Chamber Orchestra conducted by Sir Jeffrey Tate |
6:48 |
|
Eduardo
di Capua |
O
solo mio |
Luciano
Pavarotti (tenor); The National Philharmonic Orchestra of London conducted by
Giancarlo Chiaramello |
3:26 |
|
Alfredo
Casella |
Paganiniana |
The
Philadephia Orchestra conducted by Eugene Ormandy |
17:32 |
|
Alfredo
Catalani |
Ebben? ne
andrò lontana (from La Wally) |
Renata
Tebaldi (Wally); The Orchestra of the Monte Carlo Opera conducted by Fausto
Cleva |
5:00 |
|
Emmanuel
Chabrier |
Bourreé
fantasque |
The
Orchestre National de France conducted by Armin Jordan |
7:02 |
|
Danse
slave (from Le roi malgré lui) |
The
Orchestre de la Suisse Romande conducted by Neeme Järvi |
5:27 |
|
|
España |
The
Philadelphia Orchestra conducted by Riccardo Muti |
6:08 |
|
|
Fête
polonaise |
The Orchestre
de la Suisse Romande conducted by Ernest Ansermet |
8:45 |
|
|
Joyeuse
March |
The
Orchestre de Capitole du Toulouse conducted by Michel Plasson |
3:45 |
|
|
Overture
to Gwendoline |
The
Vienna Philharmonic Orchestra conducted by Sir John Eliot Gardiner |
8:39 |
|
|
Suite
pastorale |
The
Detroit Symphony Orchestra conducted by Paul Paray |
16:01 |
|
|
Cécile
Chaminade |
The
Flatterer, Op. 50 |
Eric Parkin
(piano) |
2:19 |
|
Gustave
Charpentier |
Depuis
le jour (from Louise) |
Reneé
Fleming (Louise); The English Chamber Orchestra conducted by Sir Jeffrey Tate |
6:04 |
|
Marc-Antoine
Charpentier |
Marche
de Triomphe et Second Air de Trompette |
Musica
Antiqua of Cologne conducted by Reinhard Goebel |
5:50 |
|
Ernest
Chausson |
Poème,
Op. 25 |
Erick
Friedman (violin); The London Symphony Orchestra conducted by Sir Malcolm
Sargent |
14:46 |
|
Soir de Fête,
Op. 32 |
The BBC
Philharmonic Orchestra conducted by Yan Pascal Tortelier |
13:36 |
|
|
Symphony
in B flat major, Op. 20 |
The
Boston Symphony Orchestra conducted by Charles Munch |
31:36 |
|
|
Viviane,
Op. 5 |
The
Basel Symphony Orchestra conducted by Armin Jordan |
11:51 |
|
|
Luigi
Cherubini |
Overture
to Anacréon |
The
Orchestre Lamoureux conducted by Igor Markevitch |
9:48 |
|
Overture to Faniska |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
7:30 |
|
|
Frédéric
Chopin |
Andante Spinato
and Grande Polonaise Brillante in E flat major, Op. 22 |
Martha
Argerich (piano) |
13:22 |
|
Ballade in G
minor, Op. 23 |
Artur
Rubinstein (piano) |
9:28 |
|
|
Étude
in A flat major, Op. 25, No. 1, Aeolean Harp |
Murray
Perahia (piano) |
2:19 |
|
|
Étude
in C minor, Op. 10, No. 12, Revolutionary |
Vladimir
Ashkenazy (piano) |
2:47 |
|
|
Étude in C
minor, Op. 25, No. 12 |
Maurizio
Pollini (piano) |
2:31 |
|
|
Étude in G
flat major, Op. 10, No. 5, Black Keys |
Yuchan Lim
(piano) |
1:40 |
|
|
Fantasie
Impromptu in C sharp minor, Op. 66 |
Angela Hewitt
(piano) |
5:14 |
|
|
Fantasy in A
major on Polish Airs, Op. 13 |
Claudio Arrau
(piano); The London Philharmonic Orchestra conducted by Elihu Inbal |
14:13 |
|
|
Funeral March
from the Piano Sonata No. 2 in B flat minor, Op. 35 (orchestrated by Leopold
Stokowski) |
The BBC
Philharmonic Orchestra conducted by Matthias Bamert |
7:03 |
|
|
Krakowiak,
Op. 14 |
Bella
Davidovich (piano); The London Symphony Orchestra conducted by Sir Neville
Marriner |
14:34 |
|
|
Polonaise-Fantaisie
in A flat major, Op. 61 |
Artur
Rubinstein (piano) |
12:58 |
|
|
Polonaise in
A flat major, Op. 53, Heroic |
Evgeny
Kissin (piano) |
6:30 |
|
|
Polonaise
in A major, Op. 40, No. 1, Military |
Vladimir
Horowitz (piano) |
4:54 |
|
|
Prelude
in D flat major, Op. 28, No. 15, Raindrop |
Nikita
Magaloff (piano) |
5:03 |
|
|
Variations
in B flat major on La ci darem la mano, Op. 2 |
Eldar
Nebolsin (piano); The Deutsches Symphonie-Orchester Berlin conducted by
Vladimir Ashkenazy |
15:50 |
|
|
Waltz
in C sharp minor, Op. 64, No. 2 |
Alice
Sara Ott (piano) |
3:43 |
|
|
Waltz
in D flat major, Op. 64, No. 1, Minute |
Philippe
Entremont (piano) |
1:57 |
|
|
Waltz
in E flat major, Op. 18, Grande valse brillante |
Jean-Yves
Thibaudet (piano) |
5:00 |
|
|
Francesco
Cilea |
E
la solita storia (from L'arlesiana) |
Jonas
Kaufmann (Federico); The Orchestra dell'Accademia Nazionale di Santa Cecilia
conducted by Sir Antonio Pappano |
3:57 |
|
Io
son l'umile ancella (from Adriana Lecouvreur) |
Renata
Scotto (Adriana); The London Symphony Orchestra conducted by Gianadrea
Gavanezzi |
3:20 |
|
|
Poveri
fiori (from Adriana Lecouvreur) |
Leontyne
Price (Adriana); The New Philharmonia Orchestra conducted by Nello Santi |
3:12 |
|
|
Jeremiah
Clarke |
Trumpet
Voluntary |
Gilbert
Johnson (trumpet); The Philadelphia Orchestra conducted by Eugene Ormandy |
2:21 |
|
Eric
Coates |
London Suite |
The Royal
Liverpool Philharmonic Orchestra conducted by Sir Charles Groves |
14:34 |
|
The
Dambusters |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
3:56 |
|
|
Aaron
Copland |
An Outdoor
Overture |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
8:54 |
|
Appalachian
Spring |
The
Detroit Symphony Orchestra conducted by Antal Doráti |
23:06 |
|
|
Danzon
cubano |
The
Detroit Symphony Orchestra conducted by Leonard Slatkin |
7:07 |
|
|
El Salón
México |
The Baltimore
Symphony Orchestra conducted by David Zinman |
11:45 |
|
|
Fanfare
for the Common Man |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
2:57 |
|
|
Four Dance
Episodes from Rodeo |
The New York
Philharmonic conducted by Leonard Bernstein |
18:18 |
|
|
Quiet
City |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
8:45 |
|
|
Suite
from Billy the Kid |
The
London Symphony Orchestra conducted by Aaron Copland |
21:02 |
|
|
Suite from The
Red Pony |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
23:25 |
|
|
Three
Latin-American Sketches |
The Orpheus
Chamber Orchestra |
10:25 |
|
|
Arcangelo
Corelli |
Concerto
Grosso in G minor, Op. 6, No. 8, Christmas |
The
English Concert conducted by Trevor Pinnock |
14:07 |
|
Teodoro
Cottrau |
Santa
Lucia |
Roberto
Alagna (tenor); The Orchestre National d'Ile de France conducted by Yvan
Cassar |
4:13 |
|
François
Couperin |
Les baricades
mystérieuses |
Trevor
Pinnock (harpsichord) |
2:11 |
|
Paul
Creston |
A
Rumor |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
5:51 |
|
Claude
Debussy |
Children's
Corner Suite |
Philippe
Entremont (piano) |
15:21 |
|
Claire de
Lune (orchestrated by Lucien Calliet) |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
5:04 |
|
|
Danses sacrée
et profane |
Vera Badings
(harp); The Concertgebouw Orchestra of Amsterdam conducted by Bernard Haitink |
|
|
|
Jeux |
The
Cleveland Orchestra conducted by Pierre Boulez |
16:06 |
|
|
La
cathédrale engloutie (orchestrated by Leopold Stokowski) |
The
New Philharmonia Orchestra conducted by Leopold Stokowski |
6:40 |
|
|
La
mer |
The
Montreal Symphony Orchestra conducted by Charles Dutoit |
23:02 |
|
|
L'isle
joyeuse |
Vladimir
Horowitz (piano) |
6:01 |
|
|
Petit
Suite (orchestrated by Henri Busser) |
The
Orchestre Symphonique de Québec conducted by Yoav Talmi |
14:55 |
|
|
Prélude à
l'après-midi d'un faune |
The Boston
Symphony Orchestra conducted by Charles Munch |
9:05 |
|
|
Rêverie |
Alice Sara
Ott (piano) |
4:44 |
|
|
Symphonic
Poem, Printemps |
The Orchestre
de Capitole du Toulouse conducted by Michel Plasson |
15:46 |
|
|
Tarantelle
styrienne (orchestrated by Maurice Ravel) |
The
Orchestre National de la RTF conducted by Jean Martinon |
|
|
|
Léo
Delibes |
Air de
Clochettes (from Lakmé) |
Sumi Jo
(Lakmé); The Monte Carlo Philharmonic Orchestra conducted by Paolo Olmi |
7:45 |
|
Flower
Duet from Lakmé |
Dame
Joan Sutherland (Lakmé), Jane Berbié (Mallika); The Orchestra of the Monte
Carlo Opera conducted by Richard Bonynge |
6:06 |
|
|
Suite from Coppélia |
The New
Philharmonia Orchestra conducted by Sir Charles Mackerras |
12:17 |
|
|
Suite
from Sylvia |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
12:15 |
|
|
Frederick
Delius |
A Dance
Rhapsody No. 2 |
The Royal
Philharmonic Orchestra conducted by Sir Thomas Beecham |
7:44 |
|
In
a Summer Garden |
The
Orchestra of the Welsh National Opera conducted by Sir Charles Mackerras |
14:11 |
|
|
On
Hearing the First Cuckoo of Spring |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
6:12 |
|
|
Summer
Night on the River |
The
English Chamber Orchestra conducted by Daniel Barenboim |
5:42 |
|
|
The Walk to
the Paradise Garden from A Village Romeo and Juliet |
The Scottish
National Orchestra conduced by David Lloyd-Jones |
9:16 |
|
|
David
Diamond |
Rounds for
String Orchestra |
The Los
Angeles Chamber Orchestra conducted by Gerard Schwarz |
13:57 |
|
Alphons
Diepenbrock |
Hymne |
The
St. Gallen Symphony Orchestra conducted by Otto Tausk |
14:16 |
|
Vincent
d'Indy |
Symphony
on a French Mountain Air, Op. 25 |
Nicole
Henriot-Schweitzer (piano); The Boston Symphony Orchestra conducted by
Charles Munch |
25:17 |
|
Grigoras
Dinicu |
Hora Staccato |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
2:07 |
|
Ignacy
Dobrzyński |
Overture
to Monbar |
The
Polish National Radio Symphony Orchestra conducted by Łukasz Borowicz |
10:53 |
|
Robert
Docker |
The
Spirit of Cambria |
The
RTÉ Concert Orchestra conducted by Barry Knight |
7:58 |
|
Ernst
von Dohnányi |
Variations
on a Nursery Song, Op. 25 |
Zoltán
Kocsis (piano); The Budapest Festival Orchestra conducted by Iván Fischer |
22:41 |
|
Gaetano
Donizetti |
Ah!
mes amis, quel jour de fête (from La fille du régiment) |
Luciano
Pavarotti (Tonio); The Orchestra and Chorus of the Royal Opera House, Covent
Garden conducted by Richard Bonynge |
6:37 |
|
Ah! tardai
troppo… O luce di quest’anima (from Linda di Chamounix) |
Hila Fahima
(Linda); The Vienna Radio Symphony Orchestra conducted by Michele Gamba |
6:08 |
|
|
Chiedi
all'aura lusinghiera (from L'elisir d'amore) |
Kathleen
Battle (Adina), Luciano Pavarotti (Nemorino); The Metropolitan Opera
Orchestra conducted by James Levine |
6:35 |
|
|
Da tutti
abbandonata (from Maria Stuarda) |
Beverly Sills
(Maria), Stuart Burrows (Leicester); The London Philharmonic Orchestra
conducted by Aldo Ceccato |
9:01 |
|
|
L’ai je bien
entendu... O mon Fernand... Mon arrêt descend du ciel (from La Favorite) |
Denyce Graves
(Léonore); The Orchestra of the Monte Carlo Opera conducted by Marc Soustrout |
6:33 |
|
|
Overture to Don
Pasquale |
The
Philharmonia Orchestra conducted by Riccardo Muti |
6:16 |
|
|
Overture
to Roberto Devereux |
The Royal
Philharmonic Orchestra conducted by Sir Charles Mackerras |
6:56 |
|
|
Povero
Ernesto! Cercherò lontana terra (from Don Pasquale) |
Alfredo Kraus
(Ernesto); The London Symphony Orchestra conducted by Sarah Caldwell |
7:23 |
|
|
Regnava nel
silenzio (from Lucia di Lammermoor) |
Dame Joan
Sutherland (Lucia), Huguette Tourangeau (Alisa); The Orchestra of the Royal
Opera House, Covent Garden conducted by Richard Bonynge |
8:23 |
|
|
Sextet from Lucia
di Lammermoor |
Cheryl Studer
(Lucia), Plácido Domingo (Edgardo), Juan Pons (Enrico), Jennifer Larmore
(Alisa), Samuel Ramey (Raimondo), Fernando de la Mora (Arturo); The Ambrosian
Opera Chorus and the London Symphony Orchestra conducted by Ion Marin |
3:50 |
|
|
Udite, udite,
o rustici (from L'elisir d'amore) |
Spiro Malas
(Dr. Dulcamara); The Ambrosian Opera Chorus and the English Chamber Orchestra
conducted by Richard Bonynge |
8:06 |
|
|
Un furtiva
lagrima (from L'elisir d'amore) |
Juan Diego
Flórez (Nemorino); The Giuseppe Verdi Symphony Orchestra of Milan conducted
by Riccardo Frizza |
4:45 |
|
|
Paul
Dukas |
The
Sorcerer's Apprentice |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
10:29 |
|
Henri
Duparc |
Phidylé |
Dame
Kiri Te Kanawa (soprano); The Orchestra of the National Opera, Brussels
conducted by Sir John Pritchard |
5:16 |
|
Antonín
Dvořák |
Carnival
Overture, Op. 92 |
The
Scottish National Orchestra conducted by Neeme Järvi |
9:08 |
|
Cello
Concerto in B minor, Op. 104 |
Pierre Fournier
(cello); The Berlin Philharmonic Orchestra coneducted by George Szell |
36:52 |
|
|
Czech Suite,
Op. 39 |
The Polish
Radio National Symphony Orchestra conducted by Antoni Wit |
23:15 |
|
|
Humoresque
in G flat major, Op. 101, No. 7 |
Itzhak
Perlman (violin), Yo-Yo Ma (cello); The Boston Symphony Orchestra conducted
by Seiji Ozawa |
3:32 |
|
|
Hussite
Overture, Op. 67 |
The
Czech Philharmonic Orchestra conducted by Václav Neumann |
13:43 |
|
|
Polonaise
from Rusalka |
The Minnesota
Orchestra conducted by Eiji Oue |
4:30 |
|
|
Scherzo
Capriccioso, Op. 66 |
The
Staatskapelle Dresden conducted by Paavo Berglund |
12:36 |
|
|
Serenade
in E major for Strings, Op. 22 |
The
Orpheus Chamber Orchestra |
28:20 |
|
|
Slavonic
Dance in C major, Op. 72, No. 7 |
The
Cleveland Orchestra conducted by Christoph von Dohnányi |
3:30 |
|
|
Song
to the Moon (from Rusalka) |
Leontyne
Price (Rusalka); The Orchestra of the Royal Opera House, Covent Garden
conducted by Nello Santi |
6:20 |
|
|
Suite
in A major, Op. 98a, American |
The
Berlin Radio Symphony Orchestra conducted by Michael Tilson Thomas |
20:26 |
|
|
Symphony
No. 7 in D minor, Op. 70 |
The
Cleveland Orchestra conducted by George Szell |
35:42 |
|
|
Symphony No.
8 in G minor, Op. 88 |
The London
Symphony Orchestra conducted by Istvan Kertész |
35:11 |
|
|
Symphony
No. 9 in E minor, Op. 95, From the New World |
The
Berlin Philharmonic Orchestra conducted by Rafael Kubelik |
42:27 |
|
|
Violin
Concerto in A minor, Op. 53 |
Ruggiero
Ricci (violin); The St. Louis Symphony Orchestra conducted by Walter Susskind |
29:18 |
|
|
Edward
Elgar |
Dream
Children, Op. 43 |
The
Bournemouth Sinfonietta conducted by Norman Del Mar |
7:55 |
|
In the South,
Op. 50 |
The
London Symphony Orchestra conducted by Sir Jeffrey Tate |
20:19 |
|
|
Introduction
and Allegro for String Orchestra, Op. 47 |
The Vienna
Philharmonic Orchestra conducted by Sir John Eliot Gardiner |
13:06 |
|
|
Meditation
from The Light of Life |
The Royal
Liverpool Philharmonic Orchestra conducted by Sir Charles Groves |
7:34 |
|
|
Overture, Cockaigne,
Op. 40 |
The London
Philharmonic Orchestra conducted by Sir Georg Solti |
14:17 |
|
|
Overture, Froissart,
Op. 19 |
The New
Philharmonia Orchestra conducted by Sir John Barbirolli |
14:15 |
|
|
Pomp
and Circumstance March in D major, Op. 39, No. 1 |
The
Philharmonia Orchestra conducted by Sir Andrew Davis |
6:38 |
|
|
Salut
d'Amour, Op. 12 |
Gil
Shaham (violin); The Orpheus Chamber Orchestra |
3:03 |
|
|
The
Crown of India Suite, Op. 66 |
The
London Philharmonic Orchestra conducted by Daniel Barenboim |
18:10 |
|
|
Three
Bavarian Dances, Op. 27 |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
11:45 |
|
|
Variations
on an Original Theme, Enigma, Op. 36 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
29:21 |
|
|
George
Enescu |
Romanian
Rhapsody No. 1 in A major, Op. 11 |
The London
Symphony Orchestra conducted by Antal Doráti |
12:00 |
|
Manuel
de Falla |
Interlude
and Spanish Dance from La vida breve |
The
Cincinnati Symphony Orchestra conducted by Jesús López Cobos |
7:05 |
|
Nights in the
Garden of Spain |
Philippe
Entremont (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
23:02 |
|
|
Ritual Fire
Dance from El amor brujo |
The
Pittsburgh Symphony Orchestra conducted by André Previn |
3:45 |
|
|
Suite
from The Three-Cornered Hat |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
12:18 |
|
|
Gabriel
Fauré |
Ballade
for Piano and Orchestra, Op. 19 |
Robert
Casadesus (piano); The New York Philharmonic conducted by Leonard Bernstein |
12:39 |
|
Cantique
de Jean Racine, Op. 11 |
The
Chorus and Orchestre de Paris conducted by Paavo Järvi |
4:48 |
|
|
Dolly, Op. 56 |
The Boston
Symphony Orchestra conducted by Seiji Ozawa |
18:09 |
|
|
Élégie
in C minor for Cello and Orchestra, Op. 24 |
Leonard
Rose (cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
7:14 |
|
|
Masques
et Bergamasques, Op. 112 |
The
Seattle Symphony Orchestra conducted by Ludovic Morlot |
13:37 |
|
|
Pavane, Op.
