The
Official AoSHQ Classical Music Playlist (as compiled by Hadrian the Seventh)
|
Composer |
Title |
Artist |
Time |
|
Adolphe Adam |
O Holy Night |
Rosario La Spina
(tenor); The Monte Carlo Philharmonic Orchestra conducted by Richard Mills |
3:53 |
|
Suite from Giselle |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
11:25 |
|
|
John Adams |
Short Ride in a
Fast Machine |
The San Francisco
Symphony Orchestra conducted by Edo de Waart |
4:20 |
|
Richard Addinsell |
Warsaw Concerto |
Misha Dichter
(piano); The Philharmonia Orchestra conducted by Sir Neville Marriner |
8:12 |
|
Isaac Albéniz |
Asturias, Op. 47,
No. 5 |
Andrés Segovia
(guitar) |
6:27 |
|
Tomaso Albinoni |
Adagio in G minor |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
8:00 |
|
Kenneth Alford |
Colonel Bogey |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
4:08 |
|
Hugo Alfvén |
Swedish Rhapsody
No. 1, Op. 19, Midsummer Watch |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
13:13 |
|
Charles Alkan |
Le chemin de fer,
Op. 27 |
Laurent Martin
(piano) |
5:00 |
|
Le festin d'Ésope,
Op. 39, No. 12 |
Michael Ponti
(piano) |
8:57 |
|
|
Quasi-Faust, Op.
33, No. 2 |
Raymond Lewenthal
(piano) |
11:20 |
|
|
Gregorio Allegri |
Miserere |
The Sixteen
conducted by Harry Christophers |
11:55 |
|
Johann Altenburg |
Concerto in C major
for 7 Trumpets |
The Philharmonia
Virtuosi |
5:35 |
|
Leroy Anderson |
Scottish Suite |
The BBC Concert
Orchestra conducted by Leonard Slatkin |
10:30 |
|
The Sleigh Ride |
The Royal
Philharmonic Orchestra conducted by John Rutter |
3:10 |
|
|
The Syncopated
Clock |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
2:25 |
|
|
The Waltzing Cat |
The
Eastman-Rochester Pops Orchestra conducted by Frederick Fennell |
2:27 |
|
|
Elfride Andrée |
Concert Overture in
D major |
The Swedish Radio
Symphony Orchestra conducted by Michael Bartosch |
11:13 |
|
John Ansell |
Overture, Plymouth
Hoe |
The BBC National
Orchestra of Wales conducted by Rumon Gamba |
8:05 |
|
Jean-Baptiste Arban |
Variations on The
Carnival of Venice |
Wynton Marsalis
(trumpet); The Eastman Wind Ensemble conducted by Donald Hunsberger |
7:40 |
|
Anton Arensky |
Overture to A
Dream on the Volga |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
7:07 |
|
Leo Arnauld |
Bugler's Dream |
The Concert Arts
Orchestra conducted by Felix Slatkin |
3:58 |
|
Thomas Arne |
Rule Britannia
(arranged by Sir Malcolm Sargent) |
Anne Collins
(contralto); The Liverpool Philharmonic Choir and the Royal Liverpool
Philharmonic Orchestra conducted by Sir Charles Groves |
6:00 |
|
Malcolm Arnold |
Four Cornish
Dances, Op. 91 |
The Philharmonia
Orchestra conducted by Bryden Thomson |
8:49 |
|
Four Scottish
Dances, Op. 59 |
The Queensland
Symphony Orchestra conducted by Andrew Penny |
8:41 |
|
|
March from Bridge
on the River Kwai |
The London Symphony
Orchestra conducted by Richard Hickox |
3:14 |
|
|
Overture, Peterloo,
Op. 97 |
The City of
Birmingham Symphony Orchestra conducted by Sir Malcolm Arnold |
9:04 |
|
|
Daniel Auber |
Amour sacré de la
patrie (from La muette de Portici) |
Alfredo Kraus
(Masaniello), Jean-Philippe Lafont (Pietro); The Monte Carlo Philharmonic
Orchestra conducted by Thomas Fulton |
5:47 |
|
Overture to Fra
Diavolo |
The Moravian
Philharmonic Orchestra conducted by Dario Salvi |
8:08 |
|
|
Overture to Marco
Spada |
The New
Philharmonia Orchestra conducted by Richard Bonynge |
9:03 |
|
|
Overture to Masaniello |
The Orchestre
Lamoureux conducted by Igor Markevitch |
8:23 |
|
|
Johann Sebastian
Bach |
Air on the G
string, BWV 1068 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
6:06 |
|
Arioso, BWV 156 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:39 |
|
|
Behold, my Savior
now is taken (from the St. Matthew Passion, BWV 244) |
Dame Felicity Lott
(soprano), Alfreda Hodgson (alto); The Bach Choir and the Thames Chamber
Orchestra conducted by Sir David Willcocks |
4:56 |
|
|
Bist du bei mir,
BWV 508 |
Dame Janet Baker
(alto); The Academy of St. Martin-in-the-Fields conducted by Sir Neville
Marriner |
2:55 |
|
|
Brandenburg
Concerto No. 2 in F major, BWV 1047 |
The Academy of
Ancient Music conducted by Christopher Hogwood |
11:24 |
|
|
Brandenburg
Concerto No. 3 in G major, BWV 1048 |
The English Concert
conducted by Trevor Pinnock |
11:08 |
|
|
Brandenburg
Concerto No. 5 in D major, BWV 1050 |
The Orchestra of
the Age of Enlightenment |
20:44 |
|
|
Cello Suite No. 1
in G major, BWV 1007 |
Yo-Yo Ma (cello) |
16:42 |
|
|
Chaconne from the
Partita No. 2 in D minor, BWV 1004 (orchestrated by Joachim Raff) |
The BBC
Philharmonic Orchestra conducted by Leonard Slatkin |
13:13 |
|
|
Chromatic Fantasia
and Fugue in D minor, BWV 903 |
Kenneth Gilbert
(harpsichord) |
12:41 |
|
|
Come ye daughters,
share my mourning (from the St. Matthew Passion, BWV 244) |
The Collegiate
Chorale and the Boys’ Choir of the Church of the Transformation; The New York
Philharmonic conducted by Leonard Bernstein |
7:57 |
|
|
Concerto in A minor
for Four Harpsichords and Orchestra, BWV 1065 |
Christianne
Jaccottet, Christine Sartoretti, Nicole Hostettler and Leonore Klinckerfus
(harpsichords); The Württemberg Chamber Orchestra conducted by Jörg Fäber |
10:13 |
|
|
Concerto in D minor
for Two Violins and Orchestra, BWV 1043 |
Jascha Heifetz and
Erick Friedman (violins); The New Symphony Orchestra of London conducted by
Sir Malcolm Sargent |
14:38 |
|
|
Ein' feste Burg ist
unser Gott, BWV 720 (orchestrated by Walter Damrosch) |
The BBC Symphony
Orchestra conducted by Leonard Slatkin |
4:38 |
|
|
Fantasia and Fugue
in C minor, BWV 537 (orchestrated by Sir Edward Elgar) |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
8:48 |
|
|
Fantasia and Fugue
in G minor, BWV 542 |
Simon Preston
(organ) |
10:52 |
|
|
Fugue in G minor,
BWV 578, Little (orchestrated by Lucien Calliet) |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:38 |
|
|
In tears of grief,
dear Lord, we leave thee (from the St. Matthew Passion, BWV 244) |
Ex Cathedra
conducted by Jeffrey Skidmore |
7:11 |
|
|
Italian Concerto in
F major, BWV 971 |
Trevor Pinnock
(harpsichord) |
12:26 |
|
|
Jauchzet!
Frohlocket!, BWV 248 |
The Amsterdam
Baroque Orchestra and Choir conducted by Ton Koopman |
7:48 |
|
|
Jesu, Joy of Man's
Desiring, BWV 147 (arranged by Guillermo Figueroa) |
The Orpheus Chamber
Orchestra |
3:24 |
|
|
My Spirit be
Joyful, BWV 146 |
Douglas Major
(organ); The Empire Brass |
5:25 |
|
|
Passacaglia and
Fugue in C minor, BWV 582 (orchestrated by Eugene Ormandy) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
14:38 |
|
|
Prelude and Fugue
in A minor, BWV 543 |
Simon Preston
(organ) |
9:43 |
|
|
Prelude and Fugue
in E flat major, BWV 522, St. Anne (orchestrated by Arnold Schoenberg) |
The BBC
Philharmonic Orchestra conducted by Leonard Slatkin |
14:42 |
|
|
Prelude and Fugue
in G major, BWV 541 |
Anthony Newman
(organ) |
6:51 |
|
|
Preludium in E
major, BWV 1006 (arranged by Leopold Stokowski) |
The BBC
Philharmonic Orchestra conducted by Matthias Bamert |
3:50 |
|
|
Sanctus (from the
Mass in B minor, BWV 232) |
The Monteverdi
Choir and the English Baroque Soloists conducted by Sir John Eliot Gardiner |
5:27 |
|
|
Schlummert ein, BWV
82 |
Mack Harrell
(baritone); The RCA Orchestra conducted by Robert Shaw |
9:35 |
|
|
Sheep May Safely
Graze, BWV 208 |
The Norman Luboff
Choir and the London Symphony Orchestra conducted by Leopold Stokowski |
6:26 |
|
|
Sinfonia in D
major, BWV 1045 |
Isabelle Faust
(violin); The Collegeum Musicum of Stuttgart conducted by Helmuth Rilling |
5:45 |
|
|
Sleepers, Awake,
BWV 140 |
The Orchestra and
Chorus of the Bach Guild conducted by Felix Prohaska |
4:43 |
|
|
Toccata and Fugue
in D minor, BWV 565 |
Michael Murray
(organ) |
8:38 |
|
|
Violin Concerto in
A minor, BWV 1041 |
Hilary Hahn
(violin); The Los Angeles Chamber Orchestra conducted by Jeffrey Kahane |
13:32 |
|
|
Tekla
Bądarzewska |
The Maiden's
Prayer, Op. 4 |
Péter Nagy (piano) |
4:41 |
|
E. E. Bagley |
National Emblem
March |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:06 |
|
Mili Balakirev |
Oriental Fantasy, Islamey |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
9:02 |
|
Michael Balfe |
I Dreamt I Dwelt in
Marble Halls (from The Bohemian Girl) |
Yvonne Kenny
(Arline); The Melbourne Symphony Orchestra conducted by Vladimir Kamirski |
4:11 |
|
Overture to The
Bohemian Girl |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
8:42 |
|
|
Samuel Barber |
Adagio for Strings,
Op. 11b |
The New York
Philharmonic conducted by Thomas Schippers |
9:14 |
|
First Essay for
Orchestra, Op. 17 |
The Detroit
Symphony Orchestra conducted by Neeme Järvi |
8:10 |
|
|
Music for a Scene
from Shelley, Op. 7 |
The Symphony of the
Air conducted by Vladimir Golschmann |
9:02 |
|
|
Must the winter
come so soon? (from Vanessa) |
Roberta Alexander
(Vanessa); The Netherlands Radio Philharmonic Orchestra conducted by Edo de
Waart |
2:24 |
|
|
Overture to The
School for Scandal |
The New York
Philharmonic conducted by Thomas Schippers |
7:45 |
|
|
Second Essay for
Orchestra, Op. 17 |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
10:55 |
|
|
Toccata Festiva,
Op. 36 |
Thomas Trotter
(organ); The Scottish National Orchestra conducted by Marin Alsop |
14:17 |
|
|
Violin Concerto,
Op. 14 |
Gil Shaham
(violin); The London Symphony Orchestra conducted by André Previn |
22:58 |
|
|
Béla Bartók |
Concerto for
Orchestra |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
37:50 |
|
Music for Strings,
Percussion and Celesta |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
28:06 |
|
|
Piano Concerto No.
2 |
Géza Anda (piano);
The Berlin Radio Symphony Orchestra conducted by Ferenc Fricsay |
28:31 |
|
|
Piano Concerto No.
3 |
Martha Argerich
(piano); The Montreal Symphony Orchestra conducted by Charles Dutoit |
24:58 |
|
|
Suite from The
Miraculous Mandarin |
The London Symphony
Orchestra conducted by Sir Georg Solti |
17:46 |
|
|
Hubert Bath |
Cornish Rhapsody |
Phillip Fowke
(piano); The RTE Concert Orchestra conducted by Proinnsias Ó Duinn |
6:09 |
|
Arnold Bax |
Christmas Eve |
The London
Philharmonic Orchestra conducted by Bryden Thomson |
17:56 |
|
Tintagel |
The London Symphony
Orchestra conducted by Sir John Barbirolli |
15:04 |
|
|
Antonio Bazzini |
Scherzo
fantastique, Les rondes des Lutins, Op. 25 |
Gil Shaham
(violin), Jonathan Feldman (piano) |
5:29 |
|
Ludwig van
Beethoven |
Abscheulicher!..
Komm, Hoffnung (from Fidelio) |
Birgit Nilsson
(Leonore); The Philharmonia Orchestra conducted by Heinz Wallberg |
7:44 |
|
Ah! perfido, Op. 65 |
Charlotte Margiano
(soprano); The Orchestre Révolutionnaire et Romantique conducted by Sir John
Eliot Gardiner |
12:44 |
|
|
Alleluia Chorus
from Christ on the Mount of Olives, Op. 85 |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
4:05 |
|
|
Bagatelle No. 25 in
A minor, Für Elise |
Rudolf Buchbinder
(piano) |
2:47 |
|
|
Fantasy in C major
for Piano, Chorus and Orchestra, Op. 80 |
Maurizio Pollini
(piano); The Vienna State Opera Chorus and the Vienna Philharmonic Orchestra
conducted by Claudio Abbado |
18:14 |
|
|
Gloria from the
Missa Solemnis in D major, Op. 123 |
Martina Arroyo
(soprano), Maureen Forrester (mezzo soprano), Richard Lewis (tenor), Cesare
Siepi (bass); The Singing City Choirs and the Philadelphia Orchestra
conducted by Eugene Ormandy |
17:11 |
|
|
Grosse Fugue in B
flat major, Op. 133 (orchestrated by Michael Gielen) |
The Orchestra of
the Southwest German Radio, Baden-Baden conducted by Michael Gielen |
16:08 |
|
|
Leonore Overture
No. 3, Op. 72b |
The New York
Philharmonic conducted by Leonard Bernstein |
13:17 |
|
|
Minuet in G major |
I Musici |
2:48 |
|
|
Overture to Coriolanus,
Op. 62 |
The Philharmonia
Orchestra conducted by Otto Klemperer |
8:04 |
|
|
Overture to Egmont,
Op. 84 |
The Cleveland
Orchestra conducted by George Szell |
8:41 |
|
|
Overture to King
Stephen, Op. 117 |
The Gewandhaus
Orchestra of Leipzig conducted by Riccardo Chailly |
5:57 |
|
|
Overture, Name
Day, Op. 115 |
The Concertgebouw
Orchestra of Amsterdam conducted by Eugen Jochum |
6:53 |
|
|
Overture, The
Consecration of the House, Op. 124 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
10:24 |
|
|
Piano Concerto No.