50 |
The New
Philharmonia Orchestra conducted by Sir David Willcocks |
6:51 |
|
|
Pie
Jesu (from the Requiem, Op. 48) |
Dame
Kiri Te Kanawa (soprano); The Montreal Symphony Orchestra conducted by
Charles Dutoit |
3:48 |
|
|
Suite
from Pelléas et Mélisande, Op. 80 |
The
Ulster Orchestra conducted by Yan Pascal Tortelier |
16:54 |
|
|
Vincenzo
Fioravanti |
Io son
zingara (from Gli zingari) |
Julie
Fuchs (Pucinella); The Orchestre National d'Île-de-France conducted by
Enrique Mazzola |
5:46 |
|
William
Fisher |
Goin'
Home |
Bryn Terfel
(baritone); The London Symphony Orchestra conducted by Barry Wordsworth |
5:39 |
|
Friedrich
von Flotow |
M'apparì
tutt'amor (from Martha) |
Plácido
Domingo (Lyonel); The London Symphony Orchestra conducted by Nello Santi |
3:49 |
|
Carlisle
Floyd |
Ain't
it a pretty night? (from Susannah) |
Cheryl
Studer (Susannah); The Orchestra of the Lyon Opera conducted by Kent Nagano |
5:34 |
|
Stephen
Foster |
My
Old Kentucky Home |
The
New York Vocal Arts Ensemble conducted by Raymond Beegle |
4:07 |
|
César Franck |
Les
Djinns |
Joshua
Pierce (piano); The Bohuslav Martinů Philharmonic Orchestra conducted by
Kirk Trevor |
11:55 |
|
Les Éolides |
The Ulster
Orchestra conducted by Yan Pascal Tortelier |
9:51 |
|
|
Panis
angelicus |
Dame
Kiri Te Kanawa (soprano); The English Chamber Orchestra conducted by Barry
Rose |
3:40 |
|
|
Psalm 150 |
The
Mormon Tabernacle Choir and the Utah Symphony Orchestra conducted by Julius
Rudel |
|
|
|
Rédemption |
The
Orchestre de Paris conducted by Daniel Barenboim |
13:54 |
|
|
Symphonic
Variations for Piano and Orchestra |
Philippe
Entremont (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
15:10 |
|
|
Symphony
in D minor |
The
Chicago Symphony Orchestra conducted by Pierre Monteux |
39:18 |
|
|
The Accursed
Huntsman |
The
Philadelphia Orchestra conducted by Riccardo Muti |
15:25 |
|
|
Harold
Fraser-Simson |
Love
will find a way (from The Maid of the Mountains) |
Dame
Joan Sutherland (Theresa); The New Philharmonia Orchestra conducted by
Richard Bonynge |
2:51 |
|
William
Henry Fry |
Niagara
Symphony |
The Scottish
National Orchestra conducted by Tony Rowe |
13:46 |
|
Julius
Fučík |
Entry of the
Gladiators, Op. 68 |
The Scottish
National Orchestra conducted by Neeme Järvi |
2:35 |
|
Florentine
March, Op. 214 |
The Berlin
Philharmonic Wind Ensemble conducted by Herbert von Karajan |
5:27 |
|
|
The Old Bear
with a Sore Head, Op. 210 |
Jiri Formaček
(bassoon); The Czech Philharmonic Orchestra conducted by Václav Neumann |
4:39 |
|
|
Jacob
Gade |
Jalousie |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
3:42 |
|
Niels
Gade |
Suite from Napoli |
The London
Festival Ballet Orchestra conducted by Terence Kern |
13:56 |
|
Balfour
Gardiner |
Overture to a
Comedy |
The Northern
Sinfonia of England conducted by Richard Hickox |
7:57 |
|
Edward
German |
Welsh
Rhapsody |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
17:51 |
|
George
Gershwin |
A
Symphonic Picture of Porgy and Bess(arranged by Robert Russell
Bennett) |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
25:05 |
|
An
American in Paris |
The
New York Philharmonic conducted by Leonard Bernstein |
18:28 |
|
|
Bess,
you is my woman now (from Porgy and Bess) |
Donnie
Ray Albert (Porgy), Clamma Dale (Bess); The Orchestra of the Houston Grand
Opera conducted by John DeMain |
5:51 |
|
|
Concerto
in F |
Earl
Wild (piano); The Boston Pops Orchestra conducted by Arthur Fiedler |
28:55 |
|
|
Cuban
Overture |
The
Chicago Symphony Orchestra conducted by James Levine |
9:54 |
|
|
Overture to Strike
Up the Band |
The
Buffalo Philharmonic Orchestra conducted by JoAnn Falletta |
6:56 |
|
|
Rhapsody
in Blue |
Lorin
Levee (piano); The Los Angeles Philharmonic Orchestra conducted by Michael
Tilson Thomas |
15:50 |
|
|
Summertime
(from Porgy and Bess) |
Kathleen
Battle (Bess); The Orchestra of St. Luke's conducted by André Previn |
2:42 |
|
|
Variations on
I Got Rhythm |
Jeffrey
Siegel (piano); The St. Louis Symphony Orchestra conducted by Leonard Slatkin |
8:58 |
|
|
Eugène
Gigout |
Toccata in B
minor |
Jane
Parker-Smith (organ) |
3:14 |
|
Alberto
Ginastera |
Suite
from Estancia, Op. 8a |
The
Orquesta Filarmónica de la Ciudad de México conducted by Enrique Bátiz |
12:50 |
|
Umberto
Giordano |
Final
Scene from Andrea Chénier |
Renata Scotto
(Maddelena), Plácido Domingo (Chénier); The National Philharmonic Orchestra
of London conducted by James Levine |
7:20 |
|
Un
dì all'azzurro spazio (from Andrea Chénier) |
Jonas
Kauffman (Chénier); The Orchestra dell'Accademia Nazionale di Santa Cecilia
conducted by Sir Antonio Pappano |
4:51 |
|
|
Alexander
Glazunov |
Autumn from The
Seasons |
The Scottish
National Orchestra conducted by Neeme Järvi |
11:04 |
|
Violin
Concerto in A minor, Op. 82 |
Jascha
Heifetz (violin); The RCA Orchestra conducted by Walter Hendl |
18:55 |
|
|
Reinhold
Glière |
Overture on
Slavonic Themes |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
9:51 |
|
Russian
Sailor's Dance from The Red Poppy |
The
New York Philharmonic conducted by Leonard Bernstein |
3:28 |
|
|
Mikhail
Glinka |
Jota
Aragonesa |
The London
Symphony Orchestra conducted by Sir Charles Mackerras |
8:38 |
|
Kamarinskaya |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
7:35 |
|
|
Overture
to Ruslan and Ludmila |
The
London Symphony Orchestra conducted by Sir Georg Solti |
4:59 |
|
|
Christoph
Willibald Gluck |
Ballet
Music from Orfeo ed Euridice |
The
London Symphony Orchestra conducted by Sir Charles Mackerras |
26:26 |
|
Che disse?
Che ascoltai?... Addio, addio, o mie sospiri (from Orfeo ed Euridice) |
Marilyn Horne
(Orfeo); The Orchestra of the Royal Opera House, Covent Garden conducted by
Sir Georg Solti |
6:39 |
|
|
Che
farò senza Euridice? (from Orfeo ed Euridice) |
Dame Janet
Baker (Orfeo); The English Chamber Orchestra conducted by Raymond Leppard |
3:50 |
|
|
Divinités
du Styx (from Alceste) |
Jessye
Norman (Alceste); The Bavarian Radio Orchestra and Chorus conducted by Serge
Baudo |
5:03 |
|
|
Ô malheuruse
Iphigénie (from Iphigénie en Tauride) |
Diane
Montague (Iphigenia); The Monteverdi Choir and the Orchestre de l’Opera de Lyon
conducted by Sir John Eliot Gardiner |
4:29 |
|
|
Benjamin
Godard |
Cachés
dans cet asile... Oh! ne t'éveille pas encor (from Jocelyn) |
Pene
Pati (Jocelyn); The Orchestre National Bordeaux Aquitaine conducted by
Emmanuel Villaume |
5:15 |
|
Karl
Goldmark |
Overture, In
Spring |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
9:42 |
|
Violin
Concerto in A minor, Op. 28 |
Itzhak
Perlman (violin); The Pittsburgh Symphony Orchestra conducted by André Previn |
34:18 |
|
|
Ron
Goodwin |
Aces
High |
The
BBC Philharmonic Orchestra conducted by Rumon Gamba |
3:44 |
|
Louis
Moreau Gottschalk |
Bamboula |
Eugene
List (piano) |
7:27 |
|
Concert
Paraphrase on National Airs, The Union, Op. 48 |
Cecile Licad
(piano) |
7:32 |
|
|
Grand
Tarantelle, Op. 67 |
William
Tritt (piano); The Cincinnati Pops Orchestra conducted by Erich Kunzel |
7:25 |
|
|
Symphony No.
1, A Night in the Tropics |
The Utah
Symphony Orchestra conducted by Maurice Abravanel |
18:51 |
|
|
Symphony
No. 2, A Montevideo |
The
Hot Springs Music Festival Symphony Orchestra conducted by Richard Rosenberg |
11:21 |
|
|
The
Banjo |
Leonard
Pennario (piano) |
3:33 |
|
|
Tournament
Galop |
Philip
Martin (piano) |
3:00 |
|
|
Variations
on the Brazilian National Anthem, Op. 69 |
Cristina
Ortiz (piano); The Royal Philharmonic Orchestra conducted by Moshe Atzmon |
8:11 |
|
|
Morton
Gould |
American
Salute |
The
Buffalo Philharmonic Orchestra conducted by Lukas Foss |
4:30 |
|
Charles
Gounod |
Ah!
Let me live in this dream (from Roméo et Juliette) |
Elizabeth
Futral (Juliet); The Philharmonia Orchestra conducted by Stephen White |
4:00 |
|
Alerte,
alerte!.. Christ est resusscité (from Faust) |
Victoria
de los Angeles (Marguerite), Nicolai Gedda (Faust), Boris Christoff
(Mephistopheles); The Paris Opera Orchestra and Chorus conducted by André
Cluytens |
5:35 |
|
|
Ave
Maria |
Dame
Kiri Te Kanawa (soprano); The Utah Symphony Orchestra conducted by Julius
Rudel |
2:53 |
|
|
Ballet
Music from Faust |
The
New Philharmonia Orchestra conducted by Sir Charles Mackerras |
16:50 |
|
|
Faiblesse
de la race humaine (from Le reine de Saba) |
Rolando
Villazón (Adoniram); The Radio France Philharmonic Orchestra conducted by
Evalino Pidò |
5:14 |
|
|
Funeral March
for a Marionette |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
4:08 |
|
|
Où
suis-je?.. Ô ma lyre immortelle (from Sapho) |
Magdalena
Kožená (Sapho); The Mahler Chamber Orchestra conducted by Marc Minkowski |
7:23 |
|
|
Plus
grand dans son obscurité (from Le reine de Saba) |
Elīna
Garanča (Balkis); The Orchestra del Teatro Comunale di Bologna conducted
by Yves Abel |
6:14 |
|
|
Pontifical
March |
The
Orchestra dell'Accademia Nazionale di Santa Cecilia conducted by Myung Whun
Chung |
2:39 |
|
|
Repentir |
Roberto
Alagna (tenor); The Orchestre National du Capitole de Toulouse conducted by
Michel Plasson |
5:27 |
|
|
Salut!
Demure chaste et pure (from Faust) |
Francisco
Araiza (Faust); The Bavarian Radio Symphony Orchestra conducted by Sir Colin
Davis |
5:29 |
|
|
Sanctus
(from the St. Cecilia Mass) |
Gerhard
Stolze (tenor); The Czech Chorus of Prague and the Czech Philharmonic
Orchestra conducted by Igor Markevitch |
6:35 |
|
|
Soldiers'
Chorus from Faust |
The
Paris Opera Orchestra and Chorus conducted by Georges Prêtre |
3:20 |
|
|
Waltz
from Faust |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
5:24 |
|
|
Percy
Grainger |
Irish
Tune from County Derry, Danny Boy |
The
St. Louis Symphony Orchestra conducted by Leonard Slatkin |
6:20 |
|
Enrique
Granados |
The Straw Man |
Alicia de
Larrocha (piano) |
4:13 |
|
Zapateado |
Xiayin
Yang (piano) |
4:10 |
|
|
André
Grétry |
Danses
Villageoises (arranged by François-Auguste Gevaert) |
The Orchestre
de Liège conducted by Paul Strauss |
15:49 |
|
Pantomime
from Zémire et Azor |
The
Orchestra of the Belgian Radio and Television conducted by Edgar Doneux |
1:42 |
|
|
Suite from Céphale
et Procris |
The Orchestre
de Bretagne conducted by Stephan Sanderling |
10:17 |
|
|
Edvard
Grieg |
Holberg
Suite, Op. 40 |
The Orpheus
Chamber Orchestra |
19:58 |
|
Homage March
from Sigurd Jorsalfar, Op. 56 |
The Hallé
Orchestra conducted by Sir John Barbirolli |
8:55 |
|
|
Lyric
Pieces, Op. 12 |
Nicholas
Roth (piano) |
10:32 |
|
|
Lyric
Suite, Op. 54 |
The
Bergen Philharmonic Orchestra conducted by Ole Kristian Ruud |
17:45 |
|
|
Norwegian
Dances, Op. 35 |
The Estonian
National Symphony Orchestra conducted by Paavo Järvi |
17:43 |
|
|
Overture,
In Autumn, Op. 11 |
The
Gothenburg Symphony Orchestra conducted by Neeme Järvi |
11:18 |
|
|
Piano
Concerto in A minor, Op. 16 |
Philippe
Entremont (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
27:48 |
|
|
Suite
No. 1 from Peer Gynt, Op. 46 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
14:49 |
|
|
Suite
No. 2 from Peer Gynt, Op. 55 |
The
New York Philharmonic conducted by Leonard Bernstein |
17:27 |
|
|
Wedding Day
at Troldhaugen, Op. 65, No. 6 |
The Scottish
National Orchestra conducted by Jerzy Maksymiuk |
6:07 |
|
|
Jules
Grison |
Toccata
in F major |
Jane
Parker-Smith (organ) |
5:45 |
|
Ferde
Grofé |
Grand
Canyon Suite |
The
Cincinnati Pops Orchestra conducted by Erich Kunzel |
31:02 |
|
Alexandre
Guilmant |
March on Lift
Up Your Heads |
Jennifer Bate
(organ) |
6:55 |
|
Reynaldo
Hahn |
L'énamourée |
Anna
Netrebko (soprano); The Prague Philharmonia conducted by Emmanuel Villaume |
3:24 |
|
Quand
la nuit n'est pas étoilée |
Konstantin
Wolff (bass-baritone), Trung Sam (piano) |
3:10 |
|
|
Si
mes vers avaient des ailes |
Susan
Graham (soprano), Roger Vignoles (piano) |
2:19 |
|
|
Fromental
Halévy |
Rachel,
quand du Seigneur (from La Juive) |
Plácido
Domingo (Eléazar); The Los Angeles Philharmonic Orchestra conducted by Carlo
Maria Giulini |
5:43 |
|
Vous
qui du Dieu vivant (from La Juive) |
José Carreras
(Eléazar), Júlia Várady (Rachel), June Anderson (Eudoxia), Dalmacio Gonzales
(Leopold), Ferruccio Furlanetto (Cardinal Brogni); The Ambrosian Opera Chorus
and the Philharmonia Orchestra conducted by Antonio de Alemeida |
5:48 |
|
|
Johann
Halvorsen |
March
of the Boyars |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
4:23 |
|
George
Frederic Handel |
Arrival
of the Queen of Sheba from Solomon |
The
English Chamber Orchestra conducted by Raymond Leppard |
3:07 |
|
Behold, a
virgin shall conceive… O thou that tellest good tidings to Zion (from Messiah) |
Catherine Robbin
(contralto); The Monteverdi Choir and the English Baroque Orchestra conducted
by Sir John Eliot Gardiner |
6:10 |
|
|
Coronation
Anthem No. 1, Zadok the Priest |
The Choir of
Westminster Abbey and the English Concert conducted by Simon Preston |
5:23 |
|
|
Dead March
from Saul |
E. Power
Biggs (organ); The English Chamber Orchestra conducted by Sir Charles Groves |
3:33 |
|
|
For
unto us a child is born (from Messiah) |
The
Academy of St. Martin-in-the-Fields Chorus and the Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
3:39 |
|
|
Halleluja
(from Messiah) |
The
Atlanta Symphony Orchestra and Chorus conducted by Robert Shaw |
3:11 |
|
|
I
know my Redeemer liveth (from Messiah) |
Heather
Harper (soprano); The London Symphony Orchestra conducted by Sir Colin Davis |
6:20 |
|
|
I Shall Tell
You a Mystery… The Trumpet Shall Sound (from Messiah) |
Gwynne Howell
(bass); The Chicago Symphony Orchestra and Chorus conducted by Sir Georg
Solti |
9:13 |
|
|
Largo
from Xerxes |
The London
Symphony Orchestra conducted by George Szell |
5:34 |
|
|
Let
the Bright Seraphim (from Samson) |
Dame
Joan Sutherland (soprano), Harry Dilly (trumpet); The Orchestra of the Royal
Opera House, Covent Garden conducted by Francesco Molinari-Pradelli |
5:53 |
|
|
Lift
up your heads (from Messiah) |
The
Choir of King's College, Cambridge and the Academy of Ancient Music conducted
by Sir Stephen Cleobury |
3:10 |
|
|
Minuet from Berenice |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
3:50 |
|
|
Music
for the Royal Fireworks |
La Grande
Écurie et la Chambre du Roi conducted by Jean-Claude Malgoire |
22:09 |
|
|
Overture
to Radamisto |
The
English Chamber Orchestra conducted by Richard Bonynge |
4:37 |
|
|
Sarabande
from the Keyboard Suite in D minor, HWV 437 |
Alan
Cuckston (harpsichord) |
4:39 |
|
|
Sing
ye to the Lord (from Israel in Egypt) |
Heather
Harper (soprano); The Leeds Festival Chorus and the English Chamber Orchestra
conducted by Sir Charles Mackerras |
3:46 |
|
|
The
Harmonious Blacksmith |
Igor Kipnis
(harpsichord) |
4:17 |
|
|
Three
Choruses from Judas Maccabeus |
The Mormon
Tabernacle Choir and the Philadelphia Orchestra conducted by Eugene Ormandy |
9:19 |
|
|
Water
Music Suite (arranged by Hamilton Harty) |
The
Ulster Orchestra conducted by Bryden Thomson |
15:50 |
|
|
Howard
Hanson |
Symphony
No. 2, Op. 30, Romantic |
The
Seattle Symphony Orchestra conducted by Gerard Schwarz |
28:06 |
|
Johannes
Hanssen |
Valdres
March |
The
Stavanger Symphony Orchestra conducted by Eivind Aaland |
3:34 |
|
Roy
Harris |
An
American Overture, When Johnny Comes Marching Home |
The
Louisville Orchestra conducted by Jorge Mester |
7:17 |
|
Symphony No.
3 |
The New York
Philharmonic conducted by Leonard Bernstein |
17:24 |
|
|
Hamilton
Harty |
A
John Field Suite |
The
Northern Sinfonia conducted by Neville Dilkes |
17:59 |
|
Franz
Josef Haydn |
Achieved
is the Glorious Work (from The Creation) |
The
Choir of King's College, Cambridge and the Academy of St.
Martin-in-the-Fields conducted by Sir David Willcocks |
3:08 |
|
Cello
Concerto No. 1 in C major |
Yo-Yo
Ma (cello); The English Chamber Orchestra conducted by José Garcia |
23:53 |
|
|
God of Light!
(from The Seasons) |
Heather
Harper (soprano), Ryland Davies (tenor), John Shirley-Quirk (bass); The BBC
Symphony Orchestra and Chorus conducted by Sir Colin Davis |
5:04 |
|
|
Keyboard
Concerto in D major |
Trevor
Pinnock (harpsichord); The English Concert |
20:21 |
|
|
Overture
to Lo Speziale |
The
Vienna State Opera Orchestra conducted by Max Goberman |
7:03 |
|
|
Sing the
Lord, ye voices all (from The Creation) |
Emma Kirkby
(soprano), Anthony Rolfe Johnson (tenor), Michael George (bass); The Choir of
New College, Oxford and the Academy of Ancient Music Orchestra and Chorus
conducted by Christopher Hogwood |
3:24 |
|
|
Symphony
No. 82 in C major, The Bear |
The
Stockholm Chamber Orchestra conducted by Esa-Pekka Salonen |
23:44 |
|
|
Symphony
No. 87 in A major |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
21:13 |
|
|
Symphony
No. 88 in G major |
The
Austro-Hungarian Haydn Orchestra conducted by Ádám Fischer |
21:53 |
|
|
Symphony
No. 94 in G major, Surprise |
The
Vienna Philharmonic Orchestra conducted by Pierre Monteux |
20:52 |
|
|
Symphony No.