5 in E flat major, Op. 73, Emperor |
Murray Perahia
(piano); The Concertgebouw Orchestra of Amsterdam conducted by Bernard
Haitink |
38:47 |
|
|
Piano Sonata No. 8
in C minor, Op. 13, Pathétique |
Maurizio Pollini
(piano) |
17:28 |
|
|
Piano Sonata No. 14
in C sharp major, Op. 27, No. 2, Moonlight |
Alfred Brendel
(piano) |
16:07 |
|
|
Piano Sonata No. 26
in E flat major, Op. 81a, Les Adieux |
Emil Gilels (piano) |
17:28 |
|
|
Pistol Scene from Fidelio |
Dame Gwyneth Jones
(Leonore), James King (Florestan), Franz Crass (Rocco), Theo Adam (Don
Pizarro); The Staatskapelle Dresden conducted by Karl Böhm |
4:35 |
|
|
Prisoner's Chorus
from Fidelio |
The Vienna State
Opera Chorus and the Vienna Philharmonic Orchestra conducted by Lorin Maazel |
8:23 |
|
|
Rondo in G major in
the Hungarian Style, Op. 129, Rage Over a Lost Penny |
Alfred Brendel
(piano) |
6:16 |
|
|
Symphony No. 3 in E
flat major, Op. 55, Eroica |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
48:05 |
|
|
Symphony No. 5 in C
minor, Op. 67 |
The Vienna
Philharmonic Orchestra conducted by Carlos Kleiber |
33:26 |
|
|
Symphony No. 6 in F
major, Op. 68, Pastoral |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
37:50 |
|
|
Symphony No. 7 in A
major, Op. 92 |
The Pittsburgh
Symphony Orchestra conducted by William Steinberg |
37:56 |
|
|
Symphony No. 9 in D
minor, Op. 125, Choral |
Irmgard Seefried
(soprano), Maureen Forrester (contralto), Ernst Haefliger (tenor), Dietrich
Fischer-Dieskau (baritone), The Choir of St. Hedwig's Cathedral, Berlin and
the Berlin Philharmonic Orchestra conducted by Ferenc Fricsay |
68:37 |
|
|
Turkish March from The
Ruins of Athens |
The Royal
Philharmonic Orchestra conducted by Sir Thomas Beecham |
1:52 |
|
|
Wer ein holdes Weib
errungen (from Fidelio) |
Hildegard Behrens
(Leonore), Peter Hofmann (Florestan), Hans Sotin (Rocco), Sonia Ghazarian
(Marzelline), David Kübler (Jacquino), Gwynne Howell (Don Fernando); The
Chicago Symphony Orchestra and Chorus conducted by Sir Georg Solti |
3:47 |
|
|
Vincenzo Bellini |
Ah! non credea
mirarti (from La sonnambula) |
Anna Netrebko
(Amina), Saimir Pirgu (Elvino); The Mahler Chamber Orchestra conducted by
Claudio Abbado |
4:14 |
|
Ah! se un'urna è a
me concessa (from Beatrice di Tenda) |
Dame Joan
Sutherland (Beatrice); The Ambrosian Singers and the London Symphony
Orchestra conducted by Richard Bonynge |
7:34 |
|
|
Casta diva (from Norma) |
Beverly Sills
(Norma); The John Alldis Choir and the New Philharmonia Orchestra conducted
by James Levine |
8:25 |
|
|
D'un pensiero e
d'un accento… Non più nozze (from La sonnambula) |
Dame Joan
Sutherland (Amina), Luciano Pavarotti (Elvino); The London Opera Chorus and
the National Philharmonic Orchestra of London conducted by Richard Bonynge |
7:28 |
|
|
Mira, o Norma (from
Norma) |
Monserrat Caballé
(Norma), Fiorenza Cossotto (Adalgisa); The London Philharmonic Orchestra
conducted by Carlo Felice Cillario |
7:51 |
|
|
Oh! vieni al
tempio… Ma tu già mi fuggi? (from I puritani) |
Beverly Sills
(Elvira), Louis Qullico (Riccardo), Paul Plishka (Giorgio), Riccardo
Cassinelli (Bruno), Richard Van Allen (Valton); The Ambrosian Opera Chorus
and the London Philharmonic Orchestra conducted by Julius Rudel |
9:23 |
|
|
Overture to I
Capuleti e i Montecchi |
The Orchestra
dell'Accademia Nazionale di Santa Cecilia conducted by Myung Whun Chung |
4:42 |
|
|
Son vergin vezzosa
(from I puritani) |
Montserrat Caballé
(Elvira), Julia Hamari (Enrichetta), Alfredo Kraus (Arturo), Agostino Ferrin
(Giorgio); The Ambrosian Opera Chorus and the Philharmonia Orchestra
conducted by Riccardo Muti |
5:28 |
|
|
Ralph Benatzky |
Im Salzkammergut
(from White Horse Inn) |
Marion Grimaldi
(Josepha); The Mike Sammes Singers and the 20th Century Symphony Orchestra
conducted by Johnny Douglas |
3:40 |
|
Julius Benedict |
Overture to The
Lily of Killarney |
The Victorian Opera
Orchestra conducted by Richard Bonynge |
8:43 |
|
Arthur Benjamin |
Jamaican Rumba |
The BBC Concert
Orchestra conducted by Vernon Handley |
2:21 |
|
Luciano Berio |
Four Original
Versions of Boccherini’s Ritirata notturna di Madrid |
The Giuseppe Verdi
Symphony Orchestra of Milan conducted by Riccardo Chailly |
6:28 |
|
Hector Berlioz |
Dies Irae (from the
Requiem, Op. 5) |
The Choirs of Radio
France, the French National Orchestra and the Radio France Philharmonic
Orchestra conducted by Leonard Bernstein |
12:55 |
|
Grand fête chez
Capulet (from Roméo et Juliette) |
The Philadelphia
Orchestra conducted by Riccardo Muti |
6:00 |
|
|
La belle voyageuse,
Op. 2, No. 4 |
Sheila Armstrong
(soprano); The London Symphony Orchestra conducted by Sir Colin Davis |
5:39 |
|
|
La captive, Op. 12 |
Véronique Gens
(soprano); The Orchestra of the Lyon Opera conducted by Louis Langrée |
7:43 |
|
|
L'îsle inconnue
(from Les nuits d'été) |
Yvonne Minton
(soprano); The BBC Symphony Orchestra conducted by Pierre Boulez |
3:45 |
|
|
Love Scene (from Roméo
et Juliette) |
The BBC Symphony
Orchestra conducted by Sir Andrew Davis |
14:58 |
|
|
Overture to Benvenuto
Cellini |
The London Symphony
Orchestra conducted by André Previn |
10:08 |
|
|
Overture, Les
francs-juges |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
11:40 |
|
|
Overture, The
Corsair, Op. 21 |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
8:14 |
|
|
Queen Mab Scherzo
(from Roméo et Juliette) |
The Chicago
Symphony Orchestra conducted by Carlo Maria Giulini |
8:46 |
|
|
Roman Carnival
Overture |
The Berlin
Philharmonic Orchestra conducted by Lorin Maazel |
8:42 |
|
|
Royal Hunt and
Storm from Les Troyens |
The Chorus and
Orchestra of the Royal Opera House, Covent Garden conducted by Bernard
Haitink |
9:44 |
|
|
Symphonie
Fantastique, Op. 14 |
The Boston Symphony
Orchestra conducted by Charles Munch |
49:06 |
|
|
The Shepherds'
Farewell (from L'enfance du Christ) |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
5:24 |
|
|
Three Pieces from La
damnation de Faust, Op. 24 |
The Baltimore
Symphony Orchestra conducted by David Zinman |
12:52 |
|
|
Trojan March |
The City of
Birmingham Symphony Orchestra conducted by Louis Frémaux |
5:24 |
|
|
Leonard Bernstein |
Overture to Candide |
The New York
Philharmonic conducted by Leonard Bernstein |
4:12 |
|
Franz Berwald |
Overture to The
Queen of Golconda |
The Royal
Philharmonic Orchestra conducted by Ulf Björlin |
7:16 |
|
Ronald Binge |
Elizabethan
Serenade |
The RCA Orchestra
conducted by Douglas Gamley |
2:49 |
|
Henry Bishop |
Home! Sweet Home! |
The New York Vocal
Arts Ensemble conducted by Raymond Beegle |
2:59 |
|
Georges Bizet |
Chorus of the
Smugglers (from Carmen) |
Leontyne Price
(Carmen), Franco Corelli (Don José), Monique Linval (Frasquita), Geneviève
Macaux (Mercédes), Jean-Christophe Benoit (Dancaire); The Vienna State Opera
Chorus and the Vienna Philharmonic Orchestra conducted by Herbert von Karajan |
4:56 |
|
Flower Song (from Carmen) |
Plácido Domingo
(Don José); The London Symphony Orchestra conducted by Claudio Abbado |
4:22 |
|
|
Gypsy Song (from Carmen) |
Marilyn Horne
(Carmen), Collet Boky (Frasquita),
Marcia Baldwin (Mercédes); The Metropolitan Opera Orchestra and Chorus
conducted by Leonard Bernstein |
4:56 |
|
|
Habanera (from Carmen) |
Julia Migenes
(Carmen); The Choir of Radio France and the French National Orchestra
conducted by Lorin Maazel |
4:12 |
|
|
L'Arlésienne Suite
No. 1 |
The Cleveland
Orchestra conducted by George Szell |
17:18 |
|
|
L'Arlésienne Suite
No. 2 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
16:59 |
|
|
Micaëla's Air (from
Carmen) |
Dame Kiri Te Kanawa
(Micaëla); The London Philharmonic Orchestra conducted by Sir Georg Solti |
5:48 |
|
|
Petite Suite |
The RTÉ National
Symphony Orchestra conducted by Jean-Luc Tingaud |
10:44 |
|
|
Seguidilla (from Carmen) |
Grace Bumbry
(Carmen), Jon Vickers (Don José); The Paris Opera Orchestra conducted by
Rafael Frühbeck de Burgos |
4:39 |
|
|
Suite from La
jolie fille de Perth |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
12:36 |
|
|
Suite No. 1 from Carmen |
The National
Philharmonic Orchestra of London conducted by Leopold Stokowski |
12:06 |
|
|
Suite No. 2 from Carmen |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
19:47 |
|
|
Symphony in C major |
The Royal
Philharmonic Orchestra conducted by Charles Munch |
25:05 |
|
|
Then from the
sacred shrine (from The Pearl Fishers) |
Barry Banks
(Nadir), Simon Keenlyside (Zurga); The London Philharmonic Orchestra
conducted by David Parry |
7:10 |
|
|
Toreador's Song
(from Carmen) |
Bryn Terfel
(Escamillo); The London Symphony Orchestra conducted by Barry Wordsworth |
3:52 |
|
|
Ernest Bloch |
Baal Shem |
Joshua Bell
(violin); The Baltimore Symphony Orchestra conducted by David Zinman |
14:11 |
|
Schelomo |
Leonard Rose
(cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
21:12 |
|
|
Luigi Boccherini |
Minuet |
I Musici |
4:11 |
|
String Quintet in C
major, G. 324, La musica notturna delle strade di madrid |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
10:29 |
|
|
Arrigo Boito |
Salve Regina! (from
Mefistofele) |
The Ambrosian Opera
Chorus and the London Symphony Orchestra conducted by Julius Rudel |
6:37 |
|
Joseph Bonnet |
Elfes, Op. 7, No.
11 |
Jane Parker-Smith
(organ) |
3:51 |
|
Alexander Borodin |
In the Steppes of
Central Asia |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
7:33 |
|
Nocturne |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
8:59 |
|
|
Overture to Prince
Igor |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
10:13 |
|
|
Polovetsian Dances |
The John Alldis
Choir and the National Phiharmonic Orchestra of London conducted by Loris
Tjeknavorian |
11:33 |
|
|
Dmitri Bortniansky |
Ich bete an die
Macht der Liebe |
The Leipzig Radio
Choir conducted by Jörg-Peter Weigle |
3:43 |
|
William Boyce |
Symphony No. 5 in D
major |
I Solisti di Zagreb
conducted by Antonio Janigro |
7:27 |
|
Peter Boyer |
New Beginnings |
The London Symphony
Orchestra conducted by Peter Boyer |
11:47 |
|
Johannes Brahms |
A German Requiem,
Op. 45 |
Phyllis Curtin
(soprano), Jerome Hines (bass); The Mormon Tabernacle Choir and the
Philadelphia Orchestra conducted by Eugene Ormandy |
64:45 |
|
Academic Festival
Overture, Op. 80 |
The Gewandhaus
Orchestra of Leipzig conducted by Riccardo Chailly |
9:24 |
|
|
Alto Rhapsody, Op.
53 |
Dame Janet Baker
(Alto); The John Alldis Choir and the London Philharmonic Orchestra conducted
by Sir Adrian Boult |
12:03 |
|
|
Concerto in A minor
for Violin, Cello and Orchestra, Op. 102 |
Isaac Stern
(violin), Leonard Rose (cello); The Philadelphia Orchestra conducted by
Eugene Ormandy |
33:43 |
|
|
Hungarian Dance No.
5 in G minor |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
2:35 |
|
|
Hungarian Dance No.
6 in D major |
The Vienna
Philharmonic Orchestra conducted by Claudio Abbado |
3:09 |
|
|
Hungarian Dance No.
7 in A major |
The Budapest
Festival Orchestra conducted by Iván Fischer |
1:55 |
|
|
Piano Concerto No.
1 in D minor, Op. 15 |
Leon Fleisher
(piano); The Cleveland Orchestra conducted by George Szell |
46:52 |
|
|
Piano Concerto No.
2 in B flat major, Op. 83 |
Van Cliburn
(piano); The Chicago Symphony Orchestra conducted by Fritz Reiner |
48:31 |
|
|
Symphony No. 1 in C
minor, Op. 68 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
45:40 |
|
|
Symphony No. 2 in D
major, Op. 73 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
41:07 |
|
|
Symphony No. 3 in F
major, Op. 90 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
34:37 |
|
|
Symphony No. 4 in E
minor, Op. 98 |
The Vienna
Philharmonic Orchestra conducted by Carlos Kleiber |
39:41 |
|
|
Tragic Overture,
Op. 81 |
The National
Philharmonic Orchestra of London conducted by Leopold Stokowski |
11:46 |
|
|
Variations in B
flat major on a Theme by Haydn, Op. 56a |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
17:31 |
|
|
Violin Concerto in
D major, Op. 77 |
Jascha Heifetz
(violin); The Chicago Symphony Orchestra conducted by Fritz Reiner |
34:37 |
|
|
Wiegenlied, Op. 49,
No. 4 |
Anne Sofie von
Otter (soprano), Bengt Forsberg (piano) |
1:55 |
|
|
Havergal Brian |
Scherzo from the
Symphony No. 1, Gothic |
The Czechoslovak
Radio Symphony Orchestra and Slovak Philharmonic Orchestra conducted by
Ondrej Lenárd |
13:06 |
|
Frank Bridge |
There is a Willow
grows aslant a Brook |
The English Chamber
Orchestra conducted by Jeffrey Tate |
10:20 |
|
Benjamin Britten |
Four Sea Interludes
from Peter Grimes, Op. 33a |
The Ulster
Orchestra conducted by Vernon Handley |
15:45 |
|
Passacaglia from Peter
Grimes |
The London Symphony
Orchestra conducted by André Previn |
7:31 |
|
|
Simple Symphony,
Op. 4 |
The Orpheus Chamber
Orchestra |
17:57 |
|
|
The Young Person's
Guide to the Orchestra, Op. 34 |
The London Symphony
Orchestra conducted by Benjamin Britten |
16:37 |
|
|
Max Bruch |
Kol Nidrei, Op. 47 |
János Starker
(cello); The London Symphony Orchestra conducted by Antal Doráti |
9:57 |
|
Scottish Fantasy,
Op. 46 |
Jascha Heifetz
(violin); The New Symphony Orchestra of London conducted by Sir Malcolm
Sargent |
25:50 |
|
|
Violin Concerto No.
1 in G minor, Op. 26 |
Kyung Wha Chung
(violin); The Royal Philharmonic Orchestra conducted by Rudolf Kempe |
24:20 |
|
|
Anton Bruckner |
Adagio from the
String Quintet in F major (arranged by Gerd Schaller) |
The Prague Radio
Symphony Orchestra conducted by Gerd Schaller |
12:51 |
|
Ave Maria |
The Monteverdi
Choir conducted by Sir John Eliot Gardiner |
4:11 |
|
|
Christus factus est |
The Choir of King's
College, Cambridge conducted by Sir Stephen Cleobury |
5:16 |
|
|
Ecce sacerdos
magnus |
The Corydon Singers
conducted by Matthew Best |
5:06 |
|
|
Gloria from the
Mass No. 3 in F minor |
The New
Philharmonia Orchestra and Chorus conducted by Daniel Barenboim |
10:06 |
|
|
Locus iste |
Tenebrae conducted
by Nigel Short |
3:31 |
|
|
Os justi |
The Bavarian Radio
Chorus conducted by Eugen Jochum |
5:08 |
|
|
Psalm 150 |
Pamela Coburn
(soprano); The Gächinger Kantorei and the Bach-Collegium Stuttgart conducted
by Helmuth Rilling |
9:40 |
|
|
Te Deum |
Maria Stader
(soprano), Helen Vanni (alto), Stanley Kolk (tenor), Herbert Beattie (bass);
The Temple University Chorus and the Philadelphia Orchestra conducted by
Eugene Ormandy |
18:46 |
|
|
Vexilla regis |
Polyphony conducted
by Stephen Layton |
5:04 |
|
|
Geoffrey Burgon |
Nunc dimittis |
Michael Laird
(trumpet), Jeremy Suter (organ); The Chorus of Chichester Cathedral conducted
by Alan Thurlow |
2:58 |
|
Ferruccio Busoni |
Comedy Overture |
The Orchestre
Sinfonia di Roma conducted by Francesco La Vecchia |
6:59 |
|
Divertimento for
Flute and Orchestra |
Aurèle Nicolet
(flute); The Leipzig Gewandhaus Orchestra conducted by Kurt Masur |
9:29 |
|
|
Tanswalzer, Op. 53 |
The BBC
Philharmonic Orchestra conducted by Neeme Järvi |
12:32 |
|
|
George Butterworth |
The Banks of Green
Willow |
The English Chamber
Orchestra conducted by Sir Jeffrey Tate |
6:48 |
|
Dietrich Buxtehude |
Prelude and Fugue
in G minor, BuxWV 149 |
E. Power Biggs
(organ) |
7:28 |
|
Joseph Canteloube |
Baïlèro |
Dame Kiri Te Kanawa
(soprano); The English Chamber Orchestra conducted by Sir Jeffrey Tate |
6:48 |
|
Eduardo di Capua |
O solo mio |
Luciano Pavarotti
(tenor); The National Philharmonic Orchestra of London conducted by Giancarlo
Chiaramello |
3:26 |
|
Alfredo Casella |
Paganiniana |
The Philadephia
Orchestra conducted by Eugene Ormandy |
17:32 |
|
Alfredo Catalani |
Ebben? ne andrò
lontana (from La Wally) |
Renata Tebaldi
(Wally); The Orchestra of the Monte Carlo Opera conducted by Fausto Cleva |
5:00 |
|
Emmanuel Chabrier |
Bourreé fantasque |
The Orchestre
National de France conducted by Armin Jordan |
7:02 |
|
Danse slave (from Le
roi malgré lui) |
The Orchestre de la
Suisse Romande conducted by Neeme Järvi |
5:27 |
|
|
España |
The Philadelphia
Orchestra conducted by Riccardo Muti |
6:08 |
|
|
Fête polonaise |
The Orchestre de la
Suisse Romande conducted by Ernest Ansermet |
8:45 |
|
|
Joyeuse March |
The Orchestre de
Capitole du Toulouse conducted by Michel Plasson |
3:45 |
|
|
Overture to Gwendoline |
The Vienna
Philharmonic Orchestra conducted by Sir John Eliot Gardiner |
8:39 |
|
|
Suite pastorale |
The Detroit
Symphony Orchestra conducted by Paul Paray |
16:01 |
|
|
Cécile Chaminade |
The Flatterer, Op.
50 |
Eric Parkin (piano) |
2:19 |
|
Gustave Charpentier |
Depuis le jour
(from Louise) |
Reneé Fleming
(Louise); The English Chamber Orchestra conducted by Sir Jeffrey Tate |
6:04 |
|
Marc-Antoine
Charpentier |
Marche de Triomphe
et Second Air de Trompette |
Musica Antiqua of
Cologne conducted by Reinhard Goebel |
5:50 |
|
Ernest Chausson |
Poème, Op. 25 |
Erick Friedman
(violin); The London Symphony Orchestra conducted by Sir Malcolm Sargent |
14:46 |
|
Soir de Fête, Op.