96 in D major, Miracle |
The Cleveland
Orchestra conducted by George Szell |
23:03 |
|
|
Symphony
No. 100 in G major, Military |
The
Vienna State Opera Orchestra conducted by Herman Scherchen |
23:18 |
|
|
Symphony
No. 101 in D major, Clock |
The
Hanover Band conducted by Roy Goodman |
25:35 |
|
|
Symphony
No. 103 in E flat major, Drum Roll |
The
Orchestre Lamoureux conducted by Igor Markevitch |
25:37 |
|
|
Symphony
No. 104 in D major, London |
The
New York Philharmonic conducted by Leonard Bernstein |
24:05 |
|
|
The
Heavens are Telling (from The Creation) |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
4:09 |
|
|
Trumpet
Concerto in E flat major |
Wynton
Marsalis (trumpet); The National Philharmonic Orchestra of London conducted
by Raymond Leppard |
14:15 |
|
|
Joseph
Hellmesberger I |
Danse
Diabolique |
The
Göttingen Symphony Orchestra conducted by Christian Simonis |
6:04 |
|
Joseph
Hellmesberger II |
Ballszene |
The
Gothenburg Symphony Orchestra conducted by Neeme Järvi |
6:46 |
|
Victor
Herbert |
American
Fantasia |
The
Cincinnati Pops Orchestra conducted by Erich Kunzel |
9:56 |
|
Italian
Street Song (from Naughty Marietta) |
Stephanie
Voss (Marietta); The Peter Knight Singers and the New World Show Orchestra
conducted by Alan Braden |
2:51 |
|
|
March
of the Toys from Babes in Toyland |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
4:03 |
|
|
Ferdinand
Hérold |
Overture to Zampa |
The New York
Philharmonic conducted by Leonard Bernstein |
8:34 |
|
Richard
Heuberger |
Im
chambre séparée (from Der Opernball) |
Leslie
Garrett (Angèle); The Royal Philharmonic Orchestra conducted by James Holmes |
3:41 |
|
Overture to Der
Opernball |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
6:47 |
|
|
Paul
Hindemith |
Concert Music
for Strings and Brass, Op. 50 |
The
Philadephia Orchestra conducted by Eugene Ormandy |
17:01 |
|
Symphonic
Metamorphoses on Themes of Carl Maria von Weber |
The Cleveland
Orchestra conducted by George Szell |
19:34 |
|
|
Symphony, Mathis
der Maler |
The
Boston Symphony Orchestra conducted by William Steinberg |
26:10 |
|
|
Gustav
Holst |
I
Vow to Thee, My Country |
Della
Jones (soprano); The Royal Choral Society and the BBC Concert Orchestra
conduted by Barry Wordsworth |
4:47 |
|
St. Paul’s
Suite, Op. 29 |
The Royal
Philharmonic Orchestra conducted by Sir Malcolm Sargent |
12:38 |
|
|
The
Planets, Op. 32 |
The
New England Conservatory Chorus and the Boston Symphony Orchestra conducted
by William Steinberg |
45:51 |
|
|
Abe
Holtzman |
Blaze Away! |
The
New London Orchestra conducted by Ronald Corp |
3:47 |
|
Arthur
Honegger |
Pacific 231 |
The Bavarian
Radio Symphony Orchestra conducted by Charles Dutoit |
6:24 |
|
Roman
Hoffstetter |
Andante
Cantabile |
I
Musici |
3:27 |
|
Alan
Hovhaness |
The
Prayer of St. Gregory |
The
Seattle Symphony Orchestra conducted by Gerard Schwarz |
4:52 |
|
Jenő
Hubay |
Scenès
de la Csárda No. 4, Op. 32, Hejri Kati |
Aaron
Rosand (violin); The Orchestra of Radio Luxembourg conducted by Louis de
Froment |
6:16 |
|
Johann
Nepomuk Hummel |
Trumpet
Concerto in E major |
Wynton
Marsalis (trumpet); The National Philharmonic Orchestra of London conducted
by Raymond Leppard |
17:38 |
|
Variations
on O du lieber Augustin |
The London
Mozart Players conducted by Howard Shelley |
8:58 |
|
|
Engelbert
Humperdinck |
Children's Prayer
from Hänsel und Gretel |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
3:01 |
|
Jacques
Ibert |
Divertissement |
The Ulster
Orchestra conducted by Yan Pascal Tortelier |
15:28 |
|
Escales |
The
Detroit Symphony Orchestra conducted by Paul Paray |
13:51 |
|
|
Mikhail
Ippolitov-Ivanov |
Procession
of the Sardar from the Caucasian Sketches, Op. 10 |
The
Armenian Philharmonic Orchestra conducted by Loris Tjeknavorian |
3:37 |
|
Ion
Ivanovici |
Danube Waves |
The Orchestra
of the Vienna Volksoper conducted by Franz Bauer-Theussl |
7:49 |
|
Charles
Ives |
The
Circus Band |
The
Gregg Smith Singers and the Columbia Chamber Orchestra conducted by Gregg
Smith |
2:46 |
|
The
Unanswered Question |
The
New York Philharmonic conducted by Leonard Bernstein |
6:13 |
|
|
Variations
on America |
Hans-Ola
Ericsson (organ) |
9:00 |
|
|
Leoš
Janáček |
Rhapsody
for Orchestra, Taras Bulba |
The
Vienna Philharmonic Orchestra conducted by Sir Charles Mackerras |
23:34 |
|
Sinfonietta
for Orchestra |
The
Bavarian Radio Symphony Orchestra conducted by Rafael Kubelik |
21:52 |
|
|
When
the evening arrives (from The Cunning Little Vixen) |
Sir Thomas
Allen (Forester), Piers Lawrence (Frog); The Orchestra of the Royal Opera
House, Covent Garden conducted by Sir Simon Rattle |
4:53 |
|
|
Karl
Jenkins |
Concerto
Grosso for String Orchestra, Palladio |
The
Non-Profit Music Chamber Orchestra conducted by Ari Malikian |
16:53 |
|
Scott
Joplin |
Maple
Leaf Rag |
Dick
Hyman (piano) |
2:28 |
|
The Easy
Winners |
Richard
Dowling (piano) |
3:26 |
|
|
The
Entertainer |
The New
England Conservatory Ragtime Ensemble conducted by Gunther Schuller |
4:17 |
|
|
Joseph
Jongen |
Toccata from
the Symphonie Concertante, Op. 81 |
Michael
Murray (organ); The San Francisco Symphony Orchestra conducted by Edo de
Waart |
6:56 |
|
Dmitri
Kabalevsky |
Overture
to Colas Breugnon |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
4:49 |
|
Suite from The
Comedians, Op. 26 |
The RCA
Orchestra conducted by Kiril Kondrashin |
15:07 |
|
|
Violin
Concerto in C major, Op. 48 |
Lydia
Mordkovich (violin); The Scottish National Orchestra conducted by Neeme Järvi |
16:10 |
|
|
Vasily
Kalinnikov |
Overture to Tsar
Boris |
The Scottish
National Orchestra conducted by Neeme Järvi |
9:38 |
|
Emmerich
Kálmán |
Gypsy airs
and joyful phrases… Where is Love's kingdom? (from Gräfin Mariza) |
Christine Brewer
(Countess Mariza); The Geoffrey Mitchell Choir and the Philharmonia Orchestra
conducted by David Parry |
6:56 |
|
Play, gypsy
(from Gräfin Mariza) |
Bruce Ford
(Tassilo); The London Philharmonic Orchestra conducted by Walter Weller |
5:44 |
|
|
Michael
Kamen |
Suite
from Band of Brothers |
The
London Metropolitan Orchestra conducted by Michael Kamen |
15:52 |
|
Sigfrid
Karg-Elert |
Marche
Triomphale, Nun danket alle Gott, Op. 65 |
Simon Preston
(organ) |
3:35 |
|
Jerome
Kern |
Smoke
Gets in Your Eyes (from Roberta) |
Jeanne
Lehman (Roberta); The London Sinfonietta conducted by John McGlinn |
3:38 |
|
Albert
Ketèlbey |
Bank Holiday |
The Slovak
Radio Symphony Orchestra conducted by Adrian Leaper |
2:39 |
|
In
a Persian Market |
The
New London Light Opera Chorus and the New London Orchestra conducted by
Ronald Corp |
6:15 |
|
|
Sanctuary
of the Heart |
The
New Symphony Orchestra of London conducted by Robert Sharples |
5:53 |
|
|
With
Honour Crowned |
The
London Promenade Orchestra conducted by Alexander Faris |
5:20 |
|
|
Aram
Khachaturian |
Suite
from Gayaneh |
The
St. Petersburg Philharmonic Orchestra conducted by Gennady Rozhdestvensky |
20:11 |
|
Suite
from Maskarade |
The
Scottish National Orchestra conducted by Neeme Järvi |
16:27 |
|
|
Suite
from Spartacus |
The
Royal Philharmonic Orchestra conducted by Yuri Temirkanov |
24:44 |
|
|
Uuno
Klami |
Overture,
Suomenlinna |
The
Lahti Symphony Orchestra conducted by Osmo Vänskä |
12:46 |
|
Zoltán
Kodály |
Dances of
Galanta |
The
Philharmonia Hungarica conducted by Antal Dorati |
15:15 |
|
Dances
of Marosszek |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
13:26 |
|
|
Suite from Háry
János |
The Cleveland
Orchestra conducted by George Szell |
23:18 |
|
|
Graeme
Koehne |
Forty
Reasons to be Cheerful |
The
Tasmanian Symphony Orchestra conducted by Richard Mills |
6:39 |
|
Erich
Korngold |
Marietta’s
Lied (from Die Tote Stadt) |
Renée Fleming
(Marietta); The English Chamber Orchestra conducted by Jeffrey Tate |
6:05 |
|
Suite
from King's Row |
The
RCA Orchestra conducted by Charles Gerhardt |
7:19 |
|
|
Suite from The
Sea Hawk |
The London
Symphony Orchestra conducted by André Previn |
17:25 |
|
|
Violin
Concerto in D major, Op. 35 |
Ulf
Hoelscher (violin); The South German Radio Symphony Orchestra conducted by
Willy Mattes |
24:35 |
|
|
Joseph
Martin Kraus |
Overture
to Olympie |
The
English Chamber Orchestra conducted by Richard Bonynge |
5:53 |
|
Fritz
Kreisler |
Gypsy
Caprice |
Shlomo Mintz
(violin), Clifford Benson (piano) |
4:33 |
|
Liebesfreud |
Arthur
Grumiaux (violin), István Hajdu (piano) |
3:25 |
|
|
Liebeslied |
Anne-Sophie
Mutter (violin), Lambert Orkis (piano) |
4:25 |
|
|
Friedrich
Kuhlau |
Overture
to Lulu |
The
Danish National Radio Symphony Orchestra conducted by Michael Schønwandt |
6:44 |
|
Overture
to The Elf's Hill |
The
Danish National Radio Symphony Orchestra conducted by John Frandsen |
11:16 |
|
|
Edouard
Lalo |
Cello
Concerto in D minor |
Leonard
Rose (cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
25:13 |
|
Rhapsodie |
The Orchestra
of the Monte Carlo Opera conducted by Antonio de Almeida |
11:35 |
|
|
Suite
from Namouna |
The
Monte Carlo Philharmonic Orchestra conducted by David Robertson |
29:48 |
|
|
Symphonie
espagnole |
Joshua
Bell (violin); The Montreal Symphony Orchestra conducted by Charles Dutoit |
33:21 |
|
|
Joseph
Lanner |
Tarantula
Galop, Op. 125 |
The
Orchestre Régional de Cannes conducted by Wolfgang Dörner |
2:03 |
|
Marcel
Lanquetuit |
Toccata |
Jane
Parker-Smith (organ) |
5:44 |
|
Morten
Lauridsen |
Agnus
Dei |
The Los
Angeles Master Chorale and Sinfonia Orchestra conducted by Paul Salamunovich |
9:59 |
|
O Magnum
Mysterium |
The Robert
Shaw Chamber Singers conducted by Robert Shaw |
6:24 |
|
|
Charles
Lecocq |
O
Paris, gai séjour (from Les cent vierges) |
Mady
Mesplé (Gabrielle); The Monte Carlo Philharmonic Orchestra conducted by
Pierre Dervaux |
6:06 |
|
Un
soir Perez le capitain (from La coeur et la main) |
Dame
Joan Sutherland (Micaëla); The Orchestre de la Suisse Romande conducted by
Richard Bonynge |
3:41 |
|
|
Ernesto
Lecuona |
Malagueña
(orchestrated by Morton Gould) |
The
Cincinnati Pops Orchestra conducted by Erich Kunzel |
4:18 |
|
Franz
Lehár |
Ballsirenen |
The
Johann Strauss Orchestra of Vienna conducted by Willi Boskovsky |
6:54 |
|
Hungarian
Fantasy, Op. 45 |
Aaron Rosand
(violin); The Orchestra of Radio Luxembourg conducted by Louis de Froment |
8:07 |
|
|
I'm off to
Chez Maxim (from The Merry Widow) |
Werner Krenn
(Danilo); The National Philharmonic Orchestra of London conducted by Richard
Bonynge |
2:35 |
|
|
On
my lips every kiss is like wine (from Giuditta) |
Marilyn
Hill Smith (Giuditta); The Chandos Concert Orchestra conducted by Barry
Knight |
5:44 |
|
|
Vilja Song
(from The Merry Widow) |
Sumi Jo
(Hanna); The PKF - Prague Philharmonia conducted by Ondrej Lenard |
6:12 |
|
|
You are my
heart's delight (from The Land of Smiles) |
Stuart
Burrows (Sou-Chong); The National Philharmonic Orchestra of London conducted
by Robin Stapleton |
3:26 |
|
|
Walter
Leigh |
Overture,
Agincourt |
The
New Philharmonia Orchestra conducted by Nicholas Braithwaite |
11:37 |
|
Ruggiero
Leoncavallo |
Recitar!..
Vesti la giubba (from I Pagliacci) |
Luciano Pavarotti
(Canio); The National Philharmonic Orchestra of London conducted by Giuseppe
Patané |
4:08 |
|
Jules
Levy |
Grand
Russian Fantasia |
Wynton
Marsalis (trumpet); The Eastman Wind Ensemble conducted by Donald Hunsberger |
6:22 |
|
György
Ligeti |
Atmosphères |
The Vienna
Philharmonic Orchestra conducted by Claudio Abbado |
9:11 |
|
Kyrie |
The Bavarian
Radio Chorus and the Hessian Radio Symphony Orchestra conducted by Michael
Gielen |
6:35 |
|
|
Lux aeterna |
The Stuttgart
Schola Cantorum conducted by Clytus Gottwald |
9:34 |
|
|
Franz
Liszt |
Après une
lecture du Dante |
Jerome Rose
(piano) |
14:39 |
|
Concert
Paraphrase on the Quartet from Verdi's Rigoletto |
Michael Ponti
(piano) |
7:05 |
|
|
Fantasy on
Hungarian Folk Themes |
Philippe Entremont
(piano); The New Philharmonia Orchestra conducted by Seiji Ozawa |
16:40 |
|
|
Fugue on Ad
nos, ad salutarem undam |
Jane
Parker-Smith (organ) |
10:02 |
|
|
Funérailles
|
Misha
Dichter (piano) |
11:05 |
|
|
Grand
Galop Chromatique in E flat major |
György
Cziffra (piano) |
3:23 |
|
|
Hungarian
Rhapsody No. 2 in C minor |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
10:50 |
|
|
Hungarian
Rhapsody No. 4 in C sharp minor |
Roberto
Szidon (piano) |
9:16 |
|
|
Hungarian
Rhapsody No. 6 in D flat major |
Martha
Argerich (piano) |
6:23 |
|
|
Les Préludes |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
14:44 |
|
|
Liebesträume
No. 3 in A flat major |
Jorge
Bolet (piano) |
4:53 |
|
|
Mazeppa |
The
Vienna State Opera Orchestra conducted by Herman Scherchen |
14:20 |
|
|
Mephisto
Waltz No. 1 |
The
Gewandhaus Orchestra of Leipzig conducted by Kurt Masur |
11:01 |
|
|
Piano
Concerto No. 1 in E flat major |
Julius Katchen
(piano); The London Philharmonic Orchestra conducted by Ataúlfo Argenta |
18:51 |
|
|
Piano
Concerto No. 2 in A major |
Sviatoslav
Richter (piano); The London Symphony Orchestra conducted by Kiril Kondrashin |
20:46 |
|
|
Polonaise in
E major |
Tamás Vásáry
(piano) |
9:00 |
|
|
Rhapsodie
espagnole |
Nina Lelchuk
(piano) |
12:44 |
|
|
Six Grand
Études after Paganini |
André
Watts (piano) |
25:55 |
|
|
St. François
de Paule marchant sur les flots |
Leslie Howard
(piano) |
7:41 |
|
|
Tarantella
di Bravura after Auber's La Muette di Portici |
Rolf
Plagge (piano) |
9:14 |
|
|
The
Battle of the Huns |
The
Berlin Philharmonic Orchestra conducted by Zubin Mehta |
14:21 |
|
|
The
Fountains of the Ville d'Este |
Louis
Lortie (piano) |
7:28 |
|
|
Totentanz |
Byron Janis
(piano); The Chicago Symphony Orchestra conducted by Fritz Reiner |
15:32 |
|
|
Vallée
d'Obermann |
Vladimir
Horowitz (piano) |
13:15 |
|
|
Venezia
e Napoli |
Aldo
Ciccolini (piano) |
17:22 |
|
|
Henri
Litolff |
Scherzo
from the Concerto Symphonique No. 4 in D minor, Op. 102 |
Misha
Dichter (piano); The Philharmonia Orchestra conducted by Sir Neville Marriner |
7:02 |
|
Alexandre
Luigini |
Ballet
égyptien |
The
London Symphony Orchestra conducted by Richard Bonynge |
21:42 |
|
Jean-Baptiste
Lully |
Te Deum
Laudamus |
Jennifer
Smith and Francine Bessac (sopranos), Zeger Vanderstten (countertenor), Louis
Devos (tenor), Phillippe Huttenlocher (bass); The Vocal Ensemble “A Coeur
Jolie” of Valence and the Jean François Paillard Chamber Orchestra conducted
by Jean François Paillard |
10:42 |
|
Pablo
Luna |
De
España vengo (from El niño Judío) |
Ana
María Martínez (Concha); The Prague Philharmonia conducted by Steven Mercurio |
6:02 |
|
Hamish
MacCunn |
Overture, The
Land of the Mountain and the Flood |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
9:15 |
|
Edward
MacDowell |
Piano
Concerto No. 2 in D minor, Op. 23 |
Earl
Wild (piano); The RCA Orchestra conducted by Massimo Freccia |
26:32 |
|
To
a Wild Rose |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
2:02 |
|
|
Alberic
Magnard |
Hymne
à la Justice, Op. 14 |
The Orchestre
du Capitole de Toulouse conducted by Michel Plasson |
14:54 |
|
Hymne à
Venus, Op. 17 |
The
Luxembourg Philharmonic Orchestra conducted by Marc Stringer |
13:54 |
|
|
Gustav
Mahler |
Adagietto
(from the Symphony No. 5 in C sharp minor) |
The New York
Philharmonic conducted by Leonard Bernstein |
11:09 |
|
Adagio (from
the Symphony No. 10 in F sharp major) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
21:40 |
|
|
Auferstehn
(from the Symphony No. 2 in C minor, Resurrection) |
Edith Mathis
(soprano); Doris Soffel (mezzo-soprano); The London Philharmonic Orchestra
and Chorus conducted by Klaus Tennstedt |
15:42 |
|
|
Chorus
Mysticus (from the Symphony No. 8 in E flat major, Symphony of a Thousand) |
The Berlin
Radio Chorus, the Prague Philharmonic Chorus and the Berlin Philharmonic
Orchestra conducted by Claudio Abbado |
5:41 |
|
|
Veni, Creator
Spiritus (from the Symphony No. 8 in E flat major, Symphony of a Thousand) |
Ulla
Gustafsson, MariAnne Häggander, Carolina Sandgren (sopranos), Ulrika Tenstam,
Anne Gjevang (altos), Seppo Ruohonen (tenor), Mats Persson, Johann Tilli
(basses); The Estonian Boys' Choir, Brunnsbo Children's Choir, Gothenburg
Opera Chorus, Royal Stockholm Philharmonic Choir and the Gothenburg Opera
Orchestra and the Gothenburg Symphony Orchestra conducted by Neeme Järvi |
20:30 |
|
|
Luigi
Mancinelli |
Overture
to Cleopatra |
The
Orchestre Sinfonia di Roma conducted by Francesco La Vecchia |
9:22 |
|
Arturo
Márquez |
Danzón
No. 2 |
Simón
Bolivar Symphony Orchestra of Venezuela conducted by Keri-Lynn Wilson |
10:00 |
|
Pietro
Mascagni |
Intermezzo
from Cavalleria rusticana |
The
Philharmonia Orchestra conducted by Riccardo Muti |
3:43 |
|
Intermezzo
from L’amico Fritz |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
5:01 |
|
|
Mamma,
quel vino è generoso (from Cavalleria rusticana) |
Jonas
Kauffman (Turiddu); The Orchestra dell'Accademia Nazionale di Santa Cecilia
conducted by Sir Antonio Pappano |
3:46 |
|
|
Jules
Massenet |
Adieu,
notre petite table (from Manon) |
Renée
Fleming (Manon); The London Philharmonic Orchestra conducted by Sir Charles
Mackerras |
2:30 |
|
Ah!