32 |
The BBC
Philharmonic Orchestra conducted by Yan Pascal Tortelier |
13:36 |
|
|
Symphony in B flat
major, Op. 20 |
The Boston Symphony
Orchestra conducted by Charles Munch |
31:36 |
|
|
Viviane, Op. 5 |
The Basel Symphony
Orchestra conducted by Armin Jordan |
11:51 |
|
|
Luigi Cherubini |
Overture to Anacréon |
The Orchestre
Lamoureux conducted by Igor Markevitch |
9:48 |
|
Overture to Faniska |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
7:30 |
|
|
Frédéric Chopin |
Andante Spinato and
Grande Polonaise Brillante in E flat major, Op. 22 |
Martha Argerich
(piano) |
13:22 |
|
Ballade in G minor,
Op. 23 |
Artur Rubinstein
(piano) |
9:28 |
|
|
Étude in A flat
major, Op. 25, No. 1, Aeolean Harp |
Murray Perahia
(piano) |
2:19 |
|
|
Étude in C minor,
Op. 10, No. 12, Revolutionary |
Vladimir Ashkenazy
(piano) |
2:47 |
|
|
Étude in C minor,
Op. 25, No. 12 |
Maurizio Pollini
(piano) |
2:31 |
|
|
Fantasie Impromptu
in C sharp minor, Op. 66 |
Angela Hewitt
(piano) |
5:14 |
|
|
Fantasy in A major
on Polish Airs, Op. 13 |
Claudio Arrau
(piano); The London Philharmonic Orchestra conducted by Elihu Inbal |
14:13 |
|
|
Funeral March from
the Piano Sonata No. 2 in B flat minor, Op. 35 (orchestrated by Leopold
Stokowski) |
The BBC
Philharmonic Orchestra conducted by Matthias Bamert |
7:03 |
|
|
Krakowiak, Op. 14 |
Bella Davidovich
(piano); The London Symphony Orchestra conducted by Sir Neville Marriner |
14:34 |
|
|
Les Sylphides
(orchestrated by Roy Douglas) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
25:33 |
|
|
Polonaise
-Fantaisie in A flat major, Op. 61 |
Artur Rubinstein
(piano) |
12:58 |
|
|
Polonaise in A flat
major, Op. 53, Heroic |
Evgeny Kissin
(piano) |
6:30 |
|
|
Polonaise in A
major, Op. 40, No. 1, Military |
Vladimir Horowitz
(piano) |
4:54 |
|
|
Variations in B
flat major on La ci darem la mano, Op. 2 |
Eldar Nebolsin
(piano); The Deutsches Symphonie-Orchester Berlin conducted by Vladimir
Ashkenazy |
15:50 |
|
|
Waltz in D flat
major, Op. 64, No. 1, Minute |
Philippe Entremont
(piano) |
1:57 |
|
|
Waltz in E flat
major, Op. 18, Grande valse brillante |
Jean-Yves Thibaudet
(piano) |
5:00 |
|
|
Francesco Cilea |
E la solita storia
(from L'arlesiana) |
Jonas Kaufmann
(Federico); The Orchestra dell'Accademia Nazionale di Santa Cecilia conducted
by Sir Antonio Pappano |
3:57 |
|
Io son l'umile
ancella (from Adriana Lecouvreur) |
Renata Scotto
(Adriana); The London Symphony Orchestra conducted by Gianadrea Gavanezzi |
3:20 |
|
|
Poveri fiori (from Adriana
Lecouvreur) |
Leontyne Price
(Adriana); The New Philharmonia Orchestra conducted by Nello Santi |
3:12 |
|
|
Jeremiah Clarke |
Trumpet Voluntary |
Gilbert Johnson
(trumpet); The Philadelphia Orchestra conducted by Eugene Ormandy |
2:21 |
|
Eric Coates |
London Suite |
The Royal Liverpool
Philharmonic Orchestra conducted by Sir Charles Groves |
14:34 |
|
The Dambusters |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
3:56 |
|
|
Aaron Copland |
An Outdoor Overture |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
8:54 |
|
Appalachian Spring |
The Detroit
Symphony Orchestra conducted by Antal Doráti |
23:06 |
|
|
Danzon cubano |
The Detroit
Symphony Orchestra conducted by Leonard Slatkin |
7:07 |
|
|
El Salón México |
The Baltimore
Symphony Orchestra conducted by David Zinman |
11:45 |
|
|
Fanfare for the
Common Man |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
2:57 |
|
|
Four Dance Episodes
from Rodeo |
The New York
Philharmonic conducted by Leonard Bernstein |
18:18 |
|
|
Quiet City |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
8:45 |
|
|
Suite from Billy
the Kid |
The London Symphony
Orchestra conducted by Aaron Copland |
21:02 |
|
|
Suite from The
Red Pony |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
23:25 |
|
|
Three
Latin-American Sketches |
The Orpheus Chamber
Orchestra |
10:25 |
|
|
Arcangelo Corelli |
Concerto Grosso in
G minor, Op. 6, No. 8, Christmas |
The English Concert
conducted by Trevor Pinnock |
14:07 |
|
Teodoro Cottrau |
Santa Lucia |
Roberto Alagna
(tenor); The Orchestre National d'Ile de France conducted by Yvan Cassar |
4:13 |
|
François Couperin |
Les baricades
mystérieuses |
Trevor Pinnock
(harpsichord) |
2:11 |
|
Paul Creston |
A Rumor |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
5:51 |
|
Claude Debussy |
Children's Corner
Suite |
Philippe Entremont
(piano) |
15:21 |
|
Claire de Lune
(orchestrated by Lucien Calliet) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
5:04 |
|
|
Jeux |
The Cleveland
Orchestra conducted by Pierre Boulez |
16:06 |
|
|
La cathédrale
engloutie (orchestrated by Leopold Stokowski) |
The New
Philharmonia Orchestra conducted by Leopold Stokowski |
6:40 |
|
|
La mer |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
23:02 |
|
|
L'isle joyeuse |
Vladimir Horowitz
(piano) |
6:01 |
|
|
Petit Suite
(orchestrated by Henri Busser) |
The Orchestre
Symphonique de Québec conducted by Yoav Talmi |
14:55 |
|
|
Prélude à
l'après-midi d'un faune |
The Boston Symphony
Orchestra conducted by Charles Munch |
9:05 |
|
|
Rêverie |
Alice Sara Ott
(piano) |
4:44 |
|
|
Symphonic Poem, Printemps |
The Orchestre de
Capitole du Toulouse conducted by Michel Plasson |
15:46 |
|
|
Léo Delibes |
Air de Clochettes
(from Lakmé) |
Sumi Jo (Lakmé);
The Monte Carlo Philharmonic Orchestra conducted by Paolo Olmi |
7:45 |
|
Flower Duet from Lakmé |
Dame Joan
Sutherland (Lakmé), Jane Berbié (Mallika); The Orchestra of the Monte Carlo
Opera conducted by Richard Bonynge |
6:06 |
|
|
Suite from Coppélia |
The New
Philharmonia Orchestra conducted by Sir Charles Mackerras |
12:17 |
|
|
Suite from Sylvia |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
12:15 |
|
|
Frederick Delius |
A Dance Rhapsody
No. 2 |
The Royal
Philharmonic Orchestra conducted by Sir Thomas Beecham |
7:44 |
|
In a Summer Garden |
The Orchestra of
the Welsh National Opera conducted by Sir Charles Mackerras |
14:11 |
|
|
On Hearing the
First Cuckoo of Spring |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
6:12 |
|
|
Summer Night on the
River |
The English Chamber
Orchestra conducted by Daniel Barenboim |
5:42 |
|
|
The Walk to the
Paradise Garden from A Village Romeo and Juliet |
The Scottish
National Orchestra conduced by David Lloyd-Jones |
9:16 |
|
|
David Diamond |
Rounds for String
Orchestra |
The Los Angeles
Chamber Orchestra conducted by Gerard Schwarz |
13:57 |
|
Alphons Diepenbrock |
Hymne |
The St. Gallen
Symphony Orchestra conducted by Otto Tausk |
14:16 |
|
Vincent d'Indy |
Symphony on a
French Mountain Air, Op. 25 |
Nicole
Henriot-Schweitzer (piano); The Boston Symphony Orchestra conducted by
Charles Munch |
25:17 |
|
Grigoras Dinicu |
Hora Staccato |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
2:07 |
|
Ignacy
Dobrzyński |
Overture to Monbar |
The Polish National
Radio Symphony Orchestra conducted by Łukasz Borowicz |
10:53 |
|
Robert Docker |
The Spirit of
Cambria |
The RTÉ Concert
Orchestra conducted by Barry Knight |
7:58 |
|
Ernst von Dohnányi |
Variations on a
Nursery Song, Op. 25 |
Zoltán Kocsis
(piano); The Budapest Festival Orchestra conducted by Iván Fischer |
22:41 |
|
Gaetano Donizetti |
Ah! mes amis, quel
jour de fête (from La fille du régiment) |
Luciano Pavarotti
(Tonio); The Orchestra and Chorus of the Royal Opera House, Covent Garden
conducted by Richard Bonynge |
6:37 |
|
Ah! tardai troppo…
O luce di quest’anima (from Linda di Chamounix) |
Dame Joan
Sutherland (Linda); The Paris Conservatoire Orchestra conducted by Nello
Santi |
6:20 |
|
|
Chiedi all'aura
lusinghiera (from L'elisir d'amore) |
Kathleen Battle
(Adina), Luciano Pavarotti (Nemorino); The Metropolitan Opera Orchestra
conducted by James Levine |
6:35 |
|
|
Da tutti
abbandonata (from Maria Stuarda) |
Beverly Sills
(Maria), Stuart Burrows (Leicester); The London Philharmonic Orchestra
conducted by Aldo Ceccato |
9:01 |
|
|
L’ai je bien
entendu... O mon Fernand... Mon arrêt descend du ciel (from La Favorite) |
Dame Joan
Sutherland (Léonore); The Orchestra of the Welsh National Opera conducted by
Richard Bonynge |
7:07 |
|
|
Overture to Don
Pasquale |
The Philharmonia
Orchestra conducted by Riccardo Muti |
6:16 |
|
|
Overture to Roberto
Devereux |
The Royal
Philharmonic Orchestra conducted by Sir Charles Mackerras |
6:56 |
|
|
Povero Ernesto!
Cercherò lontana terra (from Don Pasquale) |
Gösta Winbergh
(Ernesto); The Philharmonia Orchestra conducted by Riccardo Muti |
6:57 |
|
|
Regnava nel
silenzio (from Lucia di Lammermoor) |
Berverly Sills
(Lucia), Patricia Kern (Alisa); The London Symphony Orchestra conducted by
Thomas Schippers |
9:23 |
|
|
Sextet from Lucia
di Lammermoor |
Dame Joan
Sutherland (Lucia), Luciano Pavarotti (Edgardo), Sherrill Milnes (Enrico),
Huguette Tourangeau (Alisa), Nicolai Ghiaurov (Raimondo), Ryland Davies
(Arturo); The Orchestra and Chorus of the Royal Opera House, Covent Garden
conducted by Richard Bonynge |
3:46 |
|
|
Udite, udite, o
rustici (from L'elisir d'amore) |
Spiro Malas (Dr.
Dulcamara); The Ambrosian Opera Chorus and the English Chamber Orchestra
conducted by Richard Bonynge |
8:06 |
|
|
Un furtiva lagrima
(from L'elisir d'amore) |
Luciano Pavarotti
(Nemorino); The English Chamber Orchestra conducted by Richard Bonynge |
4:49 |
|
|
Paul Dukas |
The Sorcerer's
Apprentice |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
10:29 |
|
Henri Duparc |
Phidylé |
Dame Kiri Te Kanawa
(soprano); The Orchestra of the National Opera, Brussels conducted by Sir
John Pritchard |
5:16 |
|
Antonín Dvořák |
Carnival Overture,
Op. 92 |
The Scottish
National Orchestra conducted by Neeme Järvi |
9:08 |
|
Cello Concerto in B
minor, Op. 104 |
Zara Nelsova
(cello); The St. Louis Symphony Orchestra conducted by Walter Susskind |
36:52 |
|
|
Czech Suite, Op. 39 |
The Polish Radio
National Symphony Orchestra conducted by Antoni Wit |
23:15 |
|
|
Humoresque in G
flat major, Op. 101, No. 7 |
Itzhak Perlman
(violin), Yo-Yo Ma (cello); The Boston Symphony Orchestra conducted by Seiji
Ozawa |
3:32 |
|
|
Hussite Overture,
Op. 67 |
The Bavarian Radio
Symphony Orchestra conducted by Rafael Kubelik |
12:50 |
|
|
Polonaise from Rusalka |
The Minnesota
Orchestra conducted by Eiji Oue |
4:30 |
|
|
Scherzo
Capriccioso, Op. 66 |
The London Symphony
Orchestra conducted by Istvan Kertész |
12:04 |
|
|
Serenade in E major
for Strings, Op. 22 |
The Orpheus Chamber
Orchestra |
28:20 |
|
|
Slavonic Dance in C
major, Op. 72, No. 7 |
The Cleveland
Orchestra conducted by George Szell |
3:05 |
|
|
Song to the Moon
(from Rusalka) |
Leontyne Price
(Rusalka); The Orchestra of the Royal Opera House, Covent Garden conducted by
Nello Santi |
6:20 |
|
|
Suite in A major,
Op. 98a, American |
The Berlin Radio
Symphony Orchestra conducted by Michael Tilson Thomas |
20:26 |
|
|
Symphony No. 7 in D
minor, Op. 70 |
The Cleveland
Orchestra conducted by George Szell |
35:42 |
|
|
Symphony No. 8 in G
minor, Op. 88 |
The London Symphony
Orchestra conducted by Istvan Kertész |
35:11 |
|
|
Symphony No. 9 in E
minor, Op. 95, From the New World |
The Scottish
National Orchestra conducted by Neeme Järvi |
44:50 |
|
|
Violin Concerto in
A minor, Op. 53 |
Ruggiero Ricci
(violin); The St. Louis Symphony Orchestra conducted by Walter Susskind |
29:18 |
|
|
Edward Elgar |
Dream Children, Op.
43 |
The Bournemouth
Sinfonietta conducted by Norman Del Mar |
7:55 |
|
In the South, Op.
50 |
The London Symphony
Orchestra conducted by Sir Jeffrey Tate |
20:19 |
|
|
Introduction and
Allegro for String Orchestra, Op. 47 |
The Vienna
Philharmonic Orchestra conducted by Sir John Eliot Gardiner |
13:06 |
|
|
Meditation from The
Light of Life |
The Royal Liverpool
Philharmonic Orchestra conducted by Sir Charles Groves |
7:34 |
|
|
Overture, Cockagine,
Op. 40 |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
15:01 |
|
|
Overture, Froissart,
Op. 19 |
The London Symphony
Orchestra conducted by Sir Jeffrey Tate |
14:02 |
|
|
Pomp and
Circumstance March in D major, Op. 39, No. 1 |
The Philharmonia
Orchestra conducted by Sir Andrew Davis |
6:38 |
|
|
Salut d'Amour, Op.
12 |
The Bournemouth
Sinfonietta conducted by Norman Del Mar |
3:28 |
|
|
The Crown of India
Suite, Op. 66 |
The London
Philharmonic Orchestra conducted by Daniel Barenboim |
18:10 |
|
|
Three Bavarian
Dances, Op. 27 |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
11:45 |
|
|
Variations on an
Original Theme, Enigma, Op. 36 |
The Hallé Orchestra
conducted by Sir Mark Elder |
31:31 |
|
|
George Enescu |
Romanian Rhapsody
No. 1 in A major, Op. 11 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
12:19 |
|
Manuel de Falla |
Interlude and
Spanish Dance from La vida breve |
The Cincinnati
Symphony Orchestra conducted by Jesús López Cobos |
7:05 |
|
Nights in the
Garden of Spain |
Philippe Entremont
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
23:02 |
|
|
Suite from The
Three-Cornered Hat |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
12:18 |
|
|
Gabriel Fauré |
Ballade for Piano
and Orchestra, Op. 19 |
Robert Casadesus
(piano); The New York Philharmonic conducted by Leonard Bernstein |
12:39 |
|
Dolly, Op. 56 |
The Boston Symphony
Orchestra conducted by Seiji Ozawa |
18:09 |
|
|
Élégie in C minor
for Cello and Orchestra, Op. 24 |
Leonard Rose
(cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
7:14 |
|
|
Masques et
Bergamasques, Op. 112 |
The Seattle
Symphony Orchestra conducted by Ludovic Morlot |
13:37 |
|
|
Pavane, Op. 50 |
The New
Philharmonia Orchestra conducted by Sir David Willcocks |
6:51 |
|
|
Pie Jesu (from the
Requiem, Op. 48) |
Dame Kiri Te Kanawa
(soprano); The Montreal Symphony Orchestra conducted by Charles Dutoit |
3:48 |
|
|
Suite from Pelléas
et Mélisande, Op. 80 |
The Ulster
Orchestra conducted by Yan Pascal Tortelier |
16:54 |
|
|
Vincenzo Fioravanti |
Io son zingara
(from Gli zingari) |
Julie Fuchs
(Pucinella); The Orchestre National d'Île-de-France conducted by Enrique
Mazzola |
5:46 |
|
William Fisher |
Goin' Home |
Bryn Terfel
(baritone); The London Symphony Orchestra conducted by Barry Wordsworth |
5:39 |
|
Friedrich von
Flotow |
M'apparì tutt'amor
(from Martha) |
Plácido Domingo
(Lyonel); The London Symphony Orchestra conducted by Nello Santi |
3:49 |
|
Carlisle Floyd |
Ain't it a pretty
night? (from Susannah) |
Cheryl Studer
(Susannah); The Orchestra of the Lyon Opera conducted by Kent Nagano |
5:34 |
|
César Franck |
Les Djinns |
Joshua Pierce
(piano); The Bohuslav Martinů Philharmonic Orchestra conducted by Kirk
Trevor |
11:55 |
|
Les Éolides |
The Ulster
Orchestra conducted by Yan Pascal Tortelier |
9:51 |
|
|
Panis angelicus |
Dame Kiri Te Kanawa
(soprano); The English Chamber Orchestra conducted by Barry Rose |
3:40 |
|
|
Rédemption |
The Orchestre de
Paris conducted by Daniel Barenboim |
13:54 |
|
|
Symphonic
Variations for Piano and Orchestra |
Philippe Entremont
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
15:10 |
|
|
Symphony in D minor |
The Chicago
Symphony Orchestra conducted by Pierre Monteux |
39:18 |
|
|
The Accursed
Huntsman |
The Philadelphia
Orchestra conducted by Riccardo Muti |
15:25 |
|
|
William Henry Fry |
Niagara Symphony |
The Scottish
National Orchestra conducted by Tony Rowe |
13:46 |
|
Julius Fučík |
Entry of the
Gladiators, Op. 68 |
The Scottish
National Orchestra conducted by Neeme Järvi |
2:35 |
|
Florentine March,
Op. 214 |
The Berlin
Philharmonic Wind Ensemble conducted by Herbert von Karajan |
5:27 |
|
|
The Old Bear with a
Sore Head, Op. 210 |
Jiri Formaček
(bassoon); The Czech Philharmonic Orchestra conducted by Václav Neumann |
4:39 |
|
|
Jacob Gade |
Jalousie |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:42 |
|
Niels Gade |
Suite from Napoli |
The London Festival
Ballet Orchestra conducted by Terence Kern |
13:56 |
|
Balfour Gardiner |
Overture to a
Comedy |
The Northern
Sinfonia of England conducted by Richard Hickox |
7:57 |
|
Edward German |
Welsh Rhapsody |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
17:51 |
|
George Gershwin |
A Symphonic Picture
of Porgy and Bess(arranged by Robert Russell Bennett) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
25:05 |
|
An American in
Paris |
The New York
Philharmonic conducted by Leonard Bernstein |
18:28 |
|
|
Bess, you is my
woman now (from Porgy and Bess) |
Donnie Ray Albert
(Porgy), Clamma Dale (Bess); The Orchestra of the Houston Grand Opera
conducted by John DeMain |
5:51 |
|
|
Concerto in F |
Earl Wild (piano);
The Boston Pops Orchestra conducted by Arthur Fiedler |
28:55 |
|
|
Cuban Overture |
The Chicago
Symphony Orchestra conducted by James Levine |
9:54 |
|
|
Overture to Strike
Up the Band |
The Buffalo
Philharmonic Orchestra conducted by Michael Tilson Thomas |
7:12 |
|
|
Rhapsody in Blue |
Lorin Levee
(piano); The Los Angeles Philharmonic Orchestra conducted by Michael Tilson
Thomas |
15:50 |
|
|
Summertime (from Porgy
and Bess) |
Kathleen Battle
(Bess); The Orchestra of St. Luke's conducted by André Previn |
2:42 |
|
|
Variations on I
Got Rhythm |
Earl Wild (piano);
The Boston Pops Orchestra conducted by Arthur Fiedler |
7:59 |
|
|
Eugène Gigout |
Toccata in B minor |
Jane Parker-Smith
(organ) |
3:14 |
|
Alberto Ginastera |
Suite from Estancia,
Op. 8a |
The Orquesta
Filarmónica de la Ciudad de México conducted by Enrique Bátiz |
12:50 |
|
Umberto Giordano |
Final Scene from Andrea
Chénier |
Renata Scotto
(Maddelena), Plácido Domingo (Chénier); The National Philharmonic Orchestra
of London conducted by James Levine |
7:20 |
|
Un dì all'azzurro
spazio (from Andrea Chénier) |
Jonas Kauffman
(Chénier); The Orchestra dell'Accademia Nazionale di Santa Cecilia conducted
by Sir Antonio Pappano |
4:51 |
|
|
Alexander Glazunov |
Autumn from The
Seasons |
The Scottish
National Orchestra conducted by Neeme Järvi |
11:04 |
|
Violin Concerto in
A minor, Op. 82 |
Jascha Heifetz
(violin); The RCA Orchestra conducted by Walter Hendl |
18:55 |
|
|
Reinhold Glière |
Overture on
Slavonic Themes |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
9:51 |
|
Russian Sailor's
Dance from The Red Poppy |
The New York
Philharmonic conducted by Leonard Bernstein |
3:28 |
|
|
Mikhail Glinka |
Jota Aragonesa |
The London Symphony
Orchestra conducted by Sir Charles Mackerras |
8:38 |
|
Kamarinskaya |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
7:35 |
|
|
Overture to Ruslan
and Ludmila |
The London Symphony
Orchestra conducted by Sir Georg Solti |
4:59 |
|
|
Christoph Willibald
Gluck |
Ballet Music from Orfeo
ed Euridice |
The London Symphony
Orchestra conducted by Sir Charles Mackerras |
26:26 |
|
Che disse? Che
ascoltai?... Addio, addio, o mie sospiri (from Orfeo ed Euridice) |
Marilyn Horne
(Orfeo); The Orchestra of the Royal Opera House, Covent Garden conducted by
Sir Georg Solti |
6:39 |
|
|
Che farò senza
Euridice? (from Orfeo ed Euridice) |
Dame Janet Baker
(Orfeo); The English Chamber Orchestra conducted by Raymond Leppard |
3:50 |
|
|
Divinités du Styx
(from Alceste) |
Jessye Norman
(Alceste); The Bavarian Radio Orchestra and Chorus conducted by Serge Baudo |
5:03 |
|
|
Ô malheuruse
Iphigénie (from Iphigénie en Tauride) |
Diane Montague
(Iphigenia); The Monteverdi Choir and the Orchestre de l’Opera de Lyon
conducted by Sir John Eliot Gardiner |
4:29 |
|
|
Benjamin Godard |
Cachés dans cet
asile... Oh! ne t'éveille pas encor (from Jocelyn) |
Pene Pati
(Jocelyn); The Orchestre National Bordeaux Aquitaine conducted by Emmanuel
Villaume |
5:15 |
|
Karl Goldmark |
Overture, In
Spring |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
9:42 |
|
Violin Concerto in
A minor, Op. 28 |
Itzhak Perlman
(violin); The Pittsburgh Symphony Orchestra conducted by André Previn |
34:18 |
|
|
Ron Goodwin |
Aces High |
The BBC
Philharmonic Orchestra conducted by Rumon Gamba |
3:44 |
|
Louis Moreau
Gottschalk |
Bamboula |
Eugene List (piano) |
7:27 |
|
Concert Paraphrase
on National Airs, The Union, Op. 48 |
Cecile Licad
(piano) |
7:32 |
|
|
Grand Tarantelle,
Op. 67 |
William Tritt
(piano); The Cincinnati Pops Orchestra conducted by Erich Kunzel |
7:25 |
|
|
Symphony No. 1, A
Night in the Tropics |
The Utah Symphony
Orchestra conducted by Maurice Abravanel |
18:51 |
|
|
Symphony No. 2, A
Montevideo |
The Hot Springs
Music Festival Symphony Orchestra conducted by Richard Rosenberg |
11:21 |
|
|
The Banjo |
Leonard Pennario
(piano) |
3:33 |
|
|
Variations on the
Brazilian National Anthem, Op. 69 |
Cristina Ortiz
(piano); The Royal Philharmonic Orchestra conducted by Moshe Atzmon |
8:11 |
|
|
Morton Gould |
American Salute |
The Buffalo
Philharmonic Orchestra conducted by Lukas Foss |
4:30 |
|
Charles Gounod |
Ah! Let me live in
this dream (from Roméo et Juliette) |
Elizabeth Futral
(Juliet); The Philharmonia Orchestra conducted by Stephen White |
4:00 |
|
Alerte, alerte!..
Christ est resusscité (from Faust) |
Victoria de los
Angeles (Marguerite), Nicolai Gedda (Faust), Boris Christoff
(Mephistopheles); The Paris Opera Orchestra and Chorus conducted by André
Cluytens |
5:35 |
|
|
Ave Maria |
Dame Kiri Te Kanawa
(soprano); The Utah Symphony Orchestra conducted by Julius Rudel |
2:53 |
|
|
Ballet Music from Faust |
The New
Philharmonia Orchestra conducted by Sir Charles Mackerras |
16:50 |
|
|
Faiblesse de la
race humaine (from Le reine de Saba) |
Rolando Villazón
(Adoniram); The Radio France Philharmonic Orchestra conducted by Evalino Pidò |
5:14 |
|
|
Funeral March for a
Marionette |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:08 |
|
|
Où suis-je?.. Ô ma
lyre immortelle (from Sapho) |
Magdalena Kožená
(Sapho); The Mahler Chamber Orchestra conducted by Marc Minkowski |
7:23 |
|
|
Plus grand dans son
obscurité (from Le reine de Saba) |
Elīna
Garanča (Balkis); The Orchestra del Teatro Comunale di Bologna conducted
by Yves Abel |
6:14 |
|
|
Salut! Demure
chaste et pure (from Faust) |
Francisco Araiza
(Faust); The Bavarian Radio Symphony Orchestra conducted by Sir Colin Davis |
5:29 |
|
|
Soldiers' Chorus
from Faust |
The Paris Opera
Orchestra and Chorus conducted by Georges Prêtre |
3:20 |
|
|
Waltz from Faust |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
5:24 |
|
|
Percy Grainger |
Irish Tune from
County Derry, Danny Boy |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
6:20 |
|
Enrique Granados |
The Straw Man |
Alicia de Larrocha
(piano) |
4:13 |
|
Zapateado |
Xiayin Yang (piano) |
4:10 |
|
|
André Grétry |
Pantomime from Zémire
et Azor |
The Orchestra of
the Belgian Radio and Television conducted by Edgar Doneux |
2:49 |
|
Suite from Céphale
et Procris |
The Orchestre de
Liège conducted by Paul Strauss |
12:00 |
|
|
Edvard Grieg |
Holberg Suite, Op.
40 |
The Orpheus Chamber
Orchestra |
19:58 |
|
Homage March from Sigurd
Jorsalfar, Op. 56 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:41 |
|
|
Lyric Pieces, Op.
12 |
Nicholas Roth
(piano) |
10:32 |
|
|
Lyric Suite, Op. 54 |
The Bergen
Philharmonic Orchestra conducted by Ole Kristian Ruud |
17:45 |
|
|
Norwegian Dances,
Op. 35 |
The Estonian
National Symphony Orchestra conducted by Paavo Järvi |
17:43 |
|
|
Overture, In
Autumn, Op. 11 |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
11:18 |
|
|
Piano Concerto in A
minor, Op. 16 |
Philippe Entremont
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
27:48 |
|
|
Suite No. 1 from Peer
Gynt, Op. 46 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
14:49 |
|
|
Suite No. 2 from Peer
Gynt, Op. 55 |
The New York
Philharmonic conducted by Leonard Bernstein |
17:27 |
|
|
Wedding Day at
Troldhaugen, Op. 65, No. 6 |
The Scottish
National Orchestra conducted by Jerzy Maksymiuk |
6:07 |
|
|
Jules Grison |
Toccata in F major |
Jane Parker-Smith
(organ) |
5:45 |
|
Ferde Grofé |
Grand Canyon Suite |
The Cincinnati Pops
Orchestra conducted by Erich Kunzel |
31:02 |
|
Alexandre Guilmant |
March on Lift Up
Your Heads |
Jennifer Bate
(organ) |
6:55 |
|
Reynaldo Hahn |
L'énamourée |
Anna Netrebko
(soprano); The Prague Philharmonia conducted by Emmanuel Villaume |
3:24 |
|
Quand la nuit n'est
pas étoilée |
Konstantin Wolff
(bass-baritone), Trung Sam (piano) |
3:10 |
|
|
Si mes vers avaient
des ailes |
Susan Graham
(soprano), Roger Vignoles (piano) |
2:19 |
|
|
Fromental Halévy |
Rachel, quand du
Seigneur (from La Juive) |
Plácido Domingo
(Eléazar); The Los Angeles Philharmonic Orchestra conducted by Carlo Maria
Giulini |
5:43 |
|
Vous qui du Dieu
vivant (from La Juive) |
José Carreras
(Eléazar), Júlia Várady (Rachel), June Anderson (Eudoxia), Dalmacio Gonzales
(Leopold), Ferruccio Furlanetto (Cardinal Brogni); The Ambrosian Opera Chorus
and the Philharmonia Orchestra conducted by Antonio de Alemeida |
5:48 |
|
|
Johann Halvorsen |
March of the Boyars |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:23 |
|
George Frederic
Handel |
Arrival of the
Queen of Sheba from Solomon |
The English Chamber
Orchestra conducted by Raymond Leppard |
3:07 |
|
Behold, a virgin
shall conceive… O thou that tellest good tidings to Zion (from Messiah) |
Catherine Robbin
(contralto); The Monteverdi Choir and the English Baroque Orchestra conducted
by Sir John Eliot Gardiner |
6:10 |
|
|
Coronation Anthem
No. 1, Zadok the Priest |
The Choir of
Westminster Abbey and the English Concert conducted by Simon Preston |
5:23 |
|
|
Dead March from Saul |
E. Power Biggs
(organ); The English Chamber Orchestra conducted by Sir Charles Groves |
3:33 |
|
|
For unto us a child
is born (from Messiah) |
The Academy of St.
Martin-in-the-Fields Chorus and the Academy of St. Martin-in-the-Fields
conducted by Sir Neville Marriner |
3:39 |
|
|
Halleluja (from Messiah) |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
3:11 |
|
|
I know my Redeemer
liveth (from Messiah) |
Heather Harper
(soprano); The London Symphony Orchestra conducted by Sir Colin Davis |
6:20 |
|
|
I Shall Tell You a
Mystery… The Trumpet Shall Sound (from Messiah) |
Gwynne Howell
(bass); The Chicago Symphony Orchestra and Chorus conducted by Sir Georg
Solti |
9:13 |
|
|
Largo from Xerxes |
The London Symphony
Orchestra conducted by George Szell |
5:34 |
|
|
Let the Bright
Seraphim (from Samson) |
Dame Joan
Sutherland (soprano), Harry Dilly (trumpet); The Orchestra of the Royal Opera
House, Covent Garden conducted by Francesco Molinari-Pradelli |
5:53 |
|
|
Lift up your heads
(from Messiah) |
The Choir of King's
College, Cambridge and the Academy of Ancient Music conducted by Sir Stephen
Cleobury |
3:10 |
|
|
Minuet from Berenice |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
3:50 |
|
|
Music for the Royal
Fireworks |
La Grande Écurie et
la Chambre du Roi conducted by Jean-Claude Malgoire |
22:09 |
|
|
Overture to Radamisto |
The English Chamber
Orchestra conducted by Richard Bonynge |
4:37 |
|
|
Sarabande from the
Keyboard Suite in D minor, HWV 437 |
Alan Cuckston
(harpsichord) |
4:39 |
|
|
Sing ye to the Lord
(from Israel in Egypt) |
Heather Harper
(soprano); The Leeds Festival Chorus and the English Chamber Orchestra
conducted by Sir Charles Mackerras |
3:46 |
|
|
The Harmonious
Blacksmith |
Igor Kipnis
(harpsichord) |
4:17 |
|
|
Three Choruses from
Judas Maccabeus |
The Mormon
Tabernacle Choir and the Philadelphia Orchestra conducted by Eugene Ormandy |
9:19 |
|
|
Water Music Suite
(arranged by Hamilton Harty) |
The Ulster
Orchestra conducted by Bryden Thomson |
15:50 |
|
|
Howard Hanson |
Symphony No. 2, Op.
30, Romantic |
The Seattle
Symphony Orchestra conducted by Gerard Schwarz |
28:06 |
|
Johannes Hanssen |
Valdres March |
The Stavanger
Symphony Orchestra conducted by Eivind Aaland |
3:34 |
|
Roy Harris |
An American
Overture, When Johnny Comes Marching Home |
The Louisville
Orchestra conducted by Jorge Mester |
7:17 |
|
Symphony No. 3 |
The New York
Philharmonic conducted by Leonard Bernstein |
17:24 |
|
|
Hamilton Harty |
A John Field Suite |
The Northern
Sinfonia conducted by Neville Dilkes |
17:59 |
|
Franz Josef Haydn |
Achieved is the
Glorious Work (from The Creation) |
The Choir of King's
College, Cambridge and the Academy of St. Martin-in-the-Fields conducted by
Sir David Willcocks |
3:08 |
|
Cello Concerto No.
1 in C major |
Yo-Yo Ma (cello);
The English Chamber Orchestra conducted by José Garcia |
23:53 |
|
|
God of Light! (from
The Seasons) |
Heather Harper
(soprano), Ryland Davies (tenor), John Shirley-Quirk (bass); The BBC Symphony
Orchestra and Chorus conducted by Sir Colin Davis |
5:04 |
|
|
Keyboard Concerto
in D major |
Trevor Pinnock
(harpsichord); The English Concert |
20:21 |
|
|
Sing the Lord, ye
voices all (from The Creation) |
Emma Kirkby
(soprano), Anthony Rolfe Johnson (tenor), Michael George (bass); The Choir of
New College, Oxford and the Academy of Ancient Music Orchestra and Chorus
conducted by Christopher Hogwood |
3:24 |
|
|
Symphony No. 82 in
C major, The Bear |
The Stockholm
Chamber Orchestra conducted by Esa-Pekka Salonen |
23:44 |
|
|
Symphony No. 88 in
G major |
The
Austro-Hungarian Haydn Orchestra conducted by Ádám Fischer |
21:53 |
|
|
Symphony No. 94 in
G major, Surprise |
The Vienna
Philharmonic Orchestra conducted by Pierre Monteux |
20:52 |
|
|
Symphony No. 96 in
D major, Miracle |
The Cleveland
Orchestra conducted by George Szell |
23:03 |
|
|
Symphony No. 100 in
G major, Military |
The Vienna State
Opera Orchestra conducted by Herman Scherchen |
23:18 |
|
|
Symphony No. 101 in
D major, Clock |
The Hanover Band
conducted by Roy Goodman |
25:35 |
|
|
Symphony No. 103 in
E flat major, Drum Roll |
The Orchestre
Lamoureux conducted by Igor Markevitch |
25:37 |
|
|
Symphony No. 104 in
D major, London |
The New York
Philharmonic conducted by Leonard Bernstein |
24:05 |
|
|
The Heavens are
Telling (from The Creation) |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
4:09 |
|
|
Trumpet Concerto in
E flat major |
Wynton Marsalis
(trumpet); The National Philharmonic Orchestra of London conducted by Raymond
Leppard |
14:15 |
|
|
Joseph
Hellmesberger I |
Danse Diabolique |
The Göttingen
Symphony Orchestra conducted by Christian Simonis |
6:04 |
|
Joseph
Hellmesberger II |
Ballszene |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
6:46 |
|
Victor Herbert |
American Fantasia |
The Cincinnati Pops
Orchestra conducted by Erich Kunzel |
9:56 |
|
Italian Street Song
(from Naughty Marietta) |
Stephanie Voss
(Marietta); The Peter Knight Singers and the New World Show Orchestra
conducted by Alan Braden |
2:51 |
|
|
March of the Toys
from Babes in Toyland |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:03 |
|
|
Ferdinand Hérold |
Overture to Zampa |
The New York
Philharmonic conducted by Leonard Bernstein |
8:34 |
|
Richard Heuberger |
Im chambre séparée
(from Der Opernball) |
Leslie Garrett
(Angèle); The Royal Philharmonic Orchestra conducted by James Holmes |
3:41 |
|
Overture to Der
Opernball |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
6:47 |
|
|
Paul Hindemith |
Concert Music for
Strings and Brass, Op. 50 |
The Philadephia
Orchestra conducted by Eugene Ormandy |
17:01 |
|
Symphonic Metamorphoses
on Themes of Carl Maria von Weber |
The Cleveland
Orchestra conducted by George Szell |
19:34 |
|
|
Symphony, Mathis
der Maler |
The Boston Symphony
Orchestra conducted by William Steinberg |
26:10 |
|
|
Gustav Holst |
I Vow to Thee, My
Country |
Della Jones
(soprano); The Royal Choral Society and the BBC Concert Orchestra conduted by
Barry Wordsworth |
4:47 |
|
St. Paul’s Suite,
Op. 29 |
The Royal
Philharmonic Orchestra conducted by Sir Malcolm Sargent |
12:38 |
|
|
The Planets, Op. 32 |
The New England
Conservatory Chorus and the Boston Symphony Orchestra conducted by William
Steinberg |
45:51 |
|
|
Abe Holtzman |
Blaze Away! |
The New London
Orchestra conducted by Ronald Corp |
3:47 |
|
Arthur Honegger |
Pacific 231 |
The Bavarian Radio
Symphony Orchestra conducted by Charles Dutoit |
6:24 |
|
Roman Hoffstetter |
Andante Cantabile |
I Musici |
3:27 |
|
Alan Hovhaness |
The Prayer of St.