tout est bien fini... Ô Souverain, ô juge, ô père (from Le Cid) |
Ben
Heppner (Rodrigue); The Munich Radio Orchestra conducted by Roberto Abbado |
5:19 |
|
|
Ballet
Music from Le Cid |
The
City of Birmingham Symphony Orchestra conducted by Louis Frémaux |
19:34 |
|
|
Esprits
de l'air!.. Roland! (from Esclarmonde) |
Dame
Joan Sutherland (Esclarmonde), Huguette Tourangeau (Parséїs); The John
Alldis Choir and the National Philharmonic Orchestra of London conducted by
Richard Bonynge |
6:39 |
|
|
March
of the Princesses from Cendrillon |
The
National Philharmonic Orchestra of London conducted by Richard Bonynge |
4:01 |
|
|
Meditation
from Thaïs |
Michael
Schwalbé (violin); The Berlin Philharmonic Orchestra conducted by Herbert von
Karajan |
6:10 |
|
|
Pourquoi
me réveiller (from Werther) |
Juan
Diego Flórez (Werther); The Orchestra del Teatro Communale di Bologna
conducted by Roberto Abbado |
3:09 |
|
|
Orchestral
Suite No. 3, Scènes dramatiques |
The
National Philharmonic Orchestra of London conducted by Richard Bonynge |
19:48 |
|
|
Orchestral
Suite No. 5, Scènes napolitaines |
The
New Zealand Symphony Orchestra conducted by Jean-Yves Ossonce |
11:50 |
|
|
Orchestral
Suite No. 4, Scènes pittoresques |
The
Orchestra of the Monte Carlo Opera conducted by Sir John Eliot Gardiner |
16:46 |
|
|
The
Last Sleep of the Virgin (from La Vierge) |
Hilary
Robinson (cello); The City of Birmingham Symphony Orchestra conducted by
Louis Frémaux |
4:41 |
|
|
Vision
fugative (from Hérodiade) |
Thomas
Hampson (Hérode); The Orchestre de Capitole du Toulouse conducted by Michel
Plasson |
2:57 |
|
|
F.
W. Meacham |
American
Patrol |
The
St. Louis Symphony Orchestra conducted by Leonard Slatkin |
2:48 |
|
Étienne
Méhul |
Overture
to La chasse du jeune Henri |
The Orchestra
of the Gulbenkian Foundation conducted by Michel Swierczewski |
10:40 |
|
Felix
Mendelssohn |
And then
shall your light break forth (from Elijah) |
The New
Philharmonia Orchestra and Chorus conducted by Rafael Frühbeck de Burgos |
3:18 |
|
Concerto
in A flat major for Two Pianos and Orchestra |
Arthur
Gold and Robert Fizdale (pianos); The Philadelphia Orchestra conducted by
Eugene Ormandy |
30:52 |
|
|
Concerto
in E major for Two Pianos and Orchestra |
Anthony
and Joseph Paratore (pianos); The RIAS Symphony Orchestra of Berlin conducted
by Uros Lajovic |
28:24 |
|
|
Hear
My Prayer |
Cheryl
Studer (soprano); The Ambrosian Singers and the London Symphony Orchestra
conducted by Ion Marin |
9:00 |
|
|
On
Wings of Song, Op. 34, No. 2 |
Dame
Kiri Te Kanawa (soprano); The Utah Symphony Orchestra conducted by Julius
Rudel |
3:00 |
|
|
Overture in C
major, Op. 101, Trumpet |
The London
Symphony Orchestra conducted by Claudio Abbado |
9:25 |
|
|
Overture
to A Midsummer Night's Dream, Op. 61 |
The
Gewandhaus Orchestra of Leipzig conducted by Riccardo Chailly |
11:00 |
|
|
Overture,
Calm Sea and Prosperous Voyage, Op. 27 |
The
Philharmonia Orchestra conducted by Riccardo Muti |
12:30 |
|
|
Overture, Ruy
Blas, Op. 95 |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
7:26 |
|
|
Overture, The
Fair Melusine, Op. 32 |
The Chamber
Orchestra of the Saar conducted by Karl Ristenpart |
11:44 |
|
|
Overture, The
Hebrides, Op. 26 |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
9:39 |
|
|
Piano
Concerto No. 1 in G minor, Op. 25 |
Rudolf
Serkin (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
19:20 |
|
|
Piano
Concerto No. 2 in D minor, Op. 40 |
Sir
Stephen Hough (piano); The City of Birmingham Symphony Orchestra conducted by
Lawrence Foster |
21:03 |
|
|
Rondo
brillant in E flat major, Op. 29 |
Benjamin
Frith (piano); The Slovak State Philharmonic Orchestra conducted by Robert
Stankovsky |
11:47 |
|
|
Scherzo
from A Midsummer Night's Dream, Op. 61 |
The
Vienna Symphony Orchestra conducted by Antal Doráti |
4:30 |
|
|
Scherzo
from the Octet in E flat major, Op. 20 |
The
Boston Symphony Orchestra conducted by Charles Munch |
4:00 |
|
|
Song
without Words in A major, Op. 19b, No. 3, Hunting Song |
Jorge
Bolet (piano) |
2:41 |
|
|
Song without
Words in A major, Op. 62, No. 6, Spring Song |
Daniel
Barenboim (piano) |
2:15 |
|
|
Symphony
No. 3 in A minor, Op. 56, Scottish |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
39:44 |
|
|
Symphony
No. 4 in A major, Op. 90, Italian |
The
Vienna Philharmonic Orchestra conducted by Christoph von Dohnányi |
25:38 |
|
|
Thanks
be to God! (from Elijah) |
The
Edinburgh Festival Chorus and the Orchestra of the Age of Enlightenment
conducted by Paul Daniel |
3:38 |
|
|
Violin
Concerto in E minor, Op. 64 |
Hilary
Hahn (violin); The Oslo Philharmonic Orchestra conducted by Hugh Wolff |
26:17 |
|
|
War
March of the Priests from Athalie |
The
New York Philharmonic conducted by Leonard Bernstein |
4:54 |
|
|
Wedding
March from A Midsummer Night's Dream, Op. 61 |
The
London Symphony Orchestra conducted by André Previn |
5:13 |
|
|
Gian
Carlo Menotti |
Overture to Amelia
al ballo |
The Columbia
Symphony Orchestra conducted by Thomas Schippers |
4:25 |
|
André
Messager |
Suite
from Les deux pigeons |
The
Orchestra of the Royal Opera House, Covent Garden conducted by Sir Charles
Mackerras |
22:58 |
|
Giacomo
Meyerbeer |
Blessing
of the Daggers (from Les Huguenots) |
Gabriel
Bacquier (Saint-Bris), Alan Opie, Clifford Grant, John Wakefield (Monks); The
Ambrosian Opera Chorus and the New Philharmonia Orchestra conducted by
Richard Bonynge |
7:01 |
|
Coronation
March from Le prophète |
The
New York Philharmonic conducted by Leonard Bernstein |
3:38 |
|
|
D'una
madre disperata (from Il crociato in Egitto) |
Diana
Damrau (Palmide); The Orchestra of the Lyon National Opera conducted by
Emmanuel Villaume |
2:31 |
|
|
Ô
beau pays de la Touraine (from Les Huguenots) |
Montserrat
Caballé (Marguerite); The Philharmonia Orchestra conducted by Reynald
Giovaninetti |
7:10 |
|
|
Ombre
légère (from Dinorah) |
Natalie
Dessay (Dinorah); The Monte Carlo Philharmonic Orchestra conducted by Patrick
Fournillier |
7:54 |
|
|
Pays
merveilleux… O Paradis (from L'Africaine) |
Plácido
Domingo (Vasco da Gama); The Los Angeles Philharmonic Orchestra conducted by
Carlo Maria Giulini |
3:40 |
|
|
Robert,
toi que j'aime (from Robert le diable) |
Patrizia
Ciofi (Isabelle), Warren Mok (Robert); The Italian International Orchestra
conducted by Renato Palumbo |
7:21 |
|
|
Suite from The
Skaters |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
12:54 |
|
|
Darius
Milhaud |
Le Boeuf sur
le toit, Op. 58 |
The Orchestra
of Radio Luxembourg conducted by Louis de Froment |
15:33 |
|
Léon
Minkus |
Music from
Act II of La Bayadère |
The London
Symphony Orchestra conducted by Richard Bonynge |
12:03 |
|
José
Pablo Moncayo |
Huapango |
The Festival
Orchestra of Mexico conducted by Enrique Batiz |
8:37 |
|
Lionel
Monckton |
Soldiers
in the Park |
The
New London Orchestra conducted by Ronald Corp |
3:55 |
|
William
Henry Monk |
Abide with Me |
Stuart Burrows
(tenor); The Ambrosian Chorus conducted by Wyn Morris |
4:02 |
|
Vittorio
Monti |
Csárdás |
Joseph
Sakonov (violin); The London Festival Orchestra |
4:39 |
|
Ennio
Morricone |
Suite
from Once Upon a Time in America |
The
Danish National Symphony Orchestra conducted by Sarah Hicks |
7:50 |
|
Alexander
Mosolov |
Iron Foundry,
Op. 19 |
The
Concertgebouw Orchestra of Amsterdam conducted by Riccardo Chailly |
3:35 |
|
Moritz
Moszkowski |
Étincelles,
Op. 36, No. 6 |
Vladimir
Horowitz (piano) |
2:11 |
|
La
jongleuse, Op. 52, No. 4 |
Jorge
Bolet (piano) |
2:03 |
|
|
Jean-Joseph
Mouret |
Suite
de Symphonies |
The
Pfeiffer Trumpet Consort |
5:06 |
|
Wolfgang
Amadeus Mozart |
Alleluia
(from Exsultate, Jubilate, K. 165) |
Dame
Emma Kirkby (soprano); The Academy of Ancient Music conducted by Christopher
Hogwood |
2:37 |
|
Ave
verum corpus, K. 618 |
The
London Symphony Orchestra and Chorus conducted by Sir Colin Davis |
3:56 |
|
|
Catalogue
Aria (from Don Giovanni) |
Gabriel
Bacquier (Leporello); The London Philharmonic Orchestra conducted by Sir
Georg Solti |
5:35 |
|
|
Clarinet
Concerto in A major, K. 622 |
Jack
Brymer (clarinet); The London Symphony Orchestra conducted by Sir Colin Davis |
27:26 |
|
|
Dalla
sua pace (from Don Giovanni) |
Gösta
Winbergh (Don Ottavio); The Berlin Philharmonic Orchestra conducted by
Herbert von Karajan |
4:28 |
|
|
Der
Hölle Rache kocht in meinem Herzen (from The Magic Flute) |
Roberta
Peters (Queen of the Night); The Berlin Philharmonic Orchestra conducted by
Karl Böhm |
2:58 |
|
|
Dove
sono i bei momenti (from The Marriage of Figaro) |
Dame Kiri Te
Kanawa (Countess Almaviva); The Metropolitan Opera Orchestra conducted by
James Levine |
4:54 |
|
|
Horn Concerto
No. 4 in E flat major, K. 495 |
Alan Civil
(horn); The Academy of St. Martin-in-the-Fields conducted by Sir Neville
Marriner |
16:32 |
|
|
Il
mio tesoro intanto (from Don Giovanni) |
Luigi
Alva (Don Ottavio); The Philharmonia Orchestra conducted by Carlo Maria
Giulini |
4:43 |
|
|
Là
ci darem la mano (from Don Giovanni) |
William
Shimell (Don Giovanni), Suzanne Mentzer (Zerlina); The Vienna Philharmonic
Orchestra conducted by Riccardo Muti |
3:23 |
|
|
Lacrymosa
from the Requiem in D minor, K. 626 |
The Vienna
State Opera Chorus and the Vienna Philharmonic Orchestra conducted by Karl
Böhm |
4:14 |
|
|
Martern aller
Arten (from The Abduction from the Seraglio) |
Annaliese
Rothenberger (Konstanze); The Vienna Philharmonic Orchestra conducted by
Josef Krips |
8:53 |
|
|
My
lord, we come for justice (from The Marriage of Figaro) |
William
Dazeley (Count), Yvonne Kenny (Countess), Rebecca Evans (Susanna), Christopher
Purves (Figaro), Jonathan Veira (Bartolo), John Graham Hall (Basilio),
Frances McCafferty (Marcellina); The Philharmonia Orchestra conducted by
David Parry |
3:39 |
|
|
Non
più andrai (from The Marriage of Figaro) |
Samuel Ramey
(Figaro); The London Philharmonic Orchestra conducted by Sir Georg Solti |
3:37 |
|
|
O zittre
nicht, mein liebes Sohn! (from The Magic Flute) |
Sumi Jo
(Queen of the Night); The Vienna Philharmonic Orchestra conducted by Sir
Georg Solti |
4:43 |
|
|
Oboe Concerto
in C major, K. 314 |
Heinz
Holliger (oboe); The Academy of St. Martin-in-the-Fields conducted by Sir
Neville Marriner |
19:57 |
|
|
Overture to Cosi
fan tutte |
The
Philharmonia Orchestra conducted by Karl Böhm |
4:47 |
|
|
Overture
to Don Giovanni |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
6:30 |
|
|
Overture
to The Magic Flute |
The
London Philharmonic Orchestra conducted by Sir Charles Mackerras |
6:56 |
|
|
Overture
to The Marriage of Figaro |
The Columbia
Symphony Orchestra conducted by Bruno Walter |
4:45 |
|
|
Piano
Concerto No. 21 in C major, K. 467 |
Alfred
Brendel (piano); The Academy of St. Martin-in-the-Fields conducted by Sir
Neville Marriner |
26:18 |
|
|
Piano
Concerto No. 23 in A major, K. 488 |
Murray
Perahia (piano); The English Chamber Orchestra |
27:35 |
|
|
Porgi
amor (from The Marriage of Figaro) |
Cheryl Studer
(Countess Almaviva); The Vienna Philharmonic Orchestra conducted by Claudio
Abbado |
3:45 |
|
|
Requiem
aeternam and Kyrie from the Requiem in D minor, K. 626 |
Barbara
Bonney (soprano), Anne Sofie von Otter (mezzo-soprano), Hans Peter Blochwitz
(tenor), Sir Willard White (bass); The Monteverdi Choir and the English
Baroque Soloists conducted by Sir John Eliot Gardiner |
7:12 |
|
|
Rondo alla
Turca, K. 331 |
The Vienna
Mozart Orchestra conducted by Konrad Leitner |
3:08 |
|
|
Se
vuol ballare (from The Marriage of Figaro) |
Samuel Ramey
(Figaro); The London Philharmonic Orchestra conducted by Sir Georg Solti |
2:31 |
|
|
Serenade
No. 13 in G major, K. 525, Eine Kleine Nachtmusik |
The
Cleveland Orchestra conducted by George Szell |
17:24 |
|
|
Symphony
No. 25 in G minor, K. 183 |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
20:10 |
|
|
Symphony
No. 31 in D major, K. 297, Paris |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
16:19 |
|
|
Symphony No.
35 in D major, K. 385, Haffner |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
16:48 |
|
|
Symphony
No. 36 in C major, K. 425, Linz |
The
Concertgebouw Orchestra of Amsterdam conducted by Eugen Jochum |
26:28 |
|
|
Symphony
No. 38 in D major, K. 504, Prague |
The
Berlin Philharmonic Orchestra conducted by Karl Böhm |
25:25 |
|
|
Symphony
No. 39 in E flat major, K. 543 |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
22:54 |
|
|
Symphony
No. 40 in G minor, K. 550 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
24:31 |
|
|
Symphony
No. 41 in C major, K. 551, Jupiter |
The
Cleveland Orchestra conducted by George Szell |
26:39 |
|
|
Variations on
Ah! vous dirai-je Maman, K. 265 |
Paul
Badura-Skoda (piano) |
12:09 |
|
|
Voi
che sapete che cosa è amor (from The Marriage of Figaro) |
Cecilia
Bartoli (Cherubino); The Vienna Chamber Orchestra conducted by György Fischer |
2:50 |
|
|
You
may think you've found a maiden (from The Abduction from the Seraglio) |
Nicolai Gedda
(Belmonte), Noel Mangin (Osmin); The Bath Festival Orchestra conducted by
Yehudi Menuhin |
7:02 |
|
|
Modest
Mussorgsky |
Coronation
Scene from Boris Godunov |
Sir John
Tomlinson (Boris); The Opera North Chorus, the Choristers of Leeds Parish
Church and the English Northern Philharmonia conducted by Paul Daniel |
8:08 |
|
Dawn
on the Moscow River (from Khovanshchina) |
The
Vienna Philharmonic Orchestra conducted by Claudio Abbado |
5:41 |
|
|
Night
on Bald Mountain |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
11:45 |
|
|
Pictures
at an Exhibition (orchestrated by Maurice Ravel) |
The
Philadelphia Orchestra conducted by Riccardo Muti |
31:24 |
|
|
Eduard
Nápravník |
Fantasie
Russe in B minor |
Evgeny
Soifertis (piano); The BBC Scottish Symphony Orchestra conducted by Alexander
Titov |
12:19 |
|
Otto
Nicolai |
Overture to The
Merry Wives of Windsor |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
7:48 |
|
Carl
Nielsen |
Andante
lamentoso, At the Bier of a Young Artist |
The
Danish Radio Symphony Orchestra conducted by Herbert Blomstedt |
4:49 |
|
Bohemian-Danish
Folk Melody |
The Danish
National Symphony Orchestra conducted by Gennady Rozhdestvensky |
8:29 |
|
|
Helios
Overture, Op. 17 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
10:10 |
|
|
Overture to Maskarade |
The
Gothenburg Symphony Orchestra conducted by Myung Wha Chung |
4:41 |
|
|
Symphony
No. 4, Op. 29, Inextinguishable |
The
Scottish National Orchestra conducted by Sir Alexander Gibson |
33:20 |
|
|
Symphony No.
5, Op. 50 |
The New York
Philharmonic conducted by Leonard Bernstein |
33:16 |
|
|
Matvey
Nikolaevsky |
Two
Ballet Marches |
Mikhail
Mordvinov (piano) |
8:20 |
|
Ottokar
Nováček |
Perpetuum
Mobile (orchestrated by Leopold Stokowski) |
The National
Philharmonic Orchestra of London conducted by Leopold Stokowski |
3:37 |
|
Padraig
O'Connor |
Introspect |
The
RTÉ Sinfonietta conducted by Proinnsias Ó Duinn |
7:09 |
|
Jacques
Offenbach |
Adieu!