Gregory |
The Seattle
Symphony Orchestra conducted by Gerard Schwarz |
4:52 |
|
Johann Nepomuk
Hummel |
Trumpet Concerto in
E major |
Wynton Marsalis
(trumpet); The National Philharmonic Orchestra of London conducted by Raymond
Leppard |
17:38 |
|
Variations on O
du lieber Augustin |
The London Mozart
Players conducted by Howard Shelley |
8:58 |
|
|
Engelbert
Humperdinck |
Children's Prayer
from Hänsel und Gretel |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
3:01 |
|
Jacques Ibert |
Escales |
The Detroit
Symphony Orchestra conducted by Paul Paray |
13:51 |
|
Mikhail
Ippolitov-Ivanov |
Procession of the
Sardar from the Caucasian Sketches, Op. 10 |
The Armenian
Philharmonic Orchestra conducted by Loris Tjeknavorian |
3:37 |
|
Ion Ivanovici |
Danube Waves |
The Orchestra of
the Vienna Volksoper conducted by Franz Bauer-Theussl |
7:49 |
|
Charles Ives |
The Circus Band |
The Gregg Smith
Singers and the Columbia Chamber Orchestra conducted by Gregg Smith |
2:46 |
|
Variations on America |
Hans-Ola Ericsson
(organ) |
9:00 |
|
|
Leoš Janáček |
Rhapsody for
Orchestra, Taras Bulba |
The Vienna
Philharmonic Orchestra conducted by Sir Charles Mackerras |
23:34 |
|
Sinfonietta for
Orchestra |
The Bavarian Radio
Symphony Orchestra conducted by Rafael Kubelik |
21:52 |
|
|
When the evening
arrives (from The Cunning Little Vixen) |
Sir Thomas Allen
(Forester), Piers Lawrence (Frog); The Orchestra of the Royal Opera House,
Covent Garden conducted by Sir Simon Rattle |
4:53 |
|
|
Karl Jenkins |
Concerto Grosso for
String Orchestra, Palladio |
The Non-Profit
Music Chamber Orchestra conducted by Ari Malikian |
16:53 |
|
Scott Joplin |
Maple Leaf Rag |
Dick Hyman (piano) |
2:28 |
|
The Easy Winners |
Richard Dowling
(piano) |
3:26 |
|
|
The Entertainer |
The New England
Conservatory Ragtime Ensemble conducted by Gunther Schuller |
4:17 |
|
|
Dmitri Kabalevsky |
Overture to Colas
Breugnon |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
4:49 |
|
Suite from The
Comedians, Op. 26 |
The RCA Orchestra
conducted by Kiril Kondrashin |
15:07 |
|
|
Violin Concerto in
C major, Op. 48 |
Lydia Mordkovich
(violin); The Scottish National Orchestra conducted by Neeme Järvi |
16:10 |
|
|
Vasily Kalinnikov |
Overture to Tsar
Boris |
The Scottish
National Orchestra conducted by Neeme Järvi |
9:38 |
|
Emmerich Kálmán |
Gypsy airs and
joyful phrases… Where is Love's kingdom? (from Gräfin Mariza) |
Christine Brewer
(Countess Mariza); The Geoffrey Mitchell Choir and the Philharmonia Orchestra
conducted by David Parry |
6:56 |
|
Play, gypsy (from Gräfin
Mariza) |
Bruce Ford
(Tassilo); The London Philharmonic Orchestra conducted by Walter Weller |
5:44 |
|
|
Michael Kamen |
Suite from Band
of Brothers |
The London
Metropolitan Orchestra conducted by Michael Kamen |
15:52 |
|
Sigfrid Karg-Elert |
Marche Triomphale, Nun
danket alle Gott, Op. 65 |
Simon Preston
(organ) |
3:35 |
|
Albert Ketèlbey |
In a Persian Market |
The London
Promenade Orchestra conducted by Alexander Faris |
6:53 |
|
Aram Khachaturian |
Suite from Gayaneh |
The St. Petersburg
Philharmonic Orchestra conducted by Gennady Rozhdestvensky |
20:11 |
|
Suite from Maskarade |
The Scottish
National Orchestra conducted by Neeme Järvi |
16:27 |
|
|
Suite from Spartacus |
The Royal
Philharmonic Orchestra conducted by Yuri Temirkanov |
24:44 |
|
|
Uuno Klami |
Overture, Suomenlinna |
The Lahti Symphony
Orchestra conducted by Osmo Vänskä |
12:46 |
|
Zoltán Kodály |
Dances of Galanta |
The Philharmonia
Hungarica conducted by Antal Dorati |
15:15 |
|
Dances of Marosszek |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
13:26 |
|
|
Suite from Háry
János |
The Cleveland
Orchestra conducted by George Szell |
23:18 |
|
|
Graeme Koehne |
Forty Reasons to be
Cheerful |
The Tasmanian
Symphony Orchestra conducted by Richard Mills |
6:39 |
|
Erich Korngold |
Marietta’s Lied
(from Die Tote Stadt) |
Renée Fleming
(Marietta); The English Chamber Orchestra conducted by Jeffrey Tate |
6:05 |
|
Suite from King's
Row |
The RCA Orchestra
conducted by Charles Gerhardt |
7:19 |
|
|
Suite from The
Sea Hawk |
The London Symphony
Orchestra conducted by André Previn |
17:25 |
|
|
Violin Concerto in
D major, Op. 35 |
Anne Sophie Mutter
(violin); The London Symphony Orchestra conducted by André Previn |
23:43 |
|
|
Joseph Martin Kraus |
Overture to Olympie |
The English Chamber
Orchestra conducted by Richard Bonynge |
5:53 |
|
Fritz Kreisler |
Gypsy Caprice |
Shlomo Mintz
(violin), Clifford Benson (piano) |
4:33 |
|
Liebesfreud |
Arthur Grumiaux
(violin), István Hajdu (piano) |
3:25 |
|
|
Liebeslied |
Anne-Sophie Mutter
(violin), Lambert Orkis (piano) |
4:25 |
|
|
Friedrich Kuhlau |
Overture to Lulu |
The Danish National
Radio Symphony Orchestra conducted by Michael Schønwandt |
6:44 |
|
Overture to The
Elf's Hill |
The Danish National
Radio Symphony Orchestra conducted by John Frandsen |
11:16 |
|
|
Edouard Lalo |
Cello Concerto in D
minor |
Leonard Rose
(cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
25:13 |
|
Rhapsodie |
The Orchestra of
the Monte Carlo Opera conducted by Antonio de Almeida |
11:35 |
|
|
Suite from Namouna |
The Monte Carlo
Philharmonic Orchestra conducted by David Robertson |
29:48 |
|
|
Symphonie espagnole |
Joshua Bell
(violin); The Montreal Symphony Orchestra conducted by Charles Dutoit |
33:21 |
|
|
Joseph Lanner |
Tarantula Galop,
Op. 125 |
The Orchestre
Régional de Cannes conducted by Wolfgang Dörner |
2:03 |
|
Marcel Lanquetuit |
Toccata |
Jane Parker-Smith
(organ) |
5:44 |
|
Morten Lauridsen |
Agnus Dei |
The Los Angeles
Master Chorale and Sinfonia Orchestra conducted by Paul Salamunovich |
9:59 |
|
O Magnum Mysterium |
The Robert Shaw
Chamber Singers conducted by Robert Shaw |
6:24 |
|
|
Charles Lecocq |
O Paris, gai séjour
(from Les cent vierges) |
Mady Mesplé
(Gabrielle); The Monte Carlo Philharmonic Orchestra conducted by Pierre
Dervaux |
6:06 |
|
Un soir Perez le
capitain (from La coeur et la main) |
Dame Joan
Sutherland (Micaëla); The Orchestre de la Suisse Romande conducted by Richard
Bonynge |
3:41 |
|
|
Ernesto Lecuona |
Malagueña
(orchestrated by Morton Gould) |
The Cincinnati Pops
Orchestra conducted by Erich Kunzel |
4:18 |
|
Franz Lehár |
Ballsirenen |
The Johann Strauss
Orchestra of Vienna conducted by Willi Boskovsky |
6:54 |
|
Hungarian Fantasy,
Op. 45 |
Aaron Rosand
(violin); The Orchestra of Radio Luxembourg conducted by Louis de Froment |
8:07 |
|
|
I'm off to Chez
Maxim (from The Merry Widow) |
Werner Krenn
(Danilo); The National Philharmonic Orchestra of London conducted by Richard
Bonynge |
2:35 |
|
|
Kiss my lips and
your heart is aflame (from Giuditta) |
Deborah Riedel
(Giuditta); The English Chamber Orchestra conducted by Richard Bonynge |
4:57 |
|
|
My heart belongs to
you (from The Land of Smiles) |
Jerry Hadley
(Sou-Chong); The English Chamber Orchestra conducted by Richard Bonynge |
3:35 |
|
|
Vilja Song (from The
Merry Widow) |
Sumi Jo (Hanna);
The PKF - Prague Philharmonia conducted by Ondrej Lenard |
6:12 |
|
|
Walter Leigh |
Overture, Agincourt |
The New
Philharmonia Orchestra conducted by Nicholas Braithwaite |
11:37 |
|
Ruggiero
Leoncavallo |
Recitar!.. Vesti la
giubba (from I Pagliacci) |
Luciano Pavarotti
(Canio); The National Philharmonic Orchestra of London conducted by Giuseppe
Patané |
4:08 |
|
Jules Levy |
Grand Russian
Fantasia |
Wynton Marsalis
(trumpet); The Eastman Wind Ensemble conducted by Donald Hunsberger |
6:22 |
|
György Ligeti |
Atmosphères |
The Vienna
Philharmonic Orchestra conducted by Claudio Abbado |
9:11 |
|
Kyrie |
The Bavarian Radio
Chorus and the Hessian Radio Symphony Orchestra conducted by Michael Gielen |
6:35 |
|
|
Lux aeterna |
The Stuttgart
Schola Cantorum conducted by Clytus Gottwald |
9:34 |
|
|
Franz Liszt |
Après une lecture
du Dante |
Aldo Ciccolini
(piano) |
13:54 |
|
Fantasy on
Hungarian Folk Themes |
Philippe Entremont
(piano); The New Philharmonia Orchestra conducted by Seiji Ozawa |
16:40 |
|
|
Fugue on Ad nos,
ad salutarem undam |
Jane Parker-Smith
(organ) |
10:02 |
|
|
Funérailles |
Misha Dichter
(piano) |
11:05 |
|
|
Grand Galop
Chromatique in E flat major |
György Cziffra
(piano) |
3:23 |
|
|
Hungarian Rhapsody
No. 2 in C minor |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
10:50 |
|
|
Hungarian Rhapsody
No. 4 in C sharp minor |
Roberto Szidon
(piano) |
9:16 |
|
|
Hungarian Rhapsody
No. 6 in D flat major |
Martha Argerich
(piano) |
6:23 |
|
|
Les Préludes |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
14:44 |
|
|
Liebesträume No. 3
in A flat major |
Jorge Bolet (piano) |
4:53 |
|
|
Mazeppa |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
15:24 |
|
|
Mephisto Waltz No.
1 |
The Leipzig
Gewandhaus Orchestra conducted by Kurt Masur |
11:01 |
|
|
Piano Concerto No.
1 in E flat major |
Philippe Entremont
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
18:42 |
|
|
Piano Concerto No.
2 in A major |
Sviatoslav Richter
(piano); The London Symphony Orchestra conducted by Kiril Kondrashin |
20:46 |
|
|
Polonaise in E
major |
Tamás Vásáry
(piano) |
9:00 |
|
|
Rhapsodie espagnole |
Nina Lelchuk
(piano) |
12:44 |
|
|
Six Grand Études
after Paganini |
André Watts (piano) |
25:55 |
|
|
St. François de
Paule marchant sur les flots |
Leslie Howard
(piano) |
7:41 |
|
|
Tarantella di
Bravura after Auber's La Muette di Portici |
György Cziffra
(piano) |
7:57 |
|
|
The Battle of the
Huns |
The Berlin
Philharmonic Orchestra conducted by Zubin Mehta |
14:21 |
|
|
The Fountains of
the Ville d'Este |
Louis Lortie
(piano) |
7:28 |
|
|
Totentanz |
Byron Janis
(piano); The Chicago Symphony Orchestra conducted by Fritz Reiner |
15:32 |
|
|
Venezia e Napoli |
Aldo Ciccolini
(piano) |
17:22 |
|
|
Henri Litolff |
Scherzo from the
Concerto Symphonique No. 4 in D minor, Op. 102 |
Misha Dichter
(piano); The Philharmonia Orchestra conducted by Sir Neville Marriner |
7:02 |
|
Alexandre Luigini |
Ballet égyptien |
The London Symphony
Orchestra conducted by Richard Bonynge |
21:42 |
|
Jean-Baptiste Lully |
Te Deum Laudamus |
Jennifer Smith and
Francine Bessac (sopranos), Zeger Vanderstten (countertenor), Louis Devos
(tenor), Phillippe Huttenlocher (bass); The Vocal Ensemble “A Coeur Jolie” of
Valence and the Jean François Paillard Chamber Orchestra conducted by Jean
François Paillard |
10:42 |
|
Hamish MacCunn |
Overture, The
Land of the Mountain and the Flood |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
9:15 |
|
Edward MacDowell |
Piano Concerto No.
2 in D minor, Op. 23 |
Earl Wild (piano);
The RCA Orchestra conducted by Massimo Freccia |
26:32 |
|
To a Wild Rose |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
2:02 |
|
|
Alberic Magnard |
Hymne à la Justice,
Op. 14 |
The Orchestre du
Capitole de Toulouse conducted by Michel Plasson |
14:54 |
|
Hymne à Venus, Op.
17 |
The Luxembourg
Philharmonic Orchestra conducted by Marc Stringer |
13:54 |
|
|
Gustav Mahler |
Adagietto (from the
Symphony No. 5 in C sharp minor) |
The New York
Philharmonic conducted by Leonard Bernstein |
11:09 |
|
Adagio (from the
Symphony No. 10 in F sharp major) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
21:40 |
|
|
Auferstehn (from
the Symphony No. 2 in C minor, Resurrection) |
Edith Mathis
(soprano); Doris Soffel (mezzo-soprano); The London Philharmonic Orchestra
and Chorus conducted by Klaus Tennstedt |
15:42 |
|
|
Chorus Mysticus
(from the Symphony No. 8 in E flat major, Symphony of a Thousand) |
The Berlin Radio
Chorus, the Prague Philharmonic Chorus and the Berlin Philharmonic Orchestra
conducted by Claudio Abbado |
5:41 |
|
|
Luigi Mancinelli |
Overture to Cleopatra |
The Orchestre
Sinfonia di Roma conducted by Francesco La Vecchia |
9:22 |
|
Arturo Márquez |
Danzón No. 2 |
Simón Bolivar
Symphony Orchestra of Venezuela conducted by Keri-Lynn Wilson |
10:00 |
|
Pietro Mascagni |
Intermezzo from Cavalleria
rusticana |
The Philharmonia
Orchestra conducted by Riccardo Muti |
3:43 |
|
Intermezzo from L’amico
Fritz |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
5:01 |
|
|
Mamma, quel vino è
generoso (from Cavalleria rusticana) |
Jonas Kauffman
(Turiddu); The Orchestra dell'Accademia Nazionale di Santa Cecilia conducted
by Sir Antonio Pappano |
3:46 |
|
|
Jules Massenet |
Adieu, notre petite
table (from Manon) |
Renée Fleming
(Manon); The London Philharmonic Orchestra conducted by Sir Charles Mackerras |
2:30 |
|
Ah! tout est bien
fini... Ô Souverain, ô juge, ô père (from Le Cid) |
Ben Heppner
(Rodrigue); The Munich Radio Orchestra conducted by Roberto Abbado |
5:19 |
|
|
Ballet Music from Le
Cid |
The City of
Birmingham Symphony Orchestra conducted by Louis Frémaux |
19:34 |
|
|
Esprits de l'air!..
Roland! (from Esclarmonde) |
Dame Joan
Sutherland (Esclarmonde), Huguette Tourangeau (Parséїs); The John
Alldis Choir and the National Philharmonic Orchestra of London conducted by
Richard Bonynge |
6:39 |
|
|
March of the
Princesses from Cendrillon |
The National
Philharmonic Orchestra of London conducted by Richard Bonynge |
4:01 |
|
|
Meditation from Thaïs |
Michael Schwalbé
(violin); The Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
6:10 |
|
|
Pourquoi me
réveiller (from Werther) |
Juan Diego Flórez
(Werther); The Orchestra del Teatro Communale di Bologna conducted by Roberto
Abbado |
3:09 |
|
|
Scènes dramatiques |
The National
Philharmonic Orchestra of London conducted by Richard Bonynge |
19:48 |
|
|
Scènes napolitaines |
The New Zealand
Symphony Orchestra conducted by Jean-Yves Ossonce |
11:50 |
|
|
Scènes pittoresques |
The Orchestra of
the Monte Carlo Opera conducted by Sir John Eliot Gardiner |
16:46 |
|
|
The Last Sleep of
the Virgin (from La Vierge) |
Hilary Robinson
(cello); The City of Birmingham Symphony Orchestra conducted by Louis Frémaux |
4:41 |
|
|
Vision fugative
(from Hérodiade) |
Thomas Hampson
(Hérode); The Orchestre de Capitole du Toulouse conducted by Michel Plasson |
2:57 |
|
|
F. W. Meacham |
American Patrol |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
2:48 |
|
Étienne Méhul |
Overture to La
chasse du jeune Henri |
The Orchestra of
the Gulbenkian Foundation conducted by Michel Swierczewski |
10:40 |
|
Felix Mendelssohn |
And then shall your
light break forth (from Elijah) |
The New
Philharmonia Orchestra and Chorus conducted by Rafael Frühbeck de Burgos |
3:18 |
|
Hear My Prayer |
Cheryl Studer
(soprano); The Ambrosian Singers and the London Symphony Orchestra conducted
by Ion Marin |
9:00 |
|
|
On Wings of Song,
Op. 34, No. 2 |
Dame Kiri Te Kanawa
(soprano); The Utah Symphony Orchestra conducted by Julius Rudel |
3:00 |
|
|
Overture in C
major, Op. 101, Trumpet |
The London Symphony
Orchestra conducted by Claudio Abbado |
9:25 |
|
|
Overture to A
Midsummer Night's Dream, Op. 61 |
The London Symphony
Orchestra conducted by André Previn |
12:29 |
|
|
Overture, Calm
Sea and Prosperous Voyage, Op. 27 |
The Philharmonia
Orchestra conducted by Riccardo Muti |
12:30 |
|
|
Overture, Ruy
Blas, Op. 95 |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
7:26 |
|
|
Overture, The
Fair Melusine, Op. 32 |
The London Symphony
Orchestra conducted by Claudio Abbado |
10:56 |
|
|
Overture, The
Hebrides, Op. 26 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
9:39 |
|
|
Piano Concerto No.
1 in G minor, Op. 25 |
Rudolf Serkin
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
19:20 |
|
|
Piano Concerto No.
2 in D minor, Op. 40 |
Sir Stephen Hough
(piano); The City of Birmingham Symphony Orchestra conducted by Lawrence
Foster |
21:03 |
|
|
Rondo brillant in E
flat major, Op. 29 |
Benjamin Frith
(piano); The Slovak State Philharmonic Orchestra conducted by Robert
Stankovsky |
11:47 |
|
|
Scherzo from A
Midsummer Night's Dream, Op. 61 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:37 |
|
|
Scherzo from the
Octet in E flat major, Op. 20 |
The London Symphony
Orchestra conducted by Claudio Abbado |
4:00 |
|
|
Song without Words
in A major, Op. 19b, No. 3, Hunting Song |
Jorge Bolet (piano) |
2:41 |
|
|
Song without Words
in A major, Op. 62, No. 6, Spring Song |
Daniel Barenboim
(piano) |
2:15 |
|
|
Symphony No. 3 in A
minor, Op. 56, Scottish |
The New York
Philharmonic conducted by Leonard Bernstein |
38:29 |
|
|
Symphony No. 4 in A
major, Op. 90, Italian |
The Vienna
Philharmonic Orchestra conducted by Christoph von Dohnányi |
25:38 |
|
|
Thanks be to God!
(from Elijah) |
The Edinburgh
Festival Chorus and the Orchestra of the Age of Enlightenment conducted by
Paul Daniel |
3:38 |
|
|
Violin Concerto in
E minor, Op. 64 |
Isaac Stern
(violin); The Philadelphia Orchestra conducted by Eugene Ormandy |
27:24 |
|
|
War March of the
Priests from Athalie |
The New York
Philharmonic conducted by Leonard Bernstein |
4:54 |
|
|
Wedding March from A
Midsummer Night's Dream, Op. 61 |
The London Symphony
Orchestra conducted by André Previn |
5:13 |
|
|
Gian Carlo Menotti |
Overture to Amelia
al ballo |
The Columbia
Symphony Orchestra conducted by Thomas Schippers |
4:25 |
|
André Messager |
Suite from Les
deux pigeons |
The Orchestra of
the Royal Opera House, Covent Garden conducted by Sir Charles Mackerras |
22:58 |
|
Giacomo Meyerbeer |
Blessing of the
Daggers (from Les Huguenots) |
Gabriel Bacquier
(Saint-Bris), Alan Opie, Clifford Grant, John Wakefield (Monks); The
Ambrosian Opera Chorus and the New Philharmonia Orchestra conducted by
Richard Bonynge |
7:01 |
|
Coronation March
from Le prophète |
The New York
Philharmonic conducted by Leonard Bernstein |
3:38 |
|
|
D'una madre
disperata (from Il crociato in Egitto) |
Diana Damrau
(Palmide); The Orchestra of the Lyon National Opera conducted by Emmanuel
Villaume |
2:31 |
|
|
Ô beau pays de la
Touraine (from Les Huguenots) |
Montserrat Caballé
(Marguerite); The Philharmonia Orchestra conducted by Reynald Giovaninetti |
7:10 |
|
|
Ombre légère (from Dinorah) |
Natalie Dessay
(Dinorah); The Monte Carlo Philharmonic Orchestra conducted by Patrick
Fournillier |
7:54 |
|
|
Pays merveilleux… O
Paradis (from L'Africaine) |
Plácido Domingo
(Vasco da Gama); The Los Angeles Philharmonic Orchestra conducted by Carlo
Maria Giulini |
3:40 |
|
|
Robert, toi que
j'aime (from Robert le diable) |
Patrizia Ciofi
(Isabelle), Warren Mok (Robert); The Italian International Orchestra
conducted by Renato Palumbo |
7:21 |
|
|
Suite from The
Skaters |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
12:54 |
|
|
Darius Milhaud |
Le Boeuf sur le
toit, Op. 58 |
The Orchestra of
Radio Luxembourg conducted by Louis de Froment |
15:33 |
|
Léon Minkus |
Music from Act II
of La Bayadère |
The London Symphony
Orchestra conducted by Richard Bonynge |
12:03 |
|
José Pablo Moncayo |
Huapango |
The Festival
Orchestra of Mexico conducted by Enrique Batiz |
8:37 |
|
Lionel Monckton |
Soldiers in the
Park |
The New London
Orchestra conducted by Ronald Corp |
3:55 |
|
Vittorio Monti |
Csárdás |
Joseph Sakonov
(violin); The London Festival Orchestra |
4:39 |
|
Ennio Morricone |
Suite from Once
Upon a Time in America |
The Danish National
Symphony Orchestra conducted by Sarah Hicks |
7:50 |
|
Alexander Mosolov |
Iron Foundry, Op.
19 |
The Concertgebouw
Orchestra of Amsterdam conducted by Riccardo Chailly |
3:35 |
|
Moritz Moszkowski |
Étincelles, Op. 36,
No. 6 |
Vladimir Horowitz
(piano) |
2:11 |
|
La jongleuse, Op.
52, No. 4 |
Jorge Bolet (piano) |
2:03 |
|
|
Jean-Joseph Mouret |
Suite de Symphonies |
The Pfeiffer
Trumpet Consort |
5:06 |
|
Wolfgang Amadeus
Mozart |
Alleluia (from
Exsultate, Jubilate, K. 165) |
Dame Emma Kirkby
(soprano); The Academy of Ancient Music conducted by Christopher Hogwood |
2:37 |
|
Ave verum corpus,
K. 618 |
The London Symphony
Orchestra and Chorus conducted by Sir Colin Davis |
3:56 |
|
|
Catalogue Aria
(from Don Giovanni) |
Gabriel Bacquier
(Leporello); The London Philharmonic Orchestra conducted by Sir Georg Solti |
5:35 |
|
|
Clarinet Concerto
in A major, K. 622 |
Jack Brymer
(clarinet); The London Symphony Orchestra conducted by Sir Colin Davis |
27:26 |
|
|
Dalla sua pace
(from Don Giovanni) |
Gösta Winbergh (Don
Ottavio); The Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
4:28 |
|
|
Der Hölle Rache
kocht in meinem Herzen (from The Magic Flute) |
Roberta Peters
(Queen of the Night); The Berlin Philharmonic Orchestra conducted by Karl
Böhm |
2:58 |
|
|
Dove sono i bei
momenti (from The Marriage of Figaro) |
Dame Kiri Te Kanawa
(Countess Almaviva); The London Philharmonic Orchestra conducted by Sir Georg
Solti |
4:55 |
|
|
Horn Concerto No. 4
in E flat major, K. 495 |
Alan Civil (horn);
The Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner |
16:32 |
|
|
Il mio tesoro
intanto (from Don Giovanni) |
Luigi Alva (Don
Ottavio); The Philharmonia Orchestra conducted by Carlo Maria Giulini |
4:43 |
|
|
Là ci darem la mano
(from Don Giovanni) |
William Shimell
(Don Giovanni), Suzanne Mentzer (Zerlina); The Vienna Philharmonic Orchestra
conducted by Riccardo Muti |
3:23 |
|
|
Lacrymosa from the
Requiem in D minor, K. 626 |
The Vienna State
Opera Chorus and the Vienna Philharmonic Orchestra conducted by Karl Böhm |
4:14 |
|
|
Martern aller Arten
(from The Abduction from the Seraglio) |
Annaliese Rothenberger
(Konstanze); The Vienna Philharmonic Orchestra conducted by Josef Krips |
8:53 |
|
|
My lord, we come
for justice (from The Marriage of Figaro) |
William Dazeley
(Count), Yvonne Kenny (Countess), Rebecca Evans (Susanna), Christopher Purves
(Figaro), Jonathan Veira (Bartolo), John Graham Hall (Basilio), Frances
McCafferty (Marcellina); The Philharmonia Orchestra conducted by David Parry |
3:39 |
|
|
Non più andrai
(from The Marriage of Figaro) |
Samuel Ramey
(Figaro); The London Philharmonic Orchestra conducted by Sir Georg Solti |
3:37 |
|
|
O zittre nicht,
mein liebes Sohn! (from The Magic Flute) |
Sumi Jo (Queen of
the Night); The Vienna Philharmonic Orchestra conducted by Sir Georg Solti |
4:43 |
|
|
Oboe Concerto in C
major, K. 314 |
Heinz Holliger
(oboe); The Academy of St. Martin-in-the-Fields conducted by Sir Neville
Marriner |
19:57 |
|
|
Overture to Cosi
fan tutte |
The Philharmonia
Orchestra conducted by Karl Böhm |
4:47 |
|
|
Overture to Don
Giovanni |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
6:30 |
|
|
Overture to The
Magic Flute |
The London
Philharmonic Orchestra conducted by Sir Charles Mackerras |
6:56 |
|
|
Overture to The
Marriage of Figaro |
The London
Philharmonic Orchestra conducted by Sir Georg Solti |
3:56 |
|
|
Piano Concerto No.
15 in B flat major, K. 450 |
Dame Mitsuko Uchida
(piano); The English Chamber Orchestra conducted by Sir Jeffrey Tate |
23:46 |
|
|
Piano Concerto No.
16 in D major, K. 451 |
Murray Perahia
(piano); The English Chamber Orchestra |
24:52 |
|
|
Piano Concerto No.
21 in C major, K. 467 |
Alfred Brendel
(piano); The Academy of St. Martin-in-the-Fields conducted by Sir Neville
Marriner |
26:18 |
|
|
Porgi amor (from The
Marriage of Figaro) |
Dame Kiri Te Kanawa
(Countess Almaviva); The London Philharmonic Orchestra conducted by Sir Georg
Solti |
4:34 |
|
|
Requiem aeternam
and Kyrie from the Requiem in D minor, K. 626 |
Barbara Bonney
(soprano), Anne Sofie von Otter (mezzo-soprano), Hans Peter Blochwitz (tenor),
Sir Willard White (bass); The Monteverdi Choir and the English Baroque
Soloists conducted by Sir John Eliot Gardiner |
7:12 |
|
|
Rondo alla Turca,
K. 331 |
The Vienna Mozart
Orchestra conducted by Konrad Leitner |
3:08 |
|
|
Se vuol ballare
(from The Marriage of Figaro) |
Samuel Ramey
(Figaro); The London Philharmonic Orchestra conducted by Sir Georg Solti |
2:31 |
|
|
Serenade No. 13 in
G major, K. 525, Eine Kleine Nachtmusik |
The Cleveland
Orchestra conducted by George Szell |
17:24 |
|
|
Symphony No. 25 in
G minor, K. 183 |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
20:10 |
|
|
Symphony No. 35 in
D major, K. 385, Haffner |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
16:48 |
|
|
Symphony No. 36 in
C major, K. 425, Linz |
The Concertgebouw
Orchestra of Amsterdam conducted by Eugen Jochum |
26:28 |
|
|
Symphony No. 38 in
D major, K. 504, Prague |
The Berlin
Philharmonic Orchestra conducted by Karl Böhm |
25:25 |
|
|
Symphony No. 39 in
E flat major, K. 543 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
22:54 |
|
|
Symphony No. 40 in
G minor, K. 550 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
24:31 |
|
|
Symphony No. 41 in
C major, K. 551, Jupiter |
The Cleveland
Orchestra conducted by George Szell |
26:39 |
|
|
Variations on Ah!
vous dirai-je Maman, K. 265 |
Paul Badura-Skoda
(piano) |
12:09 |
|
|
Voi che sapete che
cosa è amor (from The Marriage of Figaro) |
Frederica von Stade
(Cherubino); The London Philharmonic Orchestra conducted by Sir Georg Solti |
2:54 |
|
|
Modest Mussorgsky |
Coronation Scene
from Boris Godunov |
Sir John Tomlinson
(Boris); The Opera North Chorus, the Choristers of Leeds Parish Church and
the English Northern Philharmonia conducted by Paul Daniel |
8:08 |
|
Dawn on the Moscow
River (from Khovanshchina) |
The Vienna
Philharmonic Orchestra conducted by Claudio Abbado |
5:41 |
|
|
Night on Bald
Mountain |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
11:45 |
|
|
Pictures at an
Exhibition (orchestrated by Maurice Ravel) |
The Philadelphia
Orchestra conducted by Riccardo Muti |
31:24 |
|
|
Eduard Nápravník |
Fantasie Russe in B
minor |
Evgeny Soifertis
(piano); The BBC Scottish Symphony Orchestra conducted by Alexander Titov |
12:19 |
|
Otto Nicolai |
Overture to The
Merry Wives of Windsor |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
7:48 |
|
Carl Nielsen |
Andante lamentoso, At
the Bier of a Young Artist |
The Danish Radio
Symphony Orchestra conducted by Herbert Blomstedt |
4:49 |
|
Bohemian-Danish
Folk Melody |
The Danish National
Symphony Orchestra conducted by Gennady Rozhdestvensky |
8:29 |
|
|
Overture to Maskarade |
The Gothenburg
Symphony Orchestra conducted by Myung Wha Chung |
4:41 |
|
|
Symphonic Rhapsody |
The Danish Radio
Symphony Orchestra conducted by Herbert Blomstedt |
8:40 |
|
|
Symphony No. 4, Op.
29, Inextinguishable |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
33:20 |
|
|
Ottokar
Nováček |
Perpetuum Mobile
(orchestrated by Leopold Stokowski) |
The National
Philharmonic Orchestra of London conducted by Leopold Stokowski |
3:37 |
|
Padraig O'Connor |
Introspect |
The RTÉ Sinfonietta
conducted by Proinnsias Ó Duinn |
7:09 |
|
Jacques Offenbach |
Belle nuit, ô nuit
d'amour (from Les contes d'Hoffmann) |
Anna Netrebko
(Giulietta), Elīna Garanča (Niklausse); The PKF - Prague
Philharmonia conducted by Emmanuel Villaume |
3:48 |
|
Gendarmes Duet from
Geneviève de Brabant |
Sir John Tomlinson
(Pitou), Barry Banks (Grabuge); The Philharmonia Orchestra conducted by David
Parry |
2:46 |
|
|
Les oiseaux dans la
charmille (from Les contes d'Hoffmann) |
Natalie Dessay
(Olympia); The Monte Carlo Philharmonic Orchestra conducted by Patrick
Fournillier |
5:27 |
|
|
Overture to La
belle Hélène |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:30 |
|
|
Overture to La
fille du tambour-major |
The New
Philharmonia Orchestra conducted by Richard Bonynge |
6:39 |
|
|
Overture to La
vie parisienne |
The Vienna Symphony
Orchestra conducted by Bruno Weil |
5:20 |
|
|
Overture to Orpheus
in the Underworld |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:43 |
|
|
Scintille, diamant
(from Les contes d'Hoffmann) |
Gabriel Bacquier
(Dappertutto); The Orchestre de la Suisse Romande conducted by Richard
Bonynge |
2:43 |
|
|
Suite from Gaîté
Parisienne (arranged by Manuel Rosenthal) |
The Boston Symphony
Orchestra conducted by Seiji Ozawa |
19:21 |
|
|
Carl Orff |
O Fortuna (from
Carmina Burana) |
The Atlanta
Symphony Orchestra and Chorus conducted by Robert Shaw |
5:19 |
|
Johann Pachelbel |
Canon in D major |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
5:06 |
|
Ignaz Paderewski |
Minuet in G major |
Sir Stephen Hough
(piano) |
4:34 |
|
Nicoló Paganini |
Caprice No. 24 in A
minor |
Salvatore Accardo
(violin) |
4:22 |
|
Moto Perpetuo, Op.
11 |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
3:52 |
|
|
Rondo of the Bells
(from the Violin Concerto No. 2 in B minor, Op. 7) |
Shmuel Ashkenasi
(violin); The Vienna Symphony Orchestra conducted by Heribert Esser |
8:30 |
|
|
Giovanni Palestrina |
Alma Redemptoris
Mater |
The Monteverdi
Choir conducted by Sir John Eliot Gardiner |
4:02 |
|
Salve Regina |
The Sixteen
conducted by Harry Christophers |
6:22 |
|
|
Hubert Parry |
Blest Pair of
Sirens |
The London
Philharmonic Orchestra and Chorus conducted by Sir Adrian Boult |
11:14 |
|
I was glad |
The London Symphony
Orchestra and Chorus conducted by Richard Hickox |
7:08 |
|
|
Jerusalem |
The Leeds Festival
Chorus and the English Northern Philharmonia conducted by Paul Daniel |
2:42 |
|
|
Lady Radnor's Suite |
The London Symphony
Orchestra conducted by Sir Adrian Boult |
13:17 |
|
|
March from Hypatia |
The BBC Concert
Orchestra conducted by John Wilson |
4:10 |
|
|
Symphonic
Variations in E minor |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
13:31 |
|
|
Arvo Pärt |
Cantus in memory of
Benjamin Britten |
The Bergen
Philharmonic Orchestra conducted by Neeme Järvi |
6:00 |
|
Spiegel im Spiegel |
Tasmin Little
(violin), Martin Roscoe (piano) |
8:16 |
|
|
Hans Pfitzner |
Prelude to Act I of
Palestrina |
The Orchestra of
the Deutsche Oper Berlin conducted by Christian Theielemann |
7:31 |
|
Astor Piazzolla |
Le Grand Tango |
Salvatore Accardo
(violin); The Orchestra da Camera Italiana |
12:15 |
|
Tobias Picker |
Old and Lost Rivers |
The Houston
Symphony Orchestra conducted by Christoph Eschenbach |
6:47 |
|
Gabriel Pierné |
March of the Little
Lead Soldiers |
The Philharmonia
Orchestra conducted by Sir Charles Groves |
3:10 |
|
Overture to Ramuntcho |
The Philharmonie de
Lorraine conducted by Jacques Houtmann |
9:08 |
|
|
Piano Concerto in C
minor, Op. 12 |
Jean-Efflam
Bavouzet (piano); The BBC Philharmonic Orchestra conducted by Juanjo Mena |
18:44 |
|
|
Walter Piston |
Suite from The
Incredible Flutist |
The New York
Philharmonic conducted by Leonard Bernstein |
15:58 |
|
Robert Planquette |
Le Régiment de
Sambre et Meuse |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:59 |
|
Amilcare Ponchielli |
Cielo e mar! (from La
Gioconda) |
Luciano Pavarotti
(Enzo); The National Philharmonic Orchestra of London conducted by Bruno
Bartoletti |
4:48 |
|
Dance of the Hours |
The Philharmonic
Orchestra of La Scala conducted by Riccardo Chailly |
9:43 |
|
|
Suicidio! (from La
Gioconda) |
Renata Tebaldi
(Gioconda); The Orchestra dell'Accademia Nazionale di Santa Cecilia conducted
by Lamberto Gardelli |
4:26 |
|
|
David Popper |
Dance of the Elves,
Op. 39 |
Antônio Meneses
(cello); The Basle Symphony Orchestra conducted by Ronald Zollman |
2:44 |
|
Francis Poulenc |
Ave verum corpus |
The Sixteen
conducted by Harry Christophers |
2:19 |
|
Concerto in G minor
for Organ, Strings and Timpani |
Maurice Duruflé
(organ); The Orchestre National de la RTF conducted by Georges Prêtre |
22:58 |
|
|
Suite from Les
biches |
The City of
Birmingham Symphony Orchestra conducted by Louis Frémaux |
19:01 |
|
|
Sergei Prokofiev |
Alexander's Entry
into Pskov (from Alexander Nevsky, Op. 78) |
The London Symphony
Orchestra and Chorus conducted by André Previn |
4:29 |
|
Piano Concerto No.
1 in D flat major, Op. 10 |
Kun Woo Paik
(piano); The Polish National Radio Symphony Orchestra conducted by Antoni Wit |
15:58 |
|
|
Piano Concerto No.
3 in C major, Op. 26 |
Martha Argerich
(piano); The Berlin Philharmonic Orchestra conducted by Claudio Abbado |
27:13 |
|
|
Suite from Lieutenant
Kijé, Op. 60 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
20:28 |
|
|
Suite from The
Love for Three Oranges, Op. 33b |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
16:18 |
|
|
Suite No. 2 from Romeo
and Juliet, Op. 64b |
The Scottish
National Orchestra conducted by Neeme Järvi |
31:37 |
|
|
Symphony No. 1 in D
major, Op. 23, Classical |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
13:12 |
|
|
Symphony No. 5 in B
flat major, Op. 100 |
The Cleveland
Orchestra conducted by George Szell |
38:55 |
|
|
The Battle on the
Ice (from Alexander Nevsky, Op. 78) |
The Westminster
Chorus and the New York Philharmonic conducted by Thomas Schippers |
13:09 |
|
|
Giacomo Puccini |
Che gelida manina
(from La bohème) |
Alfredo Kraus
(Rodolfo); The National Philharmonic Orchestra of London conducted by James
Levine |
5:03 |
|
Diecimila anni al
nostro Imperatore! (from Turandot) |
Katia Ricciarelli
(Turandot); The Vienna State Opera Chorus and the Vienna Philharmonic
Orchestra conducted by Herbert von Karajan |
2:48 |
|
|
Donna non vidi mai
(from Manon Lescaut) |
Jussi Björling (Des
Grieux); The Orchestra of the Rome Opera House conducted by Jonel Perlea |
2:31 |
|
|
E lucevan le stelle
(from Tosca) |
Luciano Pavarotti
(Cavaradossi); The National Philharmonic Orchestra of London conducted by
Nicola Rescigno |
3:15 |
|
|
Fair Doretta (from La
rondine) |
Susan Patterson
(Magda); The Philharmonia Orchestra conducted by David Parry |
3:14 |
|
|
In questa reggia
(from Turandot) |
Birgit Nilsson
(Turandot), Franco Corelli (Calaf); The Chorus and Orchestra of the Rome
Opera House conducted by Francesco Molinari-Pradelli |
6:05 |
|
|
Love Duet from Madama
Butterfly |
Renata Scotto
(Cio-Cio-San), Carlo Bergonzi (Pinkerton); The Orchestra of the Rome Opera
House conducted by Sir John Barbirolli |
11:33 |
|
|
Musetta's Waltz
(from La bohème) |
Leontyne Price
(Musetta); The New Philharmonia Orchestra conducted by Sir Edward Downes |
2:38 |
|
|
Nessun dorma (from Turandot) |
Luciano Pavarotti
(Calaf); The London Philharmonic Orchestra conducted by Zubin Mehta |
3:25 |
|
|
Non piangere Liu
(from Turandot) |
Jonas Kaufmann
(Calaf), Ermonela Jaho (Liù), Michele Pertusi (Timur), Mattia Olivieri
(Ping), Gregory Bonfati (Pang), Siyabonga Maqungo (Pong); The Orchestra and
Chorus dell'Accademia Nazionale di Santa Celilia conducted by Sir Antonio
Pappano |
5:09 |
|
|
O mio babbino caro
(from Gianni Schicchi) |
Renée Fleming
(Lauretta); The London Philharmonic Orchestra conducted by Sir Charles
Mackerras |
2:53 |
|
|
O soave fanciulla
(from La bohème) |
Mirella Freni
(Mimi), Luciano Pavarotti (Rodolfo); The Berlin Philharmonic Orchestra
conducted by Herbert von Karajan |
4:16 |
|
|
Preludio Sinfonico
for Orchestra |
The Berlin Radio
Symphony Orchestra conducted by Riccardo Chailly |
9:09 |
|
|
Presto! In fila!...
Guardate, pazzo son (from Manon Lescaut) |
Plácido Domingo
(Des Grieux), Handel Thomas (Sergeant), Sir John Tomlinson (Commandante); The
Chorus of the Royal Opera House, Covent Garden and the Philharmonia Orchestra
conducted by Giuseppe Sinopoli |
4:04 |
|
|
Senza mamma, o
bimbo (from Suor Angelica) |
Renée Fleming
(Angelica); The Giuseppe Verdi Symphony Orchestra of Milan conducted by Marco
Armiliato |
4:33 |
|
|
Sì. Mi chiamano
Mimì (from La bohème) |
Anna Moffo (Mimi);
The Rome Opera Orchestra conducted by Tullio Serafin |
5:05 |
|
|
Sola, perduta,
abbandonata (from Manon Lescaut) |
Maria Guleghina
(Manon); The Orchestra of La Scala, Milan conducted by Riccardo Muti |
5:34 |
|
|
Tre sbirri… Va,
Tosca (from Tosca) |
Ruggiero Raimondi
(Scarpia), Heinz Zednik (Spoletta); The Chorus of the Deutsche Oper, Berlin
and the Berlin Philharmonic Orchestra conducted by Herbert von Karajan |
4:40 |
|
|
Un bel dì vedremo
(from Madama Butterfly) |
Renata Tebaldi
(Cio-Cio-San); The Orchestra dell'Accademia Nazionale di Santa Cecilia
conducted by Tullio Serafin |
4:56 |
|
|
Vissi d'arte (from Tosca) |
Leontyne Price
(Tosca); The New Philharmonia Orchestra conducted by Sir Edward Downes |
3:21 |
|
|
Henry Purcell |
Suite from Abdelazar |
The Parlay of
Instruments conducted by Roy Goodman |
12:28 |
|
Sergei Rachmaninoff |
Dances from Aleko |
The Cincinnati
Symphony Orchestra conducted by Paavo Järvi |
9:09 |
|
Piano Concerto No.