Je ne veux pas te suivre (from Les contes d'Hoffmann) |
Dame
Joan Sutherland (Stella), Plácido Domingo (Hoffmann), Gabriel Bacquier
(Lindorff), Huguette Tourangeau (Nicklausse), The Orchestre de la Suisse
Romande conducted by Richard Bonynge |
3:12 |
|
Belle nuit, ô
nuit d'amour (from Les contes d'Hoffmann) |
Anna Netrebko
(Giulietta), Elīna Garanča (Niklausse); The PKF - Prague
Philharmonia conducted by Emmanuel Villaume |
3:48 |
|
|
Gendarmes
Duet from Geneviève de Brabant |
Sir
John Tomlinson (Pitou), Barry Banks (Grabuge); The Philharmonia Orchestra
conducted by David Parry |
2:46 |
|
|
Les oiseaux
dans la charmille (from Les contes d'Hoffmann) |
Natalie
Dessay (Olympia); The Monte Carlo Philharmonic Orchestra conducted by Patrick
Fournillier |
5:27 |
|
|
Overture to La
belle Hélène |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:30 |
|
|
Overture
to La fille du tambour-major |
The
New Philharmonia Orchestra conducted by Richard Bonynge |
6:39 |
|
|
Overture
to La vie parisienne |
The
Vienna Symphony Orchestra conducted by Bruno Weil |
5:20 |
|
|
Overture
to Orpheus in the Underworld |
The
New York Philharmonic conducted by Leonard Bernstein |
9:47 |
|
|
Scintille,
diamant! (from Les contes d'Hoffmann) |
José van Dam
(Dappertutto); The Orchestra of the National Opera, Brussels conducted by
Sylvain Cambreling |
3:09 |
|
|
Suite from Gaîté
Parisienne (arranged by Manuel Rosenthal) |
The Boston
Symphony Orchestra conducted by Seiji Ozawa |
19:21 |
|
|
Valse des
Rayons (from Le Papillon) |
The
London Symphony Orchestra conducted by Richard Bonynge |
4:38 |
|
|
Carl
Orff |
O
Fortuna (from Carmina Burana) |
The
Atlanta Symphony Orchestra and Chorus conducted by Robert Shaw |
5:19 |
|
Johann
Pachelbel |
Canon in D
major |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
5:06 |
|
Ignaz
Paderewski |
Minuet
in G major |
Sir
Stephen Hough (piano) |
4:34 |
|
Nicoló
Paganini |
Caprice
No. 24 in A minor |
Salvatore
Accardo (violin) |
4:22 |
|
Moto
Perpetuo, Op. 11 |
The Academy
of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
3:52 |
|
|
Rondo
of the Bells (from the Violin Concerto No. 2 in B minor, Op. 7) |
Shmuel
Ashkenasi (violin); The Vienna Symphony Orchestra conducted by Heribert Esser |
8:30 |
|
|
Giovanni
Palestrina |
Alma
Redemptoris Mater |
The
Monteverdi Choir conducted by Sir John Eliot Gardiner |
4:02 |
|
Salve
Regina |
The
Sixteen conducted by Harry Christophers |
6:22 |
|
|
Hubert
Parry |
Blest Pair of
Sirens |
The London
Philharmonic Orchestra and Chorus conducted by Sir Adrian Boult |
11:14 |
|
I
was glad |
The London
Symphony Orchestra and Chorus conducted by Richard Hickox |
7:08 |
|
|
Jerusalem |
The Leeds
Festival Chorus and the English Northern Philharmonia conducted by Paul
Daniel |
2:42 |
|
|
Lady
Radnor's Suite |
The
Capella Istropolitana conducted by Adrian Leaper |
15:48 |
|
|
March
from Hypatia |
The
BBC Concert Orchestra conducted by John Wilson |
4:10 |
|
|
Symphonic
Variations in E minor |
The
London Philharmonic Orchestra conducted by Matthias Bamert |
14:10 |
|
|
Arvo
Pärt |
Cantus in
memory of Benjamin Britten |
The Bergen
Philharmonic Orchestra conducted by Neeme Järvi |
6:00 |
|
Spiegel
im Spiegel |
Tasmin
Little (violin), Martin Roscoe (piano) |
8:16 |
|
|
Hans Pfitzner |
Prelude to
Act I of Palestrina |
The Orchestra
of the Deutsche Oper Berlin conducted by Christian Theielemann |
7:31 |
|
Astor
Piazzolla |
Le
Grand Tango |
Salvatore
Accardo (violin); The Orchestra da Camera Italiana |
12:15 |
|
Tobias
Picker |
Old and Lost
Rivers |
The Houston
Symphony Orchestra conducted by Christoph Eschenbach |
6:47 |
|
Gabriel
Pierné |
The Entry of
the Little Fauns (from Cydalise et le Chèvre-pied) |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
1:54 |
|
March
of the Little Lead Soldiers |
The
Philharmonia Orchestra conducted by Sir Charles Groves |
3:10 |
|
|
Overture
to Ramuntcho |
The
Philharmonie de Lorraine conducted by Jacques Houtmann |
9:08 |
|
|
Piano
Concerto in C minor, Op. 12 |
Jean-Efflam
Bavouzet (piano); The BBC Philharmonic Orchestra conducted by Juanjo Mena |
18:44 |
|
|
Walter
Piston |
Suite
from The Incredible Flutist |
The
New York Philharmonic conducted by Leonard Bernstein |
15:58 |
|
Robert
Planquette |
Le
Régiment de Sambre et Meuse |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
3:59 |
|
Amilcare
Ponchielli |
Cielo e mar!
(from La Gioconda) |
Luciano
Pavarotti (Enzo); The National Philharmonic Orchestra of London conducted by
Bruno Bartoletti |
4:48 |
|
Dance
of the Hours |
The
Philharmonic Orchestra of La Scala conducted by Riccardo Chailly |
9:43 |
|
|
Suicidio!
(from La Gioconda) |
Renata
Tebaldi (Gioconda); The Orchestra dell'Accademia Nazionale di Santa Cecilia
conducted by Lamberto Gardelli |
4:26 |
|
|
David
Popper |
Dance
of the Elves, Op. 39 |
Antônio
Meneses (cello); The Basle Symphony Orchestra conducted by Ronald Zollman |
2:44 |
|
Cole
Porter |
Don't
Fence Me In |
Thomas
Hampson (baritone); The London Symphony Orchestra conducted by John McGlinn |
4:03 |
|
George
Posford |
At
the Balalaika (from The Great Hussar) |
Peter
Morrison (Peter); The Chandos Concert Orchestra conducted by Barry Knight |
2:57 |
|
Francis
Poulenc |
Ave
verum corpus |
The
Sixteen conducted by Harry Christophers |
2:19 |
|
Concerto in G
minor for Organ, Strings and Timpani |
Maurice
Duruflé (organ); The Orchestre National de la RTF conducted by Georges Prêtre |
22:58 |
|
|
Suite
from Les biches |
The
City of Birmingham Symphony Orchestra conducted by Louis Frémaux |
19:01 |
|
|
Michael
Praetorius |
Es
ist ein' Ros' entsprungen |
Kathleen
Battle (soprano); The Boys Choir Of Harlem, the New York Choral Artists and
the Orchestra of St. Luke's conducted by Leonard Slatkin |
3:30 |
|
Sergei
Prokofiev |
Alexander's
Entry into Pskov (from Alexander Nevsky, Op. 78) |
The London
Symphony Orchestra and Chorus conducted by André Previn |
4:29 |
|
Piano
Concerto No. 1 in D flat major, Op. 10 |
Kun
Woo Paik (piano); The Polish National Radio Symphony Orchestra conducted by
Antoni Wit |
15:58 |
|
|
Piano
Concerto No. 3 in C major, Op. 26 |
Martha
Argerich (piano); The Berlin Philharmonic Orchestra conducted by Claudio
Abbado |
27:13 |
|
|
Suite
from Lieutenant Kijé, Op. 60 |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
20:28 |
|
|
Suite
from The Love for Three Oranges, Op. 33b |
The
Montreal Symphony Orchestra conducted by Charles Dutoit |
16:18 |
|
|
Suite
No. 2 from Romeo and Juliet, Op. 64b |
The
Scottish National Orchestra conducted by Neeme Järvi |
31:37 |
|
|
Symphony No.
1 in D major, Op. 23, Classical |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
13:12 |
|
|
Symphony
No. 5 in B flat major, Op. 100 |
The
Cleveland Orchestra conducted by George Szell |
38:55 |
|
|
The Battle on
the Ice (from Alexander Nevsky, Op. 78) |
The Westminster
Chorus and the New York Philharmonic conducted by Thomas Schippers |
13:09 |
|
|
Giacomo
Puccini |
Che gelida
manina (from La bohème) |
Alfredo Kraus
(Rodolfo); The National Philharmonic Orchestra of London conducted by James
Levine |
5:03 |
|
Diecimila
anni al nostro Imperatore! (from Turandot) |
Katia
Ricciarelli (Turandot); The Vienna State Opera Chorus and the Vienna
Philharmonic Orchestra conducted by Herbert von Karajan |
2:48 |
|
|
Donna
non vidi mai (from Manon Lescaut) |
Jussi
Björling (Des Grieux); The Orchestra of the Rome Opera House conducted by
Jonel Perlea |
2:31 |
|
|
E
lucevan le stelle (from Tosca) |
Luciano
Pavarotti (Cavaradossi); The National Philharmonic Orchestra of London
conducted by Nicola Rescigno |
3:15 |
|
|
Fair
Doretta (from La rondine) |
Susan
Patterson (Magda); The Philharmonia Orchestra conducted by David Parry |
3:14 |
|
|
In
questa reggia (from Turandot) |
Birgit
Nilsson (Turandot), Franco Corelli (Calaf); The Chorus and Orchestra of the
Rome Opera House conducted by Francesco Molinari-Pradelli |
6:05 |
|
|
Love
Duet from Madama Butterfly |
Renata Scotto
(Cio-Cio-San), Carlo Bergonzi (Pinkerton); The Orchestra of the Rome Opera
House conducted by Sir John Barbirolli |
11:33 |
|
|
Musetta's
Waltz (from La bohème) |
Leontyne
Price (Musetta); The New Philharmonia Orchestra conducted by Sir Edward
Downes |
2:38 |
|
|
Nessun
dorma (from Turandot) |
Luciano
Pavarotti (Calaf); The London Philharmonic Orchestra conducted by Zubin Mehta |
3:25 |
|
|
Non piangere
Liu (from Turandot) |
Jonas Kaufmann
(Calaf), Ermonela Jaho (Liù), Michele Pertusi (Timur), Mattia Olivieri
(Ping), Gregory Bonfati (Pang), Siyabonga Maqungo (Pong); The Orchestra and
Chorus dell'Accademia Nazionale di Santa Celilia conducted by Sir Antonio
Pappano |
5:09 |
|
|
O mio babbino
caro (from Gianni Schicchi) |
Renée Fleming
(Lauretta); The London Philharmonic Orchestra conducted by Sir Charles
Mackerras |
2:53 |
|
|
O soave
fanciulla (from La bohème) |
Mirella Freni
(Mimi), Luciano Pavarotti (Rodolfo); The Berlin Philharmonic Orchestra
conducted by Herbert von Karajan |
4:16 |
|
|
Preludio
Sinfonico for Orchestra |
The Berlin
Radio Symphony Orchestra conducted by Riccardo Chailly |
9:09 |
|
|
Presto! In
fila!... Guardate, pazzo son (from Manon Lescaut) |
Plácido
Domingo (Des Grieux), Handel Thomas (Sergeant), Sir John Tomlinson
(Commandante); The Chorus of the Royal Opera House, Covent Garden and the
Philharmonia Orchestra conducted by Giuseppe Sinopoli |
4:04 |
|
|
Senza
mamma, o bimbo (from Suor Angelica) |
Renée
Fleming (Angelica); The Giuseppe Verdi Symphony Orchestra of Milan conducted
by Marco Armiliato |
4:33 |
|
|
Sì. Mi
chiamano Mimì (from La bohème) |
Anna Moffo
(Mimi); The Rome Opera Orchestra conducted by Tullio Serafin |
5:05 |
|
|
Sola,
perduta, abbandonata (from Manon Lescaut) |
Maria
Guleghina (Manon); The Orchestra of La Scala, Milan conducted by Riccardo
Muti |
5:34 |
|
|
Tre sbirri…
Va, Tosca (from Tosca) |
Ruggiero
Raimondi (Scarpia), Heinz Zednik (Spoletta); The Chorus of the Deutsche Oper,
Berlin and the Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
4:40 |
|
|
Un
bel dì vedremo (from Madama Butterfly) |
Renata
Tebaldi (Cio-Cio-San); The Orchestra dell'Accademia Nazionale di Santa
Cecilia conducted by Tullio Serafin |
4:56 |
|
|
Vissi
d'arte (from Tosca) |
Leontyne
Price (Tosca); The New Philharmonia Orchestra conducted by Sir Edward Downes |
3:21 |
|
|
Henry
Purcell |
Suite
from Abdelazar |
The
Parlay of Instruments conducted by Roy Goodman |
12:28 |
|
Sergei
Rachmaninoff |
Dances from Aleko |
The Cincinnati
Symphony Orchestra conducted by Paavo Järvi |
9:09 |
|
Piano
Concerto No. 2 in C minor, Op. 18 |
Earl
Wild (piano); The Royal Philharmonic Orchestra conducted by Jascha Horenstein |
30:28 |
|
|
Piano
Concerto No. 3 in D minor, Op. 30 |
Vladimir
Ashekenazy (piano); The Concertgebouw Orchestra of Amsterdam conducted by
Bernard Haitink |
43:29 |
|
|
Prelude in C
sharp minor, Op. 3, No. 2 |
Jorge Bolet
(piano) |
4:00 |
|
|
Rhaposdy
on a Theme of Paganini, Op. 43 |
Gary
Graffman (piano); The New York Philharmonic conducted by Leonard Bernstein |
20:32 |
|
|
Symphonic
Dances, Op. 45 |
The Berlin
Philharmonic Orchestra conducted by Lorin Maazel |
34:01 |
|
|
Symphony
No. 2 in E minor, Op. 27 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
47:53 |
|
|
The
Isle of the Dead, Op. 29 |
The
St. Petersburg Philharmonic Orchestra conducted by Mariss Jansons |
19:51 |
|
|
Vocalise,
Op. 34, No. 14 |
The
London Symphony Orchestra conducted by André Previn |
6:37 |
|
|
Joachim
Raff |
March
from Act III of Bernhard von Weimar |
The
Gothenburg Opera Orchestra conducted by Henrik Schaefer |
8:46 |
|
Jean-Philippe
Rameau |
Overture
to Pygmalion |
The
New Philharmonia Orchestra conducted by Raymond Leppard |
6:08 |
|
Suite
from Le temple de la gloire |
Tafelmusik
conducted by Jeanne Lamon |
25:40 |
|
|
Maurice
Ravel |
Alborada del
gracioso |
The French
National Orchestra conducted by Leonard Bernstein |
7:36 |
|
Bolero |
The
Boston Symphony Orchestra conducted by Seiji Ozawa |
15:07 |
|
|
La valse |
The Minnesota
Orchestra conducted by Stanlislaw Skrowaczewski |
12:30 |
|
|
Le
tombeau de Couperin |
The
London Symphony Orchestra conducted by Claudio Abbado |
16:20 |
|
|
Menuet
antique |
The Orchestre
de Paris conducted by Jean Martinon |
6:25 |
|
|
Mother
Goose Suite |
The
Boston Symphony Orchestra conducted by Charles Munch |
18:17 |
|
|
Pavane
pour une infante défunte |
The
Cleveland Orchestra conducted by Pierre Boulez |
6:49 |
|
|
Piano
Concerto in D major for the Left Hand |
Robert
Casadesus (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
17:35 |
|
|
Rapsodie
espagnole |
The
Concertgebouw Orchestra of Amsterdam conducted by Bernard Haitink |
15:47 |
|
|
Suite No. 2
from Daphnis et Chloé |
The Los
Angeles Philharmonic Orchestra conducted by André Previn |
17:24 |
|
|
Tzigane |
Lelia
Josefowicz (violin); The Academy of St. Martin-in-the-Fields conducted by Sir
Neville Marriner |
9:25 |
|
|
Une barque
sur l’océan |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
7:53 |
|
|
Valses nobles
et sentimentales |
The Detroit
Symphony Orchestra conducted by Paul Paray |
13:52 |
|
|
Alfred Reed |
El Camino
Real |
The Senzoku
Gakuen Symphonic Wind Orchestra conducted by Alfred Reed |
11:22 |
|
Max
Reger |
A
Comedy Overture, Op. 120 |
The
Bamberg Symphony Orchestra conducted by Horst Stein |
8:18 |
|
An
die Hoffnung, Op. 124 |
Annaliese
Burmeister (alto); The Leipzig Radio Symphony Orchestra conducted by Heinz
Bongartz |
11:56 |
|
|
Introduction
and Passacaglia in D minor |
Martin
Welzel (organ) |
7:55 |
|
|
Siegesfeier,
Op. 145, No. 7 |
Edgar
Krapp (organ) |
6:45 |
|
|
Toccata
and Fugue in D minor, Op. 129, No. 1 |
Ludger
Lohmann (organ) |
8:16 |
|
|
Variations
and Fugue on Heil, unserm König Heil, WoO 4, No. 7 |
Josef
Still (organ) |
7:56 |
|
|
Ottorino
Respighi |
Adagio and
Variations for Cello and Orchestra |
André Navarra
(cello); The Czech Philharmonic Orchestra conducted by Karel Ančerl |
10:18 |
|
Feste
romane |
The
New York Philharmonic conducted by Leonard Bernstein |
23:21 |
|
|
Suite
from Belkis, Queen of Sheba |
The
Philharmonia Orchestra conducted by Geoffrey Simon |
22:36 |
|
|
Suite from La
Boutique Fantasque (after Gioacchino Rossini) |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
19:32 |
|
|
Suite
No. 1 of Ancient Airs and Dances |
The
Los Angeles Chamber Orchestra conducted by Sir Neville Marriner |
15:19 |
|
|
Suite
No. 2 of Ancient Airs and Dances |
The
Boston Symphony Orchestra conducted by Seiji Ozawa |
19:39 |
|
|
Suite
No. 3 of Ancient Airs and Dances |
Sinfonia
21 conducted by Richard Hickox |
16:22 |
|
|
Symphonic
Impressions, Church Windows |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
24:44 |
|
|
The
Birds |
The
Bournemouth Sinfonietta conducted by Tamás Vásáry |
19:49 |
|
|
The
Fountains of Rome |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
16:52 |
|
|
The
Pines of Rome |
The
Philadelphia Orchestra conducted by Riccardo Muti |
22:10 |
|
|
Silvestre
Revueltas |
Sensemayá |
The Festival
Orchestra of Mexico conducted by Enrique Bátiz |
5:48 |
|
Emil
von Reznicek |
Overture
to Donna Diana |
The
Vienna Philharmonic Orchestra conducted by Willy Boskovsky |
5:41 |
|
Max
Richter |
On
the Nature of Daylight |
The
Baltic Sea Philharmonic conducted by Kristjan Järvi |
7:15 |
|
Nikolai
Rimsky-Korsakov |
Bridal
Procession from Le coq d'or |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
3:38 |
|
Capriccio
Espagnol, Op. 34 |
The
RCA Orchestra conducted by Kiril Kondrashin |
15:09 |
|
|
Dance of the
Tumblers (from The Snow Maiden) |
The New York
Philharmonic conducted by Leonard Bernstein |
3:16 |
|
|
Farewell
of the Tsar from Tsar Saltan |
The
Orchestre de la Suisse Romande conducted by Ernest Ansermet |
4:34 |
|
|
Overture
on Three Russian Themes, Op. 28 |
The
Seattle Symphony Orchestra conducted by Gerard Schwarz |
11:32 |
|
|
Procession
of the Nobles from Mlada |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
4:48 |
|
|
Russian
Easter Overture, Op. 36 |
The
Gothenburg Symphony Orchestra conducted by Neeme Järvi |
15:05 |
|
|
Scheherezade,
Op. 35 |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
44:32 |
|
|
Song
of the Hindu Merchant (from Sadko) |
Barry
Banks (The Indian); The Philharmonia Orchestra conducted by David Parry |
3:45 |
|
|
The
Flight of the Bumblebee |
The
National Philharmonic Orchestra of London conducted by Leopold Stokowski |
1:25 |
|
|
Richard
Rodgers |
Carousel
Waltz |
The
New London Orchestra conducted by Ronald Corp |
7:38 |
|
Guadalcanal
March |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
2:11 |
|
|
Slaughter on
Tenth Avenue |
The
Cincinnati Pops Orchestra conducted by Erich Kunzel |
8:50 |
|
|
Joaquín
Rodrigo |
Concierto
de Aranjuez for Guitar and Orchestra |
John
Williams (guitar); The Philadelphia Orchestra conducted by Eugene Ormandy |
21:04 |
|
Aldemaro
Romero |
Tocatta
Bachiana y Pajarillo Aldemaroso |
The
Orquestra Sinfónica di Venezuela conducted by Theodore Kuchar |
9:21 |
|
Juventino
Rosas |
Over
the Waves |
The
Orchestra of the Vienna Volksoper conducted by Franz Bauer-Theussl |
6:33 |
|
Gioacchino
Rossini |
Bel
raggio lusinghier (from Semiramide) |
Frederica
von Stade (Semiramide); The National Arts Center Orchestra conducted by Mario
Bernardi |
7:04 |
|
Cruda
sorte! Amor tiranno! (from L'italiana in Algeri) |
Cecilia
Bartoli (Isabella); The Vienna Volksoper Orchestra conducted by Giuseppe
Patanè |
5:00 |
|
|
Da
vaggi raggi adorno (from Il viaggio a Rheims) |
Katia Ricciarelli
(Madame Cortese); The Prague Philharmonic Chorus and the Chamber Orchestra of
Europe conducted by Claudio Abbado |
7:24 |
|
|
La
calunnia è venticello (from The Barber of Seville) |
Ruggiero
Raimondi (Basilio); The London Symphony Orchestra conducted by James Levine |
4:55 |
|
|
La
Danza |
Luciano
Pavarotti (tenor); The Orchestra del Teatro Comunale di Bologna conducted by
Richard Bonynge |
3:09 |
|
|
La flamme
rapide... La gloire et la fortune (from Le siège de Corinthe) |
Samuel Ramey
(Mahomet II); The Concert Chorale of New York and the Orchestra of St. Luke's
conducted by Sir Roger Norrington |
10:07 |
|
|
Largo al
factotum (from The Barber of Seville) |
Tito Gobbi
(Figaro); The Philharmonia Orchestra conducted by Alceo Galliera |
4:45 |
|
|
Ma signor!..