2 in C minor, Op. 18 |
Earl Wild (piano);
The Royal Philharmonic Orchestra conducted by Jascha Horenstein |
30:28 |
|
|
Piano Concerto No.
3 in D minor, Op. 30 |
Arcadi Volodos
(piano); The Berlin Philharmonic Orchestra conducted by James Levine |
41:12 |
|
|
Prelude in C sharp
minor, Op. 3, No. 2 |
Jorge Bolet (piano) |
4:00 |
|
|
Rhaposdy on a Theme
of Paganini, Op. 43 |
Gary Graffman
(piano); The New York Philharmonic conducted by Leonard Bernstein |
20:32 |
|
|
Symphonic Dances,
Op. 45 |
The Concertgebouw
Orchestra of Amsterdam conducted by Vladimir Ashkenazy |
33:36 |
|
|
Symphony No. 2 in E
minor, Op. 27 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
47:53 |
|
|
The Isle of the
Dead, Op. 29 |
The St. Petersburg
Philharmonic Orchestra conducted by Mariss Jansons |
19:51 |
|
|
Vocalise, Op. 34,
No. 14 |
The London Symphony
Orchestra conducted by André Previn |
6:37 |
|
|
Joachim Raff |
March from Act III
of Bernhard von Weimar |
The Gothenburg
Opera Orchestra conducted by Henrik Schaefer |
8:46 |
|
Jean-Philippe
Rameau |
Overture to Pygmalion |
The New
Philharmonia Orchestra conducted by Raymond Leppard |
6:08 |
|
Suite from Le
temple du gloire |
The English Chamber
Orchestra conducted by Raymond Leppard |
25:40 |
|
|
Maurice Ravel |
Alborada del
gracioso |
The French National
Orchestra conducted by Leonard Bernstein |
7:36 |
|
Bolero |
The Boston Symphony
Orchestra conducted by Seiji Ozawa |
15:07 |
|
|
La valse |
The Minnesota
Orchestra conducted by Stanlislaw Skrowaczewski |
12:30 |
|
|
Le tombeau de
Couperin |
The London Symphony
Orchestra conducted by Claudio Abbado |
16:20 |
|
|
Menuet antique |
The Orchestre de
Paris conducted by Jean Martinon |
6:25 |
|
|
Mother Goose Suite |
The Boston Symphony
Orchestra conducted by Charles Munch |
18:17 |
|
|
Pavane pour une
infante défunte |
The Cleveland
Orchestra conducted by Pierre Boulez |
6:49 |
|
|
Piano Concerto in D
major for the Left Hand |
Robert Casadesus
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
17:35 |
|
|
Rapsodie espagnole |
The Concertgebouw
Orchestra of Amsterdam conducted by Bernard Haitink |
15:47 |
|
|
Suite No. 2 from Daphnis
et Chloé |
The Los Angeles
Philharmonic Orchestra conducted by André Previn |
17:24 |
|
|
Tzigane |
Lelia Josefowicz
(violin); The Academy of St. Martin-in-the-Fields conducted by Sir Neville
Marriner |
9:25 |
|
|
Une barque sur
l’océan |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
7:53 |
|
|
Valses nobles et
sentimentales |
The Detroit
Symphony Orchestra conducted by Paul Paray |
13:52 |
|
|
Alfred Reed |
El Camino Real |
The Senzoku Gakuen
Symphonic Wind Orchestra conducted by Alfred Reed |
11:22 |
|
Max Reger |
A Comedy Overture,
Op. 120 |
The Bamberg
Symphony Orchestra conducted by Horst Stein |
8:18 |
|
An die Hoffnung,
Op. 124 |
Annaliese
Burmeister (alto); The Leipzig Radio Symphony Orchestra conducted by Heinz
Bongartz |
11:56 |
|
|
Introduction and
Passacaglia in D minor |
Martin Welzel
(organ) |
7:55 |
|
|
Siegesfeier, Op.
145, No. 7 |
Edgar Krapp (organ) |
6:45 |
|
|
Toccata and Fugue
in D minor, Op. 129, No. 1 |
Ludger Lohmann
(organ) |
8:16 |
|
|
Variations and
Fugue on Heil, unserm König Heil, WoO 4, No. 7 |
Josef Still (organ) |
7:56 |
|
|
Ottorino Respighi |
Adagio and
Variations for Cello and Orchestra |
André Navarra
(cello); The Czech Philharmonic Orchestra conducted by Karel Ančerl |
10:18 |
|
Feste romane |
The New York
Philharmonic conducted by Leonard Bernstein |
23:21 |
|
|
Suite from Belkis,
Queen of Sheba |
The Philharmonia
Orchestra conducted by Geoffrey Simon |
22:36 |
|
|
Suite from La
Boutique Fantasque (after Gioacchino Rossini) |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
21:49 |
|
|
Suite No. 1 of
Ancient Airs and Dances |
The Los Angeles
Chamber Orchestra conducted by Sir Neville Marriner |
15:19 |
|
|
Suite No. 2 of
Ancient Airs and Dances |
The Boston Symphony
Orchestra conducted by Seiji Ozawa |
19:39 |
|
|
Suite No. 3 of
Ancient Airs and Dances |
Sinfonia 21
conducted by Richard Hickox |
16:22 |
|
|
Symphonic
Impressions, Church Windows |
The Cincinnati
Symphony Orchestra conducted by Jesús López Cobos |
27:52 |
|
|
The Birds |
The Bournemouth
Sinfonietta conducted by Tamas Vasary |
19:49 |
|
|
The Fountains of
Rome |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
16:52 |
|
|
The Pines of Rome |
The Philadelphia
Orchestra conducted by Riccardo Muti |
22:10 |
|
|
Silvestre Revueltas |
Sensemayá |
The Festival
Orchestra of Mexico conducted by Enrique Bátiz |
5:48 |
|
Emil von Reznicek |
Overture to Donna
Diana |
The Vienna
Philharmonic Orchestra conducted by Willy Boskovsky |
5:41 |
|
Max Richter |
On the Nature of
Daylight |
The Baltic Sea
Philharmonic conducted by Kristjan Järvi |
7:15 |
|
Nikolai
Rimsky-Korsakov |
Bridal Procession
from Le coq d'or |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:38 |
|
Capriccio Espagnol,
Op. 34 |
The RCA Orchestra
conducted by Kiril Kondrashin |
15:09 |
|
|
Dance of the
Tumblers from The Snow Maiden |
The New York
Philharmonic conducted by Leonard Bernstein |
3:16 |
|
|
Farewell of the
Tsar from Tsar Saltan |
The Orchestre de la
Suisse Romande conducted by Ernest Ansermet |
4:34 |
|
|
Procession of the
Nobles from Mlada |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:48 |
|
|
Russian Easter
Overture, Op. 36 |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
15:05 |
|
|
Scheherezade, Op.
35 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
44:32 |
|
|
Song of the Hindu
Merchant (from Sadko) |
Barry Banks (The
Indian); The Philharmonia Orchestra conducted by David Parry |
3:45 |
|
|
The Flight of the
Bumblebee |
The National
Philharmonic Orchestra of London conducted by Leopold Stokowski |
1:25 |
|
|
Richard Rodgers |
Carousel Waltz |
The New London
Orchestra conducted by Ronald Corp |
7:38 |
|
Guadalcanal March |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
2:11 |
|
|
Slaughter on Tenth
Avenue |
The Cincinnati Pops
Orchestra conducted by Erich Kunzel |
8:50 |
|
|
Joaquín Rodrigo |
Concierto de
Aranjuez for Guitar and Orchestra |
John Williams
(guitar); The Philadelphia Orchestra conducted by Eugene Ormandy |
21:04 |
|
Aldemaro Romero |
Tocatta Bachiana y
Pajarillo Aldemaroso |
The Orquestra
Sinfónica di Venezuela conducted by Theodore Kuchar |
9:21 |
|
Juventino Rosas |
Over the Waves |
The Orchestra of
the Vienna Volksoper conducted by Franz Bauer-Theussl |
6:33 |
|
Gioacchino Rossini |
Bel raggio
lusinghier (from Semiramide) |
Frederica von Stade
(Semiramide); The National Arts Center Orchestra conducted by Mario Bernardi |
7:04 |
|
Cruda sorte! Amor
tiranno! (from L'italiana in Algeri) |
Cecilia Bartoli
(Isabella); The Vienna Volksoper Orchestra conducted by Giuseppe Patanè |
5:00 |
|
|
Da vaggi raggi
adorno (from Il viaggio a Rheims) |
Katia Ricciarelli
(Madame Cortese); The Prague Philharmonic Chorus and the Chamber Orchestra of
Europe conducted by Claudio Abbado |
7:24 |
|
|
La Danza |
Luciano Pavarotti
(tenor); The Orchestra del Teatro Comunale di Bologna conducted by Richard
Bonynge |
3:09 |
|
|
La flamme rapide...
La gloire et la fortune (from Le siège de Corinthe) |
Samuel Ramey
(Mahomet II); The Concert Chorale of New York and the Orchestra of St. Luke's
conducted by Sir Roger Norrington |
10:07 |
|
|
Largo al factotum
(from The Barber of Seville) |
Tito Gobbi
(Figaro); The Philharmonia Orchestra conducted by Alceo Galliera |
4:45 |
|
|
Ma signor!.. Zitto
tu! (from The Barber of Seville) |
Sir Thomas Allen
(Figaro), Agnes Baltsa (Rosina), Francesco Ariaza (Don Almaviva), Domenico
Trimarchi (Don Basilio), Robert Lloyd (Don Bartolo), Sally Burgess (Berta);
The Ambrosian Opera Chorus and the Academy of St. Martin-in-the-Fields
conducted by Sir Neville Marriner |
5:00 |
|
|
Nacqui all'affanno
- Non più mesta (from La Cenerentola) |
Theresa Berganza
(Angelina); The Scottish Opera Chorus and the London Symphony Orchestra
conducted by Claudio Abbado |
7:11 |
|
|
O patria… Di tanti
palpiti (from Tancredi) |
Vesselina Kasarova
(Tancredi); The Munich Radio Orchestra conducted by Roberto Abbado |
6:33 |
|
|
Overture to Il
signor Bruschino |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
4:58 |
|
|
Overture to Il
viaggio a Reims |
The Philharmonia
Orchestra conducted by Riccardo Muti |
7:44 |
|
|
Overture to La
Cenerentola |
The Orchestra del
Teatro Comunale di Bologna conducted by Riccardo Chailly |
7:40 |
|
|
Overture to La
gazza ladra |
The Cleveland
Orchestra conducted by George Szell |
9:21 |
|
|
Overture to La
scala di seta |
The Chamber
Orchestra of Europe conducted by Claudio Abbado |
5:55 |
|
|
Overture to L'italiana
in Algieri |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
8:31 |
|
|
Overture to Semiramide |
The Philharmonia
Orchestra conducted by Carlo Maria Giulini |
12:49 |
|
|
Overture to Tancredi |
The Orpheus Chamber
Orchestra |
6:06 |
|
|
Overture to The
Barber of Seville |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
7:07 |
|
|
Overture to William
Tell |
The New York
Philharmonic conducted by Leonard Bernstein |
11:33 |
|
|
Tanti affetti in
tal momento (from La donna del lago) |
Marilyn Horne
(Elena); The Ambrosian Opera Chorus and the Royal Philharmonic Orchestra
conducted by Henry Lewis |
9:12 |
|
|
Una voce poco fà
(from The Barber of Seville) |
Roberta Peters
(Rosina); The Metropolitan Opera Orchestra conducted by Erich Leinsdorf |
6:26 |
|
|
Albert Roussel |
Bacchus et Ariane
Suite No. 2 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
15:58 |
|
Miklós Rózsa |
Spellbound Concerto |
Phillip Fowke
(piano); The RTE Concert Orchestra conducted by Proinnsias Ó Duinn |
11:56 |
|
Suite from Ben
Hur |
The BBC
Philharmonic Orchestra conducted by Rumon Gamba |
16:04 |
|
|
Violin Concerto,
Op. 24 |
Jascha Heifetz
(violin); The Dallas Symphony Orchestra conducted by Walter Hendl |
26:49 |
|
|
Anton Rubinstein |
Two Melodies, Op. 3 |
Joseph Banowetz
(piano) |
6:58 |
|
John Rutter |
Te Deum |
The Choirs of St.
Alban's Cathedral and the Ensemble DeChorum conducted by Andrew Lucas |
7:44 |
|
Camille Saint-Saëns |
Bacchanale from Samson
et Dalila |
The Scottish
National Orchestra conducted by Neeme Järvi |
6:48 |
|
Danse macabre, Op.
40 |
The Orchestre de
Paris conducted by Daniel Barenboim |
6:54 |
|
|
Fantasy for Piano
and Orchestra, Africa, Op. 89 |
Jean-Phillipe
Collard (piano); The Royal Philharmonic Orchestra conducted by André Previn |
10:54 |
|
|
Havanaise for
Violin and Orchestra, Op. 83 |
Itzhak Perlman
(violin); The New York Philharmonic conducted by Zubin Mehta |
8:07 |
|
|
Introduction and
Rondo Capriccioso for Violin and Orchestra, Op. 28 |
Erick Friedman
(violin); The Chicago Symphony Orchestra conducted by Walter Hendl |
8:52 |
|
|
Le rouet d'Omphale,
Op. 31 |
The Orchestre de
Paris conducted by Pierre Dervaux |
9:16 |
|
|
Marche militaire
française |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
4:52 |
|
|
Mon coeur s'ouvre a
ta voix (from Samson et Dalila) |
Marilyn Horne
(Dalila); The Vienna State Opera Orchestra conducted by Henry Lewis |
6:29 |
|
|
Phaëton, Op. 39 |
The Philharmonia
Orchestra conducted by Charles Dutoit |
9:04 |
|
|
Piano Concerto No.
2 in C minor, Op. 22 |
Sir Stephen Hough
(piano); The City of Birmingham Symphony Orchestra conducted by Sakari Oramo |
21:40 |
|
|
Piano Concerto No.
4 in C minor, Op. 44 |
Philippe Entremont
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
24:49 |
|
|
Symphony No. 3 in C
minor, Op. 78, Organ |
Berj Zamkochian
(organ); The Boston Symphony Orchestra conducted by Charles Munch |
34:25 |
|
|
The Carnival of the
Animals |
Aldo Ciccolini and
Alexis Weissenberg (pianos); The Paris Conservatoire Orchestra conducted by
Georges Prêtre |
20:46 |
|
|
Violin Concerto No.
3 in B minor, Op. 61 |
Ruggiero Ricci
(violin); The Orchestra of Radio Luxembourg conducted by Pierre Cao |
24:45 |
|
|
Albert Sammons |
Romanian Air and
Gypsy Dance |
Paul Barritt
(violin), Catherine Edwards (piano) |
5:48 |
|
Pablo de Sarasate |
Concert Fantasy on
Themes from Bizet's Carmen, Op. 25 |
Itzhak Perlman
(violin); The Royal Philharmonic Orchestra conducted by Lawrence Foster |
11:48 |
|
Zapateado, Op. 23,
No. 6 |
Sarah Chang
(violin), Charles Abramovic (piano) |
3:17 |
|
|
Zigeunerweisen, Op.
20 |
Joshua Bell
(violin); The Royal Philharmonic Orchestra conducted by Andrew Litton |
9:07 |
|
|
Erik Satie |
Three Gnossiennes |
William Masselos
(piano) |
7:29 |
|
Three Gymnopédies |
Pascal Rogé (piano) |
8:27 |
|
|
Paul de Schlözer |
Etude in A flat
major, Op. 1, No. 2 |
Stephen Hough
(piano) |
3:09 |
|
Franz Schmidt |
Intermezzo from Notre
Dame |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
4:43 |
|
Thomas
Schmidt-Kowalski |
Sternennacht, Op.
34, No. 2 |
The Leipzig Radio
Symphony Orchestra conducted by Thomas Schmidt-Kowalski |
6:09 |
|
Florent Schmitt |
Dieu est monté
(from the Psalm 47) |
The Orchestra and
Chorus of the French National Radio and Television conducted by Jean Martinon |
7:38 |
|
Franz Schreker |
Nachtstück from Der
ferne Klang |
The BBC
Philharmonic Orchestra conducted by Vassily Siniasky |
16:18 |
|
Franz Schubert |
Ave Maria, D. 839 |
Leontyne Price
(soprano); The Vienna Philharmonic Orchestra conducted by Herbert von Karajan |
5:28 |
|
Death and the
Maiden, D. 531 |
Renée Fleming
(soprano), Christoph Eschenbach (piano) |
3:05 |
|
|
Erlkönig, D. 328 |
Dietrich Fischer-Dieskau
(baritone), Gerald Moore (piano) |
4:20 |
|
|
Gretchen am
Spinnrad, D. 118 |
Elly Ameling
(soprano), Jörg Demus (piano) |
3:44 |
|
|
Impromptu in A flat
major, Op. 90, No. 4 |
Alfred Brendel
(piano) |
7:21 |
|
|
Marche militaire,
Op. 51, No. 1 |
The Cleveland Pops
Orchestra conducted by Louis Lane |
4:09 |
|
|
Overture to Rosamunde,
D. 797 |
The Leipzig
Gewandhaus Orchestra conducted by Kurt Masur |
10:14 |
|
|
Symphony No. 5 in B
flat major, D. 485 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
24:59 |
|
|
Symphony No. 8 in B
minor, D. 759, Unfinished |
The Berlin
Philharmonic Orchestra conducted by Lorin Maazel |
22:30 |
|
|
Symphony No. 9 in C
major, D. 944, Great |
The Cleveland
Orchestra conducted by George Szell |
46:58 |
|
|
The Hurdy-Gurdy
Man, D. 911, No. 24 |
Dietrich
Fischer-Dieskau (baritone), Gerald Moore (piano) |
3:36 |
|
|
The Trout, D. 550 |
Gundula Janowitz
(soprano); Irwin Gage (piano) |
1:58 |
|
|
The Youth at the
Well, D. 300 |
Elly Ameling
(soprano), Jörg Demus (piano) |
1:41 |
|
|
To Music, D. 547
(orchestrated by Max Reger) |
Thomas Quasthoff
(baritone); The Chamber Orchestra of Europe conducted by Claudio Abbado |
2:25 |
|
|
Wanderer Fantasy,
D. 760 (orchestrated by Franz Liszt) |
Louis Lortie
(piano); The Residente Orchestra of The Hague conducted by George Pehvehlian |
21:15 |
|
|
Who is Sylvia?, D.