Zitto tu! (from The Barber of Seville) |
Sir Thomas
Allen (Figaro), Agnes Baltsa (Rosina), Francesco Ariaza (Don Almaviva),
Domenico Trimarchi (Don Basilio), Robert Lloyd (Don Bartolo), Sally Burgess
(Berta); The Ambrosian Opera Chorus and the Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
5:00 |
|
|
Nacqui
all'affanno - Non più mesta (from La Cenerentola) |
Theresa
Berganza (Angelina); The Scottish Opera Chorus and the London Symphony
Orchestra conducted by Claudio Abbado |
7:11 |
|
|
O
patria… Di tanti palpiti (from Tancredi) |
Vesselina
Kasarova (Tancredi); The Munich Radio Orchestra conducted by Roberto Abbado |
6:33 |
|
|
Overture
to Il signor Bruschino |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
4:58 |
|
|
Overture
to Il viaggio a Reims |
The
Philharmonia Orchestra conducted by Riccardo Muti |
7:44 |
|
|
Overture to La
Cenerentola |
The Orchestra
del Teatro Comunale di Bologna conducted by Riccardo Chailly |
7:40 |
|
|
Overture
to La gazza ladra |
The
Cleveland Orchestra conducted by George Szell |
9:21 |
|
|
Overture
to La scala di seta |
The
Chamber Orchestra of Europe conducted by Claudio Abbado |
5:55 |
|
|
Overture
to L'italiana in Algieri |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
8:31 |
|
|
Overture
to Semiramide |
The
Philharmonia Orchestra conducted by Carlo Maria Giulini |
12:49 |
|
|
Overture
to Tancredi |
The
Orpheus Chamber Orchestra |
6:06 |
|
|
Overture
to The Barber of Seville |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
7:07 |
|
|
Overture
to William Tell |
The
New York Philharmonic conducted by Leonard Bernstein |
11:33 |
|
|
Tanti affetti
in tal momento (from La donna del lago) |
Marilyn Horne
(Elena); The Ambrosian Opera Chorus and the Royal Philharmonic Orchestra
conducted by Henry Lewis |
9:12 |
|
|
Una voce poco
fà (from The Barber of Seville) |
Roberta Peters
(Rosina); The Metropolitan Opera Orchestra conducted by Erich Leinsdorf |
6:26 |
|
|
Albert
Roussel |
Bacchus
et Ariane Suite No. 2 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
15:58 |
|
Miklós
Rózsa |
Spellbound
Concerto |
Phillip Fowke
(piano); The RTE Concert Orchestra conducted by Proinnsias Ó Duinn |
11:56 |
|
Suite
from Ben Hur |
The
BBC Philharmonic Orchestra conducted by Rumon Gamba |
16:04 |
|
|
Violin
Concerto, Op. 24 |
Jascha
Heifetz (violin); The Dallas Symphony Orchestra conducted by Walter Hendl |
26:49 |
|
|
Anton
Rubinstein |
Two
Melodies, Op. 3 |
Joseph
Banowetz (piano) |
6:58 |
|
John
Rutter |
Te
Deum |
The
Choirs of St. Alban's Cathedral and the Ensemble DeChorum conducted by Andrew
Lucas |
7:44 |
|
Camille
Saint-Saëns |
Bacchanale
from Samson et Dalila |
The Scottish
National Orchestra conducted by Neeme Järvi |
6:48 |
|
Danse
macabre, Op. 40 |
The
Orchestre de Paris conducted by Daniel Barenboim |
6:54 |
|
|
Fantasy for
Piano and Orchestra, Africa, Op. 89 |
Jean-Phillipe
Collard (piano); The Royal Philharmonic Orchestra conducted by André Previn |
10:54 |
|
|
Havanaise for
Violin and Orchestra, Op. 83 |
Itzhak
Perlman (violin); The New York Philharmonic conducted by Zubin Mehta |
8:07 |
|
|
Introduction
and Rondo Capriccioso for Violin and Orchestra, Op. 28 |
Erick
Friedman (violin); The Chicago Symphony Orchestra conducted by Walter Hendl |
8:52 |
|
|
Le
rouet d'Omphale, Op. 31 |
The
Orchestre de Paris conducted by Pierre Dervaux |
9:16 |
|
|
Marche
militaire française |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
4:52 |
|
|
Mon
coeur s'ouvre a ta voix (from Samson et Dalila) |
Marilyn
Horne (Dalila); The Vienna State Opera Orchestra conducted by Henry Lewis |
6:29 |
|
|
Phaëton, Op.
39 |
The
Philharmonia Orchestra conducted by Charles Dutoit |
9:04 |
|
|
Piano
Concerto No. 2 in C minor, Op. 22 |
Sir Stephen
Hough (piano); The City of Birmingham Symphony Orchestra conducted by Sakari
Oramo |
21:40 |
|
|
Piano
Concerto No. 4 in C minor, Op. 44 |
Philippe
Entremont (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
24:49 |
|
|
Symphony No.
1 in E flat major, Op. 2 |
The Orchestre
National de la RTF conducted by Jean Martinon |
30:53 |
|
|
Symphony
No. 3 in C minor, Op. 78, Organ |
Berj
Zamkochian (organ); The Boston Symphony Orchestra conducted by Charles Munch |
34:25 |
|
|
The
Carnival of the Animals |
Aldo
Ciccolini and Alexis Weissenberg (pianos); The Paris Conservatoire Orchestra
conducted by Georges Prêtre |
20:46 |
|
|
Violin
Concerto No. 3 in B minor, Op. 61 |
Ruggiero
Ricci (violin); The Orchestra of Radio Luxembourg conducted by Pierre Cao |
24:45 |
|
|
Albert
Sammons |
Romanian
Air and Gypsy Dance |
Paul
Barritt (violin), Catherine Edwards (piano) |
5:48 |
|
Pablo
de Sarasate |
Concert
Fantasy on Themes from Bizet's Carmen, Op. 25 |
Itzhak
Perlman (violin); The Royal Philharmonic Orchestra conducted by Lawrence
Foster |
11:48 |
|
Zapateado,
Op. 23, No. 6 |
Sarah
Chang (violin), Charles Abramovic (piano) |
3:17 |
|
|
Zigeunerweisen,
Op. 20 |
Joshua
Bell (violin); The Royal Philharmonic Orchestra conducted by Andrew Litton |
9:07 |
|
|
Erik
Satie |
Three
Gnossiennes |
William
Masselos (piano) |
7:29 |
|
Three
Gymnopédies |
Pascal Rogé
(piano) |
8:27 |
|
|
Paul de
Schlözer |
Etude in A
flat major, Op. 1, No. 2 |
Sir Stephen
Hough (piano) |
3:09 |
|
Franz
Schmidt |
Intermezzo
from Notre Dame |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
4:43 |
|
Thomas
Schmidt-Kowalski |
Sternennacht,
Op. 34, No. 2 |
The
Leipzig Radio Symphony Orchestra conducted by Thomas Schmidt-Kowalski |
6:09 |
|
Florent
Schmitt |
Dieu
est monté (from the Psalm 47) |
The Orchestra
and Chorus of the French National Radio and Television conducted by Jean
Martinon |
7:38 |
|
Franz
Schreker |
Nachtstück
from Der ferne Klang |
The
BBC Philharmonic Orchestra conducted by Vassily Siniasky |
16:18 |
|
Franz
Schubert |
Ave
Maria, D. 839 |
Leontyne
Price (soprano); The Vienna Philharmonic Orchestra conducted by Herbert von
Karajan |
5:28 |
|
Death
and the Maiden, D. 531 |
Renée
Fleming (soprano), Christoph Eschenbach (piano) |
3:05 |
|
|
Erlkönig,
D. 328 |
Dietrich
Fischer-Dieskau (baritone), Gerald Moore (piano) |
4:20 |
|
|
Gretchen am
Spinnrad, D. 118 |
Elly Ameling
(soprano), Jörg Demus (piano) |
3:44 |
|
|
Impromptu in
A flat major, Op. 90, No. 4 |
Alfred
Brendel (piano) |
7:21 |
|
|
Marche
militaire, Op. 51, No. 1 |
The
Cleveland Pops Orchestra conducted by Louis Lane |
4:09 |
|
|
Overture to Rosamunde,
D. 797 |
The
Gewandhaus Orchestra of Leipzig conducted by Kurt Masur |
10:14 |
|
|
Symphony
No. 4 in C minor, D. 417, Tragic |
The Vienna
Philharmonic Orchestra conducted by Istvan Kertész |
26:09 |
|
|
Symphony
No. 5 in B flat major, D. 485 |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
24:59 |
|
|
Symphony No.
6 in C major, D. 589, Little |
The
Berlin Philharmonic Orchestra conducted by Lorin Maazel |
23:46 |
|
|
Symphony
No. 8 in B minor, D. 759, Unfinished |
The
Berlin Philharmonic Orchestra conducted by Karl Böhm |
23:02 |
|
|
Symphony
No. 9 in C major, D. 944, Great |
The
Cleveland Orchestra conducted by George Szell |
46:58 |
|
|
The
Hurdy-Gurdy Man, D. 911, No. 24 |
Thomas
Hampson (baritone), Wolfgang Sawallisch (piano) |
3:26 |
|
|
The
Lark, D. 889 |
Håkan
Hagegård (baritone), Emmanuel Ax (piano) |
3:49 |
|
|
The
Trout, D. 550 |
Gundula
Janowitz (soprano); Irwin Gage (piano) |
1:58 |
|
|
To
Music, D. 547 (orchestrated by Max Reger) |
Thomas
Quasthoff (baritone); The Chamber Orchestra of Europe conducted by Claudio
Abbado |
2:25 |
|
|
Wanderer
Fantasy, D. 760 |
Sviatoslav
Richter (piano) |
20:46 |
|
|
Who
is Sylvia?, D. 891 |
Anne
Sofie von Otter (soprano), Bengt Forsberg (piano) |
2:56 |
|
|
Adolf
Schulz-Evler |
Concert
Arabesques on The Beautiful Blue Danube |
Piers
Lane (piano) |
10:59 |
|
William
Schuman |
American
Festival Overture |
The
Los Angeles Philharmonic Orchestra conducted by Leonard Bernstein |
9:29 |
|
New
England Triptych |
The
St. Louis Symphony Orchestra conducted by Leonard Slatkin |
15:33 |
|
|
Orchestra
Song |
The
Seattle Symphony Orchestra conducted by Gerard Schwarz |
3:01 |
|
|
Robert
Schumann |
Arabeske, Op.
18 |
Maurizio
Pollini (piano) |
6:25 |
|
Cello
Concerto in A minor, Op. 129 |
Leonard
Rose (cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
24:01 |
|
|
Fantasy in C
major for Violin and Orchestra, Op. 131 |
Ruggiero
Ricci (violin); The Leipzig Gewandhaus Orchestra conducted by Kurt Masur |
13:39 |
|
|
Introduction
and Allegro Appassionato for Piano and Orchestra, Op. 92 |
Murray
Perahia (piano); The Berlin Philharmonic Orchestra conducted by Claudio
Abbado |
14:10 |
|
|
Konzertstück
in F major for Four Horns and Orchestra, Op. 86 |
Francis
Orval, Robert Janssens, Robert Desprez and François Tommasini (horns); The
Orchestra of Radio Luxembourg conducted by Pierre Cao |
18:02 |
|
|
Overture
to The Bride of Messina, Op. 100 |
The
Philharmonia Orchestra conducted by Riccardo Muti |
7:48 |
|
|
Overture
to Genoveva, Op. 81 |
The
Vienna Philharmonic Orchestra conducted by Karl Münchinger |
9:00 |
|
|
Overture, Julius
Caesar, Op. 128 |
The London
Symphony Orchestra conducted by Neeme Järvi |
8:40 |
|
|
Overture, Manfred,
Op. 115 |
The
Cleveland Orchestra conducted by George Szell |
11:12 |
|
|
Overture,
Scherzo and Finale in E flat major, Op. 52 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
16:58 |
|
|
Piano
Concerto in A minor, Op. 54 |
Rudolf Serkin
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
30:48 |
|
|
Suleika's
Song, Op. 25, No. 9 |
Edith Mathis
(soprano), Christoph Eschenbach (piano) |
2:34 |
|
|
Symphony No.
1 in B flat major, Op. 38, Spring |
The
London Symphony Orchestra conducted by Josef Krips |
29:04 |
|
|
Symphony
No. 2 in C minor, Op. 61 |
The
Philharmonia Orchestra conducted by Riccardo Muti |
36:40 |
|
|
Symphony
No. 3 in E flat major, Op. 97, Rhenish |
The
Vienna Philharmonic Orchestra conducted by Leonard Bernstein |
34:49 |
|
|
Symphony
No. 4 in D minor, Op. 120 |
The
Cleveland Orchestra conducted by George Szell |
25:25 |
|
|
Toccata
in C major, Op. 7 |
Vladimir
Horowitz (piano) |
6:29 |
|
|
Träumerei,
Op. 15, No. 7 |
Martha
Argerich (piano) |
2:59 |
|
|
Violin
Concerto in D minor |
Joshua Bell
(violin); The Cleveland Orchestra conducted by Christoph von Dohnányi |
27:39 |
|
|
Alexander
Scriabin |
Le
poème de l'extase, Op. 54 |
The
Russian National Orchestra conducted by Mikhail Pletnev |
19:30 |
|
O wonderful
image of the Divine… Glory to Art! (from the Symphony No. 1 in E major, Op.
26) |
Stefania
Toczyska (soprano), Michael Myers (tenor); The Westminster Choir and the
Philadelphia Orchestra conducted by Riccardo Muti |
13:08 |
|
|
Prometheus,
Op. 60 |
Vladimir
Ashkenazy (piano); The Ambrosian Singers and the London Philharmonic
Orchestra conducted by Lorin Maazel |
20:25 |
|
|
Dmitri
Shostakovich |
Festive
Overture, Op. 96 |
The Royal
Philharmonic Orchestra conducted by Vladimir Ashkenazy |
5:56 |
|
Prelude
and Fugue in A major, Op. 87, No. 7 |
Roger
Woodward (piano) |
3:12 |
|
|
Suite
for Variety Orchestra |
The
Concertgebouw Orchestra of Amsterdam conducted by Riccardo Chailly |
24:11 |
|
|
Suite from The
Age of Gold, Op. 22a |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
15:52 |
|
|
Symphony
No. 5 in D minor, Op. 47 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
44:46 |
|
|
Symphony
No. 9 in E flat major, Op. 70 |
The
London Philharmonic Orchestra conducted by Bernard Haitink |
26:12 |
|
|
Jean
Sibelius |
Andante
Festivo for String Orchestra |
The Oslo
Philharmonic Orchestra conducted by Mariss Jansons |
4:34 |
|
En Saga, Op.
9 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
17:00 |
|
|
Finlandia,
Op. 26 |
The Boston
Symphony Orchestra conducted by Sir Colin Davis |
8:04 |
|
|
Karelia
Suite, Op. 11 |
The Royal
Philharmonic Orchestra conducted by Sir Charles Mackerras |
15:31 |
|
|
Lemminkäinen
and the Maidens of Saari, Op. 22, No. 1 |
The
Gothenburg Symphony Orchestra conducted by Neeme Järvi |
18:07 |
|
|
Lemminkäinen's
Return, Op. 22, No. 4 |
The
Orchestre de la Suisse Romande conducted by Horst Stein |
6:04 |
|
|
Night Ride
and Sunrise, Op. 55 |
The
Philharmonia Orchestra conducted by Sir Simon Rattle |
14:39 |
|
|
Pohjola’s
Daughter, Op. 49 |
The City of
Birmingham Symphony Orchestra conducted by Sakari Oramo |
11:54 |
|
|
Spring Song,
Op. 16 |
The Royal
Liverpool Philharmonic Orchestra conducted by Sir Charles Groves |
7:06 |
|
|
Symphony No.
1 in E minor, Op. 39 |
The National
Philharmonic Orchestra of London conducted by Leopold Stokowski |
37:30 |
|
|
Symphony No.
2 in D major, Op. 43 |
The
Concertgebouw Orchestra of Amsterdam conducted by George Szell |
41:39 |
|
|
Symphony No.
5 in E flat major, Op. 82 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
32:33 |
|
|
Symphony
No. 7 in C major, Op. 105 |
The
Vienna Philharmonic Orchestra conducted by Lorin Maazel |
21:20 |
|
|
Tapiola,
Op. 112 |
The
Scottish National Orchestra conducted by Sir Alexander Gibson |
15:46 |
|
|
The
Oceanides, Op. 73 |
The Lahti
Symphony Orchestra conducted by Osmo Vänskä |
10:12 |
|
|
The
Swan of Tuonela, Op. 22, No. 2 |
The
Bournemouth Symphony Orchestra conducted by Paavo Berglund |
8:49 |
|
|
Valse Triste,
Op. 44, No. 1 |
The New York
Philharmonic conducted by Leonard Bernstein |
5:08 |
|
|
Violin
Concerto in D minor, Op. 47 |
Gidon
Kremer (violin); The Philharmonia Orchestra conducted by Riccardo Muti |
31:34 |
|
|
Rudolf
Sieczyński |
Vienna,
City of my Dreams |
Stuart
Burrows (tenor); The Royal Philharmonic Orchestra conducted by Robin
Stapleton |
4:46 |
|
Christian
Sinding |
Rustles of
Spring, Op. 32, No. 3 |
The Iceland
Symphony Orchestra conducted Bjarte Engeset |
2:39 |
|
Bedřich
Smetana |
From
Bohemia's Woods and Fields |
The Boston
Symphony Orchestra conducted by Rafael Kubelik |
12:45 |
|
Overture and
Dances from The Bartered Bride |
The London
Symphony Orchestra conducted by Geoffrey Simon |
23:53 |
|
|
The Moldau |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
12:34 |
|
|
Vyšehrad |
The
Czech Philharmonic Orchestra conducted by Karel Ančerl |
14:18 |
|
|
Wallenstein's
Camp |
The
Bavarian Radio Symphony Orchestra conducted by Rafael Kubelik |
15:14 |
|
|
John
Philip Sousa |
El
Capitan |
The
Incredible Columbia All-Star Band conducted by Gunther Schuller |
2:09 |
|
Semper
Fidelis |
The
New York Philharmonic conducted by Leonard Bernstein |
2:30 |
|
|
The
Liberty Bell |
The
Band of H.M. Royal Marines conducted by Lt. Col. G. A. C. Hoskins |
3:25 |
|
|
The
Power and the Glory |
The
Slovak Radio Symphony Orchestra conducted by Keith Brion |
2:58 |
|
|
The Stars and
Stripes Forever |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
3:28 |
|
|
The
Thunderer |
The Band of
the Grenadier Guards conducted by Lt. Col. Rodney Bashford |
2:54 |
|
|
The
U.S. Field Artillery March |
The
U.S. Marine Band conducted by Lt. Col. Jack T. Kline |
2:37 |
|
|
Washington
Post |
The Eastman
Wind Ensemble conducted by Frederick Fennell |
2:29 |
|
|
Gasparo
Spontini |
March from Fernando
Cortez |
The Berlin
Radio Symphony Orchestra conducted by Caspar Richter |
3:21 |
|
Overture
to La Vestale |
The
Orchestra of La Scala, Milan conducted by Riccardo Muti |
7:05 |
|
|
John
Stainer |
God so loved
the world (from The Crucifixion) |
The BBC
Singers and the Leith Hill Festival Singers conducted by Brian Kay |
3:46 |
|
Charles
Villiers Stanford |
Irish
Rhapsody No. 1 in D minor, Op. 78 |
The
Ulster Orchestra conducted by Vernon Handley |
13:49 |
|
The
Resurrection, Op. 5 |
Robert
Murray (tenor); The Bach Choir and the Bournemouth Symphony Orchestra
conducted by David Hill |
12:21 |
|
|
Max
Steiner |
Suite
from Gone With the Wind |
The
National Philharmonic Orchestra of London conducted by Charles Gerhardt |
14:48 |
|
Robert
Stolz |
Mein
Liebeslied muss ein Walzer sein (from White Horse Inn) |
Yvonne Kenny
(Josepha); The Melbourne Symphony Orchestra conducted by Richard Bonynge |
3:27 |
|
Oscar
Straus |
My
Hero (from The Chocolate Soldier) |
Marilyn
Hill Smith (Nadina); The Chandos Concert Orchestra conducted by Barry Knight |
4:47 |
|
Softly,
so softly (from Ein Walzertraum) |
Bruce
Ford (Niki), Alan Opie (Montschi); The London Philharmonic Orchestra
conducted by Walter Weller |
4:54 |
|
|
Eduard
Strauss |
Bahn Frei
Polka, Op. 45 |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
2:14 |
|
Josef
Strauss |
Austrian
Village Swallows, Op. 164 |
The Johann
Strauss Orchestra of Vienna conducted by Willy Boskovsky |
7:17 |
|
Delirien
Waltz, Op. 212 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:43 |
|
|
Music of the
Spheres, Op. 235 |
The Vienna
Philharmonic Orchestra conducted by Rudolf Kempe |
8:34 |
|
|
My Life is
Love and Laughter, Op. 263 |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
6:42 |
|
|
Johann
Strauss I |
Radetzky
March |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
3:16 |
|
Johann
Strauss II |
Accelerations,
Op. 234 |
The
Vienna Philharmonic Orchestra conducted by Lorin Maazel |
8:54 |
|
Artist's
Life, Op. 316 |
The
London Philharmonic Orchestra conducted by Franz Welser-Möst |
9:25 |
|
|
Du
und Du, Op. 367 |
The
Vienna Philharmonic Orchestra conducted by Willy Boskovsky |
7:29 |
|
|
Emperor
Waltz, Op. 437 |
The New York
Philharmonic conducted by Leonard Bernstein |
11:06 |
|
|
Kriegsabenteur,
Op. 419 |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
2:28 |
|
|
On
the Beautiful, Blue Danube, Op. 314 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
11:55 |
|
|
Overture
to Die Fledermaus |
The
Bavarian State Orchestra conducted by Carlos Kleiber |
7:46 |
|
|
Perpetuum
Mobile, Op. 257 |
The
Cleveland Orchestra conducted by George Szell |
5:30 |
|
|
Pizzicato
Polka |
The
Chicago Symphony Orchestra conducted by Daniel Barenboim |
2:43 |
|
|
Roses from
the South, Op. 388 |
The Vienna
Philharmonic Orchestra conducted by Karl Böhm |
9:44 |
|
|
Tales
from the Vienna Woods, Op. 325 |
The
Berlin Radio Symphony Orchestra conducted by Ferenc Fricsay |
13:15 |
|
|
Thousand
and One Nights, Op. 346 |
The
Johann Strauss Orchestra of Vienna conducted by Jack Rothstein |
6:09 |
|
|
Thunder and
Lightning Polka, Op. 324 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
2:49 |
|
|
Treasure
Waltz, Op. 418 |
The Slovak
State Philharmonic Orchestra conducted by Alfred Walter |
7:28 |
|
|
Voices of
Spring, Op. 410 |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
5:32 |
|
|
Richard
Strauss |
Also
Sprach Zarathustra, Op. 30 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
35:10 |
|
Befreit, Op.
39, No. 4 |
Renée Fleming
(soprano); The Houston Symphony Orchestra conducted by Christoph Eschenbach |
6:08 |
|
|
Beim
Schlafengehen |
Jessye Norman
(soprano); The Gewandhaus Orchestra of Leipzig conducted by Kurt Masur |
6:16 |
|
|
Dance of the
Seven Veils from Salome |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
9:10 |
|
|
Death and
Transfiguration, Op. 24 |
The London
Symphony Orchestra conducted by Claudio Abbado |
26:19 |
|
|
Don Juan, Op.
20 |
The
Staatskapelle Dresden conducted by Rudolf Kempe |
16:15 |
|
|
Im Abendrot |
Dame Kiri Te
Kanawa (soprano); The London Symphony Orchestra conducted by Sir Andrew Davis |
7:56 |
|
|
Solemn Entry
of the Knights of the Order of St. John |
Michael
Murray (organ); The Empire Brass |
5:54 |
|
|
Suite
from Der Rosenkavalier |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
22:54 |
|
|
Till
Eulenspiegel’s Merry Pranks, Op. 28 |
The Boston
Symphony Orchestra conducted by William Steinberg |
14:04 |
|
|
Igor
Stravinsky |
Divertimento
from The Fairy's Kiss |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
24:17 |
|
Fireworks,
Op. 4 |
The
St. Petersburg Philharmonic Orchestra conducted by Vladimir Ashkenazy |
3:41 |
|
|
Gently,
little boat (from The Rake's Progress) |
Dawn
Upshaw (Anne Trulove); The Chorus and Orchestra of the Lyon Opera conducted
by Kent Nagano |
3:02 |
|
|
Jeu de cartes |
The
Boston Symphony Orchestra conducted by Charles Munch |
22:12 |
|
|
Le
Chant du Rossignol |
The
Cleveland Orchestra conducted by Pierre Boulez |
25:33 |
|
|
Suite
from Petrushka |
The
Oslo Philharmonic Orchestra conducted by Mariss Jansons |
34:16 |
|
|
Pulcinella
Suite |
The
Israel Philharmonic Orchestra conducted by Leonard Bernstein |
22:24 |
|
|
Scherzo
Fantastique, Op. 3 |
The Columbia
Symphony Orchestra conducted by Igor Stravinsky |
11:45 |
|
|
Suite from The
Firebird |
The
Concertgebouw Orchestra of Amsterdam conducted by Riccardo Chailly |
21:05 |
|
|
The
Rite of Spring |
The
Philadelphia Orchestra conducted by Riccardo Muti |
32:59 |
|
|
Josef Suk |
Towards a New
Life, Op. 35c |
The
Cincinnati Pops Orchestra conducted by Erich Kunzel |
5:52 |
|
Arthur
Sullivan |
Am I alone
and unobserved? (from Patience) |
John
Reed (Bunthorne); The New Symphony Orchestra of London conducted by Isidore
Godfrey |
4:14 |
|
As
some day it may happen (from The Mikado) |
John
Reed (Ko-Ko); The Royal Philharmonic Orchestra conducted by Royston Nash |
2:25 |
|
|
Behold
the Lord High Executioner (from The Mikado) |
John
Reed (Ko-Ko); The D'Oyly Carte Opera Chorus and the Royal Philharmonic
Orchestra conducted by Royston Nash |
2:39 |
|
|
Dance
a cachucha (from The Gondoliers) |
The
D’Oyly Carte Opera Chorus and the New Symphony Orchestra of London conducted
by Isidore Godfrey |
2:00 |
|
|
I am the very
model of a modern Major General (from The Pirates of Penzance) |
John
Reed (General); The D’Oyly Carte Opera Chorus and the Royal Philharmonic
Orchestra conducted by Isidore Godfrey |
2:59 |
|
|
If
you go in you're sure to win (from Iolanthe) |
John
Reed (The Lord Chancellor), Donald Adams (Lord Mountararat), Thomas Round
(Lord Tolloller); The New Symphony Orchestra of London conducted by Isidore
Godfrey |
2:21 |
|
|
In
enterprise of martial kind (from The Gondoliers) |
John
Reed (Duke of Plaza Toro); The D’Oyly Carte Opera Chorus and the New Symphony
Orchestra of London conducted by Isidore Godfrey |
1:37 |
|
|
Loudly
let the trumpet bray (from Iolanthe) |
The
D’Oyly Carte Opera Chorus, the Band of the Grenadier Guards and the New
Symphony Orchestra of London conducted by Isidore Godfrey |
5:52 |
|
|
Love,
unrequited, robs me of my rest (from Iolanthe) |
John
Reed (The Lord Chancellor); The New Symphony Orchestra of London conducted by
Isidore Godfrey |
3:35 |
|
|
My name is
John Wellington Wells (from The Sorcerer) |
John
Reed (Wells); The Royal Philharmonic Orchestra conducted by Isidore Godfrey |
2:17 |
|
|
Onward,
Christian Soldiers |
The Eric
Rogers Orchestra and Chorale conducted by Eric Rogers |
4:38 |
|
|
Overture,
Di Ballo |
The Royal
Liverpool Philharmonic Orchestra conducted by Sir Charles Groves |
11:49 |
|
|
Overture in C
major, In Memoriam |
The BBC
Philharmonic Orchestra conducted by Richard Hickox |
11:44 |
|
|
The
Lost Chord |
Stuart
Burrows (tenor); The Ambrosian Chorus conducted by Wyn Morris |
3:51 |
|
|
Three
little maids from school are we (from The Mikado) |
Valerie
Masterson (Yum-Yum), Peggy Ann Jones (Pitti-Sing), Pauline Wales (Peep-Bo);
The Royal Philharmonic Orchestra conducted by Royston Nash |
1:29 |
|
|
To
help unhappy commoners (from The Gondoliers) |
John
Reed (Duke of Plaza Toro), Gillian Knight (Dutchess); The New Symphony
Orchestra of London conducted by Isidore Godfrey |
3:15 |
|
|
We're
called gondoliere (from The Gondoliers) |
Thomas
Round (Marco), Alan Styler (Giuseppe); The New Symphony Orchestra of London
conducted by Isidore Godfrey |
2:11 |
|
|
When a
felon's not engaged in his employment (from The Pirates of Penzance) |
Owen
Brannigan (Sergeant); The D’Oyly Carte Opera Chorus and the Royal
Philharmonic Orchestra conducted by Isidore Godfrey |
2:36 |
|
|
When
I was a lad (from HMS Pinafore) |
John
Reed (Sir Joseph Porter); The D'Oyly Carte Opera Chorus and the New Symphony
Orchestra of London conducted by Isidore Godfrey |
2:58 |
|
|
When I, good
friends, was called to the Bar (from Trial by Jury) |
John Reed
(Judge); The D'Oyly Carte Opera Chorus and the Royal Philharmonic Orchestra
conducted by Royston Nash |
3:04 |
|
|
Franz
von Suppé |
Overture to Boccaccio |
The Detroit
Symphony Orchestra conducted by Paul Paray |
6:54 |
|
Overture
to Fatinitza |
The
Montreal Symphony Orchestra conducted by Charles Dutoit |
7:45 |
|
|
Overture
to Jolly Robbers |
The
Vienna Philharmonic Orchestra conducted by Zubin Mehta |
6:28 |
|
|
Overture to Morning,
Noon and Night in Vienna |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:01 |
|
|
Overture to Pique
Dame |
The Vienna
Philharmonic Orchestra conducted by Sir Georg Solti |
7:10 |
|
|
Overture
to Poet and Peasant |
The
New York Philharmonic conducted by Leonard Bernstein |
9:59 |
|
|
Overture
to The Beautiful Galatea |
The
Scottish National Orchestra conducted by Neeme Järvi |
6:54 |
|
|
Overture
to The Light Cavalry |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
7:44 |
|
|
Thomas
Tallis |
Spem in Alium |
The
Sixteen conducted by Harry Christophers |
9:52 |
|
Sergei
Taneyev |
Oresteia,
Op. 6 |
The
Novosibirsk Academic Symphony Orchestra conducted by Thomas Sanderling |
20:47 |
|
Giuseppe
Tartini |
Sonata
in G minor, The Devil's Trill |
Gil Shaham
(violin), Jonathan Feldman (piano) |
14:17 |
|
Richard
Tauber |
My heart and
I (from Old Chelsea) |
Stuart
Burrows (Jacob); The National Philharmonic Orchestra of London conducted by
Robin Stapleton |
3:29 |
|
You are the
world to me (from Der singende Traum) |
Peter
Morrison (Uta); The Chandos Concert Orchestra conducted by Barry Knight |
4:28 |
|
|
Peter
Tchaikovsky |
1812
Overture, Op. 49 |
The
Temple University Choirs and the Philadelphia Orchestra conducted by Eugene
Ormandy |
16:50 |
|
Andante
Cantabile, Op. 11 |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
6:32 |
|
|
Capriccio
Italien, Op. 45 |
The
RCA Orchestra conducted by Kiril Kondrashin |
15:59 |
|
|
Festival
Coronation March in D major |
The
Scottish National Orchestra conducted by Neeme Järvi |
5:09 |
|
|
Festival
Overture on the Danish National Anthem |
The
Philharmonia Orchestra conducted by Geoffrey Simon |
13:14 |
|
|
Francesca da
Rimini, Op. 32 |
The Royal
Philharmonic Orchestra conducted by Charles Munch |
23:36 |
|
|
Marche Slav,
Op. 31 |
The
Boston Pops Orchestra conducted by Arthur Fiedler |
9:47 |
|
|
None But the
Lonely Heart, Op. 6, No. 6 |
Takako
Nishizaki (violin); The Queensland Symphony Orchestra conducted by Peter
Breiner |
4:03 |
|
|
Piano
Concerto No. 1 in B flat minor, Op. 23 |
Martha
Argerich (piano); The Berlin Philharmonic Orchestra conducted by Claudio
Abbado |
33:00 |
|
|
Polonaise and
Waltz from Eugene Onegin |
The Orchestra
of the Royal Opera House, Covent Garden conducted by Sir Colin Davis |
11:03 |
|
|
Romeo
and Juliet |
The
Russian National Orchestra conducted by Mikhail Pletnev |
19:19 |
|
|
Serenade
in C major for String Orchestra, Op. 48 |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
29:45 |
|
|
Suite
from The Nutcracker |
The
Philharmonia Orchestra conducted by John Lanchbery |
34:18 |
|
|
Suite
from The Sleeping Beauty |
The
St. Louis Symphony Orchestra conducted by Leonard Slatkin |
24:49 |
|
|
Suite
from Swan Lake |
The
National Philharmonic Orchestra of London conducted by Richard Bonynge |
37:15 |
|
|
Symphony No.
1 in G minor, Op. 13, Winter Dreams |
The
Boston Symphony Orchestra conducted by Michael Tilson Thomas |
44:17 |
|
|
Symphony
No. 2 in C minor, Op. 17, Little Russian |
The
London Symphony Orchestra conducted by André Previn |
33:09 |
|
|
Symphony No.
3 in D major, Op. 29, Polish |
The
New York Philharmonic conducted by Leonard Bernstein |
48:21 |
|
|
Symphony No.
4 in F minor, Op. 36 |
The
Philharmonia Orchestra conducted by Riccardo Muti |
39:50 |
|
|
Symphony No.
5 in E minor, Op. 64 |
The Oslo
Philharmonic Orchestra conducted by Mariss Jansons |
43:06 |
|
|
Symphony No.
6 in B minor, Op. 74, Pathétique |
The St.
Petersburg Philharmonic Orchestra conducted by Yevgeny Mravinsky |
44:02 |
|
|
The Tempest,
Op. 18 |
The Frankfurt
Radio Symphony Orchestra conducted by Elihu Inbal |
22:38 |
|
|
The Voyevode,
Op. 78 |
The
St. Petersburg Philharmonic Orchestra conducted by Vladimir Ashkenazy |
11:26 |
|
|
Variations
in A major on a Rococo Theme, Op. 33 |
János
Starker (cello); The London Symphony Orchestra conducted by Antal Doráti |
15:57 |
|
|
Violin
Concerto in D major, Op. 35 |
Zino
Francescatti (violin); The New York Philharmonic conducted by Thomas
Schippers |
32:56 |
|
|
Carl
Teike |
Old
Comrades |
The
London Philharmonic Orchestra conducted by Sir Adrian Boult |
3:47 |
|
Georg
Philipp Telemann |
Concerto in B
flat major for 3 Oboes, 3 Violins and Continuo |
John de
Lancie, Charles Morris, Stevens Hewitt (oboes), Norman Carol, David Madison,
William de Pasquale (violins); The Philadelphia Orchestra conducted by Eugene
Ormandy |
10:28 |
|
Concerto in G
major for Four Violins and Orchestra |
Alice
Harnoncourt, Walter Pfeiffer, Peter Schoberwalter and Kurt Theiner (violins);
The Concentus Musicus of Vienna conducted by Nikolaus Harnoncourt |
7:26 |
|
|
Ambroise
Thomas |
A
vos jeux, mes amis, permettez-moi (from Hamlet) |
Dame
Joan Sutherland (Ophélie); The Orchestra of the Royal Opera House, Covent
Garden conducted by Francesco Molinari-Pradelli |
8:50 |
|
Have
you heard of the land? (from Mignon) |
Diana
Montague (Mignon); The Philharmonia Orchestra conducted by David Parry |
6:19 |
|
|
Overture
to Mignon |
The
New York Philharmonic conducted by Leonard Bernstein |
8:45 |
|
|
Virgil
Thomson |
Suite from The
Plow that Broke the Plains |
The Symphony
of the Air conducted by Leopold Stokowski |
13:47 |
|
Vincenzo
Tommasini |
The
Good-Humoured Ladies (after Domenico Scarlatti) |
The
English Chamber Orchestra conducted by Richard Bonynge |
11:44 |
|
Michael
Torke |
Bright
Blue Music |
The
Baltimore Symphony Orchestra conducted by David Zinman |
9:15 |
|
Javelin |
The
Atlanta Symphony Orchestra and Chorus conducted by Yoel Levi |
8:37 |
|
|
Paolo
Tosti |
Goodbye |
Ben
Heppner (tenor); Members of the London Symphony Orchestra |
4:20 |
|
Joan
Tower |
Made in
America |
The Nashville
Symphony Orchestra conducted by Leonard Slatkin |
13:16 |
|
Jay
Ungar |
Ashokan
Farewell |
Jay Ungar,
Matt Glaser, Evan Stover (fiddles); Russ Barenberg, Molly Mason (guitars) |
4:05 |
|
Ralph
Vaughan Williams |
Benedicte |
Heather
Harper (soprano); The Bach Choir and the London Symphony Orchestra conducted
by Sir David Willcocks |
14:20 |
|
Fantasia
on a Theme of Thomas Tallis |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
14:36 |
|
|
Fantasia
on Greensleeves |
The
English Chamber Orchestra conducted by Daniel Barenboim |
4:30 |
|
|
Five
Variants on Dives and Lazarus |
The
London Symphony Orchestra conducted by Richard Hickox |
10:36 |
|
|
Prelude
to 49th Parallel |
The
BBC Philharmonic Orchestra conducted by Rumon Gamba |
2:14 |
|
|
The
Lark Ascending |
Hugh
Bean (violin); The New Philharmonia Orchestra conducted by Sir Adrian Boult |
14:50 |
|
|
Two Hymn-Tune
Preludes |
The London
Symphony Orchestra conducted by Bryden Thomson |
8:16 |
|
|
Heitor
Villa-Lobos |
Bachianas
Brasilieras No. 5 |
Renee
Fleming (soprano); The New World Symphony Orchestra conducted by Michael
Tilson Thomas |
11:14 |
|
Giuseppe
Verdi |
Ah!
fors è lui… Sempre libera (from La Traviata) |
Monserrat Caballé
(Violetta), Carlo Bergonzi (Alfredo); The RCA Italiana Opera Orchestra
conducted by Georges Prêtre |
9:52 |
|
Anvil
Chorus (from Il trovatore) |
The
Metropolitan Opera Orchestra and Chorus conducted by James Levine |
2:44 |
|
|
Bella figlia
del amore (from Rigoletto) |
Dame Joan
Sutherland (Gilda), Luciano Pavarotti (Duke of Mantua), Sherrill Milnes
(Rigoletto), Huguette Tourangeau (Maddalena); The London Symphony Orchestra
conducted by Richard Bonynge |
4:02 |
|
|
Caro nome
(from Rigoletto) |
Christine
Schäfer (Gilda); The Berlin Philharmonic Orchestra conducted by Claudio
Abbado |
4:41 |
|
|
Chorus of the
Hebrew Slaves from Nabucco |
The Chorus
and Orchestra of the Royal Opera House, Covent Garden conducted by Lamberto
Gardelli |
4:56 |
|
|
Chorus of the
Scottish Refugees from Macbeth |
The Ambrosian
Opera Chorus and the Philharmonia Orchestra conducted by Riccardo Muti |
6:37 |
|
|
Desdemona's
Prayer from Otello |
Renata
Tebaldi (Desdemona); The Vienna Philharmonic Orchestra conducted by Herbert
von Karajan |
5:04 |
|
|
Di
quella pira (from Il trovatore) |
Leontyne
Price (Leonore), Plácido Domingo (Enrico); The Ambrosian Opera Chorus and the
New Philharmonia Orchestra conducted by Zubin Mehta |
3:21 |
|
|
Dies Irae
from the Manzoni Requiem |
The London
Symphony Orchestra and Chorus conducted by Leonard Bernstein |
4:00 |
|
|
Ernani!
Ernani involami (from Ernani) |
Susan
Dunn (Elvira); The Orchestra del Teatro Comunale di Bologna conducted by
Riccardo Chailly |
3:58 |
|
|
Gloria
all'Egitto (from Aida) |
The
Chorus of the Royal Opera House, Covent Garden, the Trumpeters of the Royal
Military School of Music and the New Philharmonia Orchestra conducted by
Riccardo Muti |
6:53 |
|
|
La donne è
mobile (from Rigoletto) |
Luciano
Pavarotti (Duke of Mantua); The London Symphony Orchestra conducted by
Richard Bonynge |
3:03 |
|
|
Libiamo
ne'lieti calici (from La traviata) |
Ileana Cotrubas
(Violetta), Plácido Domingo (Alfredo); The Bavarian State Opera Orchestra and
Chorus conducted by Carlos Kleiber |
3:00 |
|
|
L'onore!
(from Falstaff) |
Dietrich
Fischer-Dieskau (Falstaff); The Vienna Philharmonic Orchestra conducted by
Leonard Bernstein |
4:12 |
|
|
Mercè,
dilette amiche (from I vespri siciliani) |
Martina
Arroyo (Elena); The John Alldis Choir and the New Philharmonia Orchestra
conducted by James Levine |
3:59 |
|
|
Morir!
Tremenda cosa!.. Urna fatal del mio destino (from La forza del destino) |
Sherrill
Milnes (Don Carlo); The London Symphony Orchestra conducted by James Levine |
5:17 |
|
|
O don fatale
(from Don Carlos) |
Birgit
Nilsson (Eboli); The Orchestra of the Royal Opera House, Covent Garden
conducted by Argeo Quadri |
4:34 |
|
|
Overture
to I vespri siciliani |
The
New Philharmonia Orchestra conducted by Riccardo Muti |
8:21 |
|
|
Overture to La
forza del destino |
The Berlin
Philharmonic Orchestra conducted by Claudio Abbado |
7:21 |
|
|
Overture
to Nabucco |
The
National Philharmonic Orchestra of London conducted by Riccardo Chailly |
7:24 |
|
|
Pace,
pace mio Dio (from La forza del destino) |
Leontyne
Price (Leonora); The London Symphony Orchestra conducted by James Levine |
5:32 |
|
|
People's
Chorus from Don Carlo |
The Orchestra
and Chorus of La Scala, Milan conducted by Claudio Abbado |
9:06 |
|
|
Prelude to La
traviata |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
4:14 |
|
|
Questa o
quella (from Rigoletto) |
Luciano
Pavarotti (Duke of Mantua); The London Symphony Orchestra conducted by
Richard Bonynge |
1:50 |
|
|
Ritorna
vincitor! (from Aida) |
Montserrat
Caballé (Aida); The New Philharmonia Orchestra conducted by Riccardo Muti |
7:02 |
|
|
Santo di
patria… Allor che i forte corrono (from Attila) |
Dame Joan
Sutherland (Odabella); The London Symphony Orchestra and Chorus conducted by
Richard Bonynge |
5:52 |
|
|
Se
quel guerrier io fossi!.. Celeste Aida (from Aida) |
Luciano
Pavarotti (Ramadès); The Orchestra of La Scala, Milan conducted by Lorin
Maazel |
4:08 |
|
|
Tu
del mio Carlo (from I masnadieri) |
Montserrat
Caballé (Amalia); The New Philharmonia Orchestra conducted by Lamberto
Gardelli |
4:10 |
|
|
Una
vela! Una vela! (from Otello) |
Mario Del
Monaco (Othello), Aldo Protti (Iago); The Chorus of the Vienna State Opera
and the Vienna Philharmonic Orchestra conducted by Herbert von Karajan |
6:41 |
|
|
Louis
Vierne |
Carillon de
Westminster, Op. 54, No. 6 |
Jeremy
Filsell (organ) |
6:20 |
|
Finale from
the Organ Symphony No. 1 in D major, Op. 14 |
Jane
Parker-Smith (organ) |
5:54 |
|
|
Henri
Vieuxtemps |
Violin
Concerto No. 4 in D minor, Op. 31 |
Alexander
Markov (violin); The Monte Carlo Philharmonic Orchestra conducted by Lawrence
Renes |
27:21 |
|
Violin
Concerto No. 5 in A minor, Op. 37 |
Jascha
Heifetz (violin); The New Symphony Orchestra of London conducted by Sir
Malcolm Sargent |
17:17 |
|
|
Antonio
Vivaldi |
Concerto
in B minor for Four Violins, RV 580 |
The
Academy of Ancient Music conducted by Christopher Hogwood |
9:05 |
|
Concerto in C
major for Diverse Instruments, RV 558 |
The English
Concert conducted by Trevor Pinnock |
10:16 |
|
|
Concerto in C
major for Two Trumpets, RV 537 |
James Thompson
and Robert Early (trumpets); I Musici de Montreal conducted by Yuli Turovsky |
7:30 |
|
|
Gloria in
excelsis (from the Gloria in D major, RV 589) |
The
Monteverdi Choir and the English Baroque Soloists conducted by Sir John Eliot
Gardiner |
2:14 |
|
|
Violin
Concerto in E major, RV 269, Spring |
Simon
Standage (violin); The English Concert conducted by Trevor Pinnock |
9:42 |
|
|
Violin
Concerto in F major, RV 293, Autumn |
Gidon
Kremer (violin); The London Symphony Orchestra conducted by Claudio Abbado |
11:04 |
|
|
Violin
Concerto in F minor, RV 297, Winter |
Anshel
Brusilow (violin); The Philadelphia Orchestra conducted by Eugene Ormandy |
8:26 |
|
|
Violin
Concerto in G minor, RV 315, Summer |
Nadja
Salerno-Sonnenberg (violin); The Orchestra of St. Luke's |
11:16 |
|
|
Josef
Franz Wagner |
Under the
Double Eagle |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
3:06 |
|
Richard
Wagner |
Allmächt'ge
Jungfrau, hör mein Flehen! (from Tannhäuser) |
Lise
Davidsen (Elizabeth); The Philharmonia Orchestra conducted by Esa-Pekka
Salonen |
7:33 |
|
Allmächt'ger
Vater, blick herab (from Rienzi) |
René
Kollo (Rienzi); The Staatskapelle Berlin conducted by Othmar Suitner |
9:01 |
|
|
Bridal Chorus
from Lohengrin |
The Robert
Shaw Chorale and the RCA Orchestra conducted by Robert Shaw |
4:59 |
|
|
Dawn
and Siegfried's Rhine Journey from Götterdämmerung |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
13:21 |
|
|
Dich,
teure Halle (from Tannhäuser) |
Jessye
Norman (Elizabeth); The London Philharmonic Orchestra conducted by Klaus
Tennstedt |
3:33 |
|
|
Elsa's
Procession to the Cathedral (arranged by Lucien Calliet) |
The
Eastman Wind Ensemble conducted by Frederick Fennell |
6:19 |
|
|
Entry
of the Gods into Valhalla from Das Rheingold |
The Vienna
Philharmonic Orchestra conducted by Sir Georg Solti |
5:24 |
|
|
Festmarsch
from Tannhäuser |
The Harvard
Glee Club, the Radcliffe Choral Society and the Boston Symphony Orchestra
conducted by Erich Leinsdorf |
6:52 |
|
|
Final
Scene from Götterdämmerung |
Birgit
Nilsson (Brünnhilde), Gottlob Frick (Hagen); The Vienna Philharmonic
Orchestra conducted by Sir Georg Solti |
8:44 |
|
|
Forest
Murmurs from Siegfried |
The Cleveland
Orchestra conducted by George Szell |
7:03 |
|
|
Im
fernem Land (from Lohengrin) |
Plácido
Domingo (Lohengrin); The Royal Philharmonic Orchestra conducted by Sir Edward
Downes |
5:41 |
|
|
Magic Fire
Music (from Die Walküre) |
The
London Symphony Orchestra conducted by Leopold Stokowski |
4:33 |
|
|
Music from
Act III of Die Meistersinger von Nürnburg |
The
Philadelphia Orchestra conducted by Eugene Ormandy |
12:54 |
|
|
Nur
eine Waffe taugt… Höchsten Heiles Wunder! (from Parsifal) |
Peter Hofmann
(Parsifal); The Chorus of the Deutsche Oper, Berlin and the Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:32 |
|
|
Overture to Rienzi |
The Vienna
Symphony Orchestra conducted by Wolfgang Sawallisch |
12:12 |
|
|
Overture to Tannhäuser |
The
Vienna Philharmonic Orchestra conducted by Karl Böhm |
14:50 |
|
|
Overture
to The Flying Dutchman |
The
Metropolitan Opera Orchestra conducted by James Levine |
11:03 |
|
|
Pilgrims
Chorus from Tannhäuser |
The
Norman Luboff Choir and the New Symphony Orchestra of London conducted by
Leopold Stokowski |
4:09 |
|
|
Prelude
and Good Friday Music from Parsifal |
The
Columbia Symphony Orchestra conducted by Bruno Walter |
22:47 |
|
|
Prelude
and Liebestod from Tristan und Isolde |
The
Concertgebouw Orchestra of Amsterdam conducted by Bernard Haitink |
16:46 |
|
|
Prelude to
Act I of Die Meistersinger von Nürnburg |
The
Chicago Symphony Orchestra conducted by Fritz Reiner |
9:53 |
|
|
Prelude to
Act I of Lohengrin |
The
Philharmonia Orchestra conducted by Otto Klemperer |
9:56 |
|
|
Prelude to
Act III of Lohengrin |
The Boston
Pops Orchestra conducted by Arthur Fiedler |
2:54 |
|
|
Ride
of the Valkyries from Die Walküre |
The
Cleveland Orchestra conducted by George Szell |
5:35 |
|
|
Senta's
Ballad (from The Flying Dutchman) |
Birgit
Nilsson (Senta); The Philharmonia Orchestra conducted by Leopold Ludwig |
8:20 |
|
|
Siegfried
Idyll |
The
San Francisco Symphony Orchestra conducted by Pierre Monteux |
16:40 |
|
|
Siegfried's
Funeral March from Götterdämmerung |
The
Gewandhaus Orchestra of Leipzig conducted by Andris Nelsons |
9:14 |
|
|
Song
to the Evening Star (from Tannhäuser) |
Sherill
Milnes (Wolfram); The New Philharmonia Orchestra conducted by Anton Guadagno |
5:48 |
|
|
Transformation
Music from Parsifal |
The
Southwest German Radio Symphony Orchestra conducted by Erich Leinsdorf |
6:07 |
|
|
Emil
Waldteufel |
España, Op.
236 |
The Slovak
State Philharmonic Orchestra conducted by Alfred Walter |
6:27 |
|
Estudiantina,
Op. 191 |
The
Monte Carlo Philharmonic Orchestra conducted by Willy Boskovsky |
6:59 |
|
|
The
Skaters, Op. 183 |
The
Orchestra of the Vienna Volksoper conducted by Franz Bauer-Theussl |
8:37 |
|
|
Vincent
Wallace |
Overture to Maritana |
The New
Philharmonia Orchestra conducted by Richard Bonynge |
10:18 |
|
William
Walton |
And in that
same hour (from Belshazzar's Feast) |
Benjamin Luxon
(baritone); The Brighton Festival Chorus, the Collegeum Musicum of London and
the Royal Philharmonic Orchestra conducted by André Previn |
11:40 |
|
Capriccio
Burlesco |
The London
Philharmonic Orchestra conducted by Bryden Thomson |
7:32 |
|
|
Crown
Imperial |
The English
Northern Sinfonia conducted by Paul Daniel |
6:39 |
|
|
Johannesburg
Festival Overture |
The
New York Philharmonic conducted by Andre Kostelanetz |
7:35 |
|
|
Music from Battle
of Britain |
The London
Philharmonic Orchestra conducted by Carl Davis |
12:33 |
|
|
Orb and
Sceptre |
The
Philharmonia Orchestra conducted by Sir David Willcocks |
7:09 |
|
|
Overture, Scapino |
The
Bournemouth Symphony Orchestra conducted by Andrew Litton |
8:10 |
|
|
Spitfire
Prelude and Fugue |
The Royal
Liverpool Philharmonic Orchestra conducted by Sir Charles Groves |
7:24 |
|
|
Suite
from Henry V |
The
Philharmonia Orchestra conducted by Sir William Walton |
15:15 |
|
|
Suite
from The Wise Virgins (after Johann Sebastian Bach) |
The
City of Birmingham Symphony Orchestra conducted by Louis Frémaux |
19:23 |
|
|
Suite
No. 1 from Façade |
The
Orchestra of Opera North conducted by David Lloyd-Jones |
10:48 |
|
|
Franz
Waxman |
Fantasia on Tristan
und Isolde |
Chloë Hanslip
(violin), Charles Owen (piano); The Royal Philharmonic Orchestra conducted by
Leonard Slatkin |
11:08 |
|
Fantasy on
Themes from Bizet's Carmen |
Mayuko
Kamio (violin); The St. Petersburg Orchestra of the State Hermitage Museum
conducted by Saulius Sondetzkis |
9:51 |
|
|
Carl
Maria von Weber |
Agathe's
Prayer from Der Freischütz |
Elisabeth
Grümmer (Agathe); The Berlin Philharmonic Orchestra conducted by Joseph
Keilberth |
5:11 |
|
Huntsmen's
Chorus from Der Freischütz |
The Leipzig
Radio Chorus and the Staatskapelle Dresden conducted by Carlos Kleiber |
2:28 |
|
|
Invitation to
the Dance, Op. 65 |
The Berlin
Radio Symphony Orchestra conducted by Ferenc Fricsay |
10:25 |
|
|
Konzertstück
in F minor, Op. 79 |
Peter
Rösel (piano); The Staatskapelle Dresden conducted by Herbert Blomstedt |
17:10 |
|
|
Ocean, thou
mighty monster! (from Oberon) |
Christine
Brewer (Rezia); The Philharmonia Orchestra conducted by David Parry |
8:59 |
|
|
Overture to Der
Freischütz |
The Bavarian
Radio Symphony Orchestra conducted by Eugen Jochum |
9:55 |
|
|
Overture
to Euryanthe |
The
Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
9:05 |
|
|
Overture
to Oberon |
The
New York Philharmonic conducted by Leonard Bernstein |
9:34 |
|
|
Overture
to Silvana |
The Philharmonia
Orchestra conducted by Neeme Järvi |
5:35 |
|
|
Piano
Concerto No. 1 in C major, Op. 11 |
Nikolai
Demidenko (piano); The Scottish Chamber Orchestra conducted by Sir Charles
Mackerras |
19:39 |
|
|
Kurt
Weill |
Suite from The
Threepenny Opera |
The
Contemporary Chamber Ensemble conducted by Arthur Weisberg |
20:33 |
|
Jaromir
Weinberger |
Polka and
Fugue from Schwanda the Bagpiper |
The
Cincinnati Pops Orchestra conducted by Erich Kunzel |
8:38 |
|
Edward
White |
Puffin'
Billy |
The
BBC Concert Orchestra conducted by Vernon Handley |
3:48 |
|
Charles
Marie Widor |
Toccata from
the Organ Symphony No. 5 in F minor, Op. 42, No. 1 |
Jane
Parker-Smith (organ) |
5:40 |
|
Henryk
Wieniawski |
Légende
in G minor, Op. 17 |
Anne-Sophie
Mutter (violin); The Vienna Philharmonic Orchestra conducted by James Levine |
7:44 |
|
Scherzo-tarantelle
in G minor, Op. 16 |
Itzhak
Perlman (violin), Samuel Sanders (piano) |
4:30 |
|
|
Variations
on The Scarlet Sarafan, Op. 6 |
Marat
Bisengaliev (violin), John Lenahan (piano) |
7:13 |
|
|
Violin
Concerto No. 2 in D minor, Op. 22 |
Gil
Shaham (violin); The London Symphony Orchestra conducted by Lawrence Foster |
23:56 |
|
|
Hugo
Wolf |
Italian
Serenade |
The Orchestre
de Paris conducted by Daniel Barenboim |
8:00 |
|
Ermanno
Wolf-Ferrari |
Music
from The Jewels of the Madonna |
The
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
15:41 |
|
Overture
to Il segreto di Susanna |
The
Orchestra of the Royal Opera House, Covent Garden conducted by Lamberto
Gardelli |
2:57 |
|
|
Overture to La
dama boba |
The
BBC Philharmonic Orchestra conducted by Gianandrea Noseda |
8:18 |
|
|
Henry
Wood |
Fantasia on
British Sea Songs |
The Leeds
Festival Chorus and the English Northern Philharmonia conducted by Paul
Daniel |
14:41 |
|
Guan
Xia |
Gazing
at the Stars |
The
Nuremburg Symphony Orchestra conducted by En Shao |
9:35 |
|
Xian
Xinghai |
Piano
Concerto in D major, Yellow River |
Daniel
Epstein (piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
20:13 |
|
Carl
Zeller |
Don't
be cross (from Der Obersteiger) |
Marilyn
Hill Smith (Martin); The Chandos Concert Orchestra conducted by Barry Knight |
4:24 |