891 |
Anne Sofie von
Otter (soprano), Bengt Forsberg (piano) |
2:56 |
|
|
Adolf Schulz-Evler |
Concert Arabesques
on The Beautiful Blue Danube |
Piers Lane (piano) |
10:59 |
|
William Schuman |
American Festival
Overture |
The Los Angeles
Philharmonic Orchestra conducted by Leonard Bernstein |
9:29 |
|
New England
Triptych |
The St. Louis
Symphony Orchestra conducted by Leonard Slatkin |
15:33 |
|
|
Orchestra Song |
The Seattle
Symphony Orchestra conducted by Gerard Schwarz |
3:01 |
|
|
Robert Schumann |
Arabeske, Op. 18 |
Maurizio Pollini
(piano) |
6:25 |
|
Cello Concerto in A
minor, Op. 129 |
Leonard Rose
(cello); The Philadelphia Orchestra conducted by Eugene Ormandy |
24:01 |
|
|
Introduction and
Allegro Appassionato for Piano and Orchestra, Op. 92 |
Murray Perahia
(piano); The Berlin Philharmonic Orchestra conducted by Claudio Abbado |
14:10 |
|
|
Konzertstück in F
major for Four Horns and Orchestra, Op. 86 |
Francis Orval,
Robert Janssens, Robert Desprez and François Tommasini (horns); The Orchestra
of Radio Luxembourg conducted by Pierre Cao |
18:02 |
|
|
Overture to The
Bride of Messina |
The Philharmonia
Orchestra conducted by Riccardo Muti |
7:48 |
|
|
Overture, Julius
Caesar, Op. 128 |
The London Symphony
Orchestra conducted by Neeme Järvi |
8:40 |
|
|
Overture, Manfred,
Op. 115 |
The Cleveland
Orchestra conducted by George Szell |
11:12 |
|
|
Overture, Scherzo
and Finale in E flat major, Op. 52 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
16:58 |
|
|
Piano Concerto in A
minor, Op. 54 |
Rudolf Serkin
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
30:48 |
|
|
Suleika's Song, Op.
25, No. 9 |
Edith Mathis
(soprano), Christoph Eschenbach (piano) |
2:34 |
|
|
Symphony No. 1 in B
flat major, Op. 38, Spring |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
30:34 |
|
|
Symphony No. 2 in C
minor, Op. 61 |
The Philharmonia
Orchestra conducted by Riccardo Muti |
36:40 |
|
|
Symphony No. 3 in E
flat major, Op. 97, Rhenish |
The Vienna
Philharmonic Orchestra conducted by Leonard Bernstein |
34:49 |
|
|
Symphony No. 4 in D
minor, Op. 120 |
The Cleveland
Orchestra conducted by George Szell |
25:25 |
|
|
Toccata in C major,
Op. 7 |
Vladimir Horowitz
(piano) |
6:29 |
|
|
Träumerei, Op. 15,
No. 7 |
Martha Argerich
(piano) |
2:59 |
|
|
Violin Concerto in
D minor |
Joshua Bell
(violin); The Cleveland Orchestra conducted by Christoph von Dohnányi |
27:39 |
|
|
Alexander Scriabin |
Le poème de
l'extase, Op. 54 |
The Russian
National Orchestra conducted by Mikhail Pletnev |
19:30 |
|
O wonderful image
of the Divine… Glory to Art! (from the Symphony No. 1 in E major, Op. 26) |
Stefania Toczyska
(soprano), Michael Myers (tenor); The Westminster Choir and the Philadelphia
Orchestra conducted by Riccardo Muti |
13:08 |
|
|
Prometheus, Op. 60 |
Vladimir Ashkenazy
(piano); The Ambrosian Singers and the London Philharmonic Orchestra
conducted by Lorin Maazel |
20:25 |
|
|
Dmitri Shostakovich |
Festive Overture,
Op. 96 |
The Royal
Philharmonic Orchestra conducted by Vladimir Ashkenazy |
5:56 |
|
Prelude and Fugue
in A major, Op. 87, No. 7 |
Roger Woodward
(piano) |
3:12 |
|
|
Suite for Variety
Orchestra |
The Concertgebouw
Orchestra of Amsterdam conducted by Riccardo Chailly |
24:11 |
|
|
Suite from The
Age of Gold, Op. 22a |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
15:52 |
|
|
Symphony No. 5 in D
minor, Op. 47 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
44:46 |
|
|
Symphony No. 9 in E
flat major, Op. 70 |
The Scottish
National Orchestra conducted by Neeme Järvi |
25:18 |
|
|
Jean Sibelius |
Andante Festivo for
String Orchestra |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
5:15 |
|
En Saga, Op. 9 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
17:00 |
|
|
Finlandia, Op. 26 |
The Boston Symphony
Orchestra conducted by Sir Colin Davis |
8:04 |
|
|
Karelia Suite, Op.
11 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
15:25 |
|
|
Lemminkäinen and
the Maidens of Saari, Op. 22, No. 1 |
The Gothenburg
Symphony Orchestra conducted by Neeme Järvi |
18:07 |
|
|
Lemminkäinen's
Return, Op. 22, No. 4 |
The Orchestre de la
Suisse Romande conducted by Horst Stein |
6:04 |
|
|
Night Ride and
Sunrise, Op. 55 |
The Philharmonia
Orchestra conducted by Sir Simon Rattle |
14:39 |
|
|
Pohjola’s Daughter,
Op. 49 |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
12:41 |
|
|
Spring Song, Op. 16 |
The Royal Liverpool
Philharmonic Orchestra conducted by Sir Charles Groves |
7:06 |
|
|
Symphony No. 2 in D
major, Op. 43 |
The Concertgebouw
Orchestra of Amsterdam conducted by George Szell |
41:39 |
|
|
Symphony No. 5 in E
flat major, Op. 82 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
32:33 |
|
|
Symphony No. 7 in C
major, Op. 105 |
The Vienna
Philharmonic Orchestra conducted by Lorin Maazel |
21:20 |
|
|
The Oceanides, Op.
73 |
The Lahti Symphony
Orchestra conducted by Osmo Vänskä |
10:12 |
|
|
The Swan of
Tuonela, Op. 22, No. 2 |
The Bournemouth
Symphony Orchestra conducted by Paavo Berglund |
8:49 |
|
|
Valse Triste, Op.
44, No. 1 |
The New York
Philharmonic conducted by Leonard Bernstein |
5:08 |
|
|
Violin Concerto in
D minor, Op. 47 |
David Oistrakh
(violin); The Philadelphia Orchestra conducted by Eugene Ormandy |
30:52 |
|
|
Christian Sinding |
Rustles of Spring,
Op. 32, No. 3 |
The Iceland
Symphony Orchestra conducted Bjarte Engeset |
2:39 |
|
Bedřich
Smetana |
From Bohemia's
Woods and Fields |
The Boston Symphony
Orchestra conducted by Rafael Kubelik |
12:45 |
|
Overture and Dances
from The Bartered Bride |
The London Symphony
Orchestra conducted by Geoffrey Simon |
23:53 |
|
|
The Moldau |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
12:34 |
|
|
Vyšehrad |
The Czech
Philharmonic Orchestra conducted by Karel Ančerl |
14:18 |
|
|
Wallenstein's Camp |
The Bavarian Radio
Symphony Orchestra conducted by Rafael Kubelik |
15:14 |
|
|
John Philip Sousa |
El Capitan |
The Incredible
Columbia All-Star Band conducted by Gunther Schuller |
2:09 |
|
Semper Fidelis |
The New York
Philharmonic conducted by Leonard Bernstein |
2:30 |
|
|
The Liberty Bell |
The Band of H.M.
Royal Marines conducted by Lt. Col. G. A. C. Hoskins |
3:25 |
|
|
The Power and the
Glory |
The Slovak Radio
Symphony Orchestra conducted by Keith Brion |
2:58 |
|
|
The Stars and
Stripes Forever |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:28 |
|
|
The Thunderer |
The Band of the
Grenadier Guards conducted by Lt. Col. Rodney Bashford |
2:54 |
|
|
The U.S. Field
Artillery March |
The U.S. Marine
Band conducted by Lt. Col. Jack T. Kline |
2:37 |
|
|
Washington Post |
The Eastman Wind
Ensemble conducted by Frederick Fennell |
2:29 |
|
|
Gasparo Spontini |
March from Fernando
Cortez |
The Berlin Radio
Symphony Orchestra conducted by Caspar Richter |
3:21 |
|
Overture to La
Vestale |
The Orchestra of La
Scala, Milan conducted by Riccardo Muti |
7:05 |
|
|
John Stainer |
God so loved the
world (from The Crucifixion) |
The BBC Singers and
the Leith Hill Festival Singers conducted by Brian Kay |
3:46 |
|
Charles Villiers
Stanford |
At the Abbey Gate,
Op. 177 |
Gareth
Brynmore-John (baritone); The BBC National Orchestra and Chorus of Wales
conducted by Adrian Partington |
12:09 |
|
Irish Rhapsody No.
1 in D minor, Op. 78 |
The Ulster
Orchestra conducted by Vernon Handley |
13:49 |
|
|
Irish Rhapsody No.
4 in A minor, Op. 141, The Fisherman of Loch Neagh and What He Saw |
The London
Philharmonic Orchestra conducted by Nicholas Braithwaite |
18:57 |
|
|
The Resurrection,
Op. 5 |
Robert Murray
(tenor); The Bach Choir and the Bournemouth Symphony Orchestra conducted by
David Hill |
12:21 |
|
|
Max Steiner |
Suite from Gone
With the Wind |
The National
Philharmonic Orchestra of London conducted by Charles Gerhardt |
14:48 |
|
Robert Stolz |
Mein Liebeslied
muss ein Walzer sein (from White Horse Inn) |
Yvonne Kenny
(Josepha); The Melbourne Symphony Orchestra conducted by Richard Bonynge |
3:27 |
|
Oscar Straus |
Leise, ganz leise
(from Ein Walzertraum) |
Dame Joan
Sutherland (Franzi); The Ambrosian Light Opera Chorus and the New
Philharmonia Orchestra conducted by Richard Bonynge |
3:39 |
|
My Hero (from The
Chocolate Soldier) |
Marilyn Hill Smith
(Nadina); The Chandos Concert Orchestra conducted by Barry Knight |
4:47 |
|
|
Eduard Strauss |
Bahn Frei Polka,
Op. 45 |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
2:14 |
|
Josef Strauss |
Austrian Village
Swallows, Op. 164 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
7:38 |
|
Delirien Waltz, Op.
212 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:43 |
|
|
Music of the
Spheres, Op. 235 |
The Vienna
Philharmonic Orchestra conducted by Rudolf Kempe |
8:34 |
|
|
My Life is Love and
Laughter, Op. 263 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
6:42 |
|
|
Johann Strauss I |
Radetzky March |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
3:16 |
|
Johann Strauss II |
Accelerations, Op.
234 |
The Vienna
Philharmonic Orchestra conducted by Lorin Maazel |
8:54 |
|
Artist's Life, Op.
316 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
6:50 |
|
|
Du und Du, Op. 367 |
The Vienna
Philharmonic Orchestra conducted by Willy Boskovsky |
7:29 |
|
|
Emperor Waltz, Op.
437 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
7:35 |
|
|
Kriegsabenteur, Op.
419 |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
2:28 |
|
|
On the Beautiful,
Blue Danube, Op. 314 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
11:55 |
|
|
Overture to Die
Fledermaus |
The Bavarian State
Orchestra conducted by Carlos Kleiber |
7:46 |
|
|
Perpetuum Mobile,
Op. 257 |
The Cleveland
Orchestra conducted by George Szell |
5:30 |
|
|
Pizzicato Polka |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
2:47 |
|
|
Roses from the
South, Op. 388 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
8:41 |
|
|
Tales from the
Vienna Woods, Op. 325 |
The Vienna
Philharmonic Orchestra conducted by Willy Boskovsky |
11:16 |
|
|
Thousand and One
Nights, Op. 346 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
9:12 |
|
|
Thunder and
Lightning Polka, Op. 324 |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
2:49 |
|
|
Treasure Waltz, Op.
418 |
The Johann Strauss
Orchestra of Vienna conducted by Willi Boskovsky |
7:12 |
|
|
Voices of Spring,
Op. 410 |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
5:32 |
|
|
Richard Strauss |
Also Sprach
Zarathustra, Op. 30 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
35:10 |
|
Befreit, Op. 39,
No. 4 |
Dame Kiri Te Kanawa
(soprano); The London Symphony Orchestra conducted by Sir Andrew Davis |
5:08 |
|
|
Beim Schlafengehen |
Jessye Norman
(soprano); The Leipzig Gewandhaus Orchestra conducted by Kurt Masur |
6:16 |
|
|
Dance of the Seven
Veils from Salome |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
9:10 |
|
|
Death and
Transfiguration, Op. 24 |
The London Symphony
Orchestra conducted by Claudio Abbado |
26:19 |
|
|
Don Juan, Op. 20 |
The Staatskapelle
Dresden conducted by Rudolf Kempe |
16:15 |
|
|
Im Abendrot |
Dame Kiri Te Kanawa
(soprano); The London Symphony Orchestra conducted by Sir Andrew Davis |
7:56 |
|
|
Solemn Entry of the
Knights of the Order of St. John |
Michael Murray
(organ); The Empire Brass |
5:54 |
|
|
Suite from Der
Rosenkavalier |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
22:54 |
|
|
Till Eulenspiegel’s
Merry Pranks, Op. 28 |
The Cleveland
Orchestra conducted by George Szell |
14:25 |
|
|
Igor Stravinsky |
Divertimento from The
Fairy's Kiss |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
24:17 |
|
Fireworks, Op. 4 |
The St. Petersburg
Philharmonic Orchestra conducted by Vladimir Ashkenazy |
3:41 |
|
|
Gently, little boat
(from The Rake's Progress) |
Dawn Upshaw (Anne
Trulove); The Chorus and Orchestra of the Lyon Opera conducted by Kent Nagano |
3:02 |
|
|
Jeu de cartes |
The Boston Symphony
Orchestra conducted by Charles Munch |
22:12 |
|
|
Le Chant du
Rossignol |
The Cleveland
Orchestra conducted by Pierre Boulez |
25:33 |
|
|
Petrushka |
The Philadelphia
Orchestra conducted by Riccardo Muti |
33:30 |
|
|
Pulcinella Suite |
The Israel
Philharmonic Orchestra conducted by Leonard Bernstein |
22:24 |
|
|
Scherzo
Fantastique, Op. 3 |
The New York
Philharmonic conducted by Pierre Boulez |
12:04 |
|
|
Suite from The
Firebird |
The Concertgebouw
Orchestra of Amsterdam conducted by Riccardo Chailly |
21:05 |
|
|
The Rite of Spring |
The Philadelphia
Orchestra conducted by Riccardo Muti |
32:59 |
|
|
Josef Suk |
Towards a New Life,
Op. 35c |
The Cincinnati Pops
Orchestra conducted by Erich Kunzel |
5:52 |
|
Arthur Sullivan |
Am I alone and
unobserved? (from Patience) |
John Reed
(Bunthorne); The New Symphony Orchestra of London conducted by Isidore
Godfrey |
4:14 |
|
As some day it may
happen (from The Mikado) |
John Reed (Ko-Ko);
The Royal Philharmonic Orchestra conducted by Royston Nash |
2:25 |
|
|
Behold the Lord
High Executioner (from The Mikado) |
John Reed (Ko-Ko);
The D'Oyly Carte Opera Chorus and the Royal Philharmonic Orchestra conducted
by Royston Nash |
2:39 |
|
|
Dance a cachucha
(from The Gondoliers) |
The D’Oyly Carte
Opera Chorus and the New Symphony Orchestra of London conducted by Isidore
Godfrey |
2:00 |
|
|
I am the very model
of a modern Major General (from The Pirates of Penzance) |
John Reed
(General); The D’Oyly Carte Opera Chorus and the Royal Philharmonic Orchestra
conducted by Isidore Godfrey |
2:59 |
|
|
If you go in you're
sure to win (from Iolanthe) |
John Reed (The Lord
Chancellor), Donald Adams (Lord Mountararat), Thomas Round (Lord Tolloller);
The New Symphony Orchestra of London conducted by Isidore Godfrey |
2:21 |
|
|
In enterprise of
martial kind (from The Gondoliers) |
John Reed (Duke of
Plaza Toro); The D’Oyly Carte Opera Chorus and the New Symphony Orchestra of
London conducted by Isidore Godfrey |
1:37 |
|
|
Loudly let the
trumpet bray (from Iolanthe) |
The D’Oyly Carte
Opera Chorus, the Band of the Grenadier Guards and the New Symphony Orchestra
of London conducted by Isidore Godfrey |
5:52 |
|
|
Love, unrequited,
robs me of my rest (from Iolanthe) |
John Reed (The Lord
Chancellor); The New Symphony Orchestra of London conducted by Isidore
Godfrey |
3:35 |
|
|
My name is John
Wellington Wells (from The Sorcerer) |
John Reed (Wells);
The Royal Philharmonic Orchestra conducted by Isidore Godfrey |
2:17 |
|
|
Onward, Christian
Soldiers |
The Eric Rogers
Orchestra and Chorale conducted by Eric Rogers |
4:38 |
|
|
The Lost Chord |
Stuart Burrows
(tenor); The Ambrosian Chorus conducted by Wyn Morris |
3:51 |
|
|
Three little maids
from school are we (from The Mikado) |
Valerie Masterson
(Yum-Yum), Peggy Ann Jones (Pitti-Sing), Pauline Wales (Peep-Bo); The Royal
Philharmonic Orchestra conducted by Royston Nash |
1:29 |
|
|
To help unhappy
commoners (from The Gondoliers) |
John Reed (Duke of
Plaza Toro), Gillian Knight (Dutchess); The New Symphony Orchestra of London
conducted by Isidore Godfrey |
3:15 |
|
|
We're called
gondoliere (from The Gondoliers) |
Thomas Round
(Marco), Alan Styler (Giuseppe); The New Symphony Orchestra of London
conducted by Isidore Godfrey |
2:11 |
|
|
When a felon's not
engaged in his employment (from The Pirates of Penzance) |
Owen Brannigan
(Sergeant)); The D’Oyly Carte Opera Chorus and the Royal Philharmonic
Orchestra conducted by Isidore Godfrey |
2:36 |
|
|
When I was a lad
(from HMS Pinafore) |
John Reed (Sir
Joseph Porter); The D'Oyly Carte Opera Chorus and the New Symphony Orchestra
of London conducted by Isidore Godfrey |
2:58 |
|
|
When I, good
friends, was called to the Bar (from Trial by Jury) |
John Reed (Judge);
The D'Oyly Carte Opera Chorus and the Royal Philharmonic Orchestra conducted
by Royston Nash |
3:04 |
|
|
Franz von Suppé |
Overture to Boccaccio |
The Detroit
Symphony Orchestra conducted by Paul Paray |
6:54 |
|
Overture to Fatinitza |
The Montreal
Symphony Orchestra conducted by Charles Dutoit |
7:45 |
|
|
Overture to Jolly
Robbers |
The Vienna
Philharmonic Orchestra conducted by Zubin Mehta |
6:28 |
|
|
Overture to Morning,
Noon and Night in Vienna |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:01 |
|
|
Overture to Pique
Dame |
The Vienna
Philharmonic Orchestra conducted by Sir Georg Solti |
7:10 |
|
|
Overture to Poet
and Peasant |
The New York
Philharmonic conducted by Leonard Bernstein |
9:59 |
|
|
Overture to The
Beautiful Galatea |
The Scottish
National Orchestra conducted by Neeme Järvi |
6:54 |
|
|
Overture to The
Light Cavalry |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
7:44 |
|
|
Thomas Tallis |
Spem in Alium |
The Sixteen
conducted by Harry Christophers |
9:52 |
|
Sergei Taneyev |
Oresteia, Op. 6 |
The Novosibirsk
Academic Symphony Orchestra conducted by Thomas Sanderling |
20:47 |
|
Giuseppe Tartini |
Sonata in G minor, The
Devil's Trill |
Gil Shaham
(violin), Jonathan Feldman (piano) |
14:17 |
|
Richard Tauber |
My heart and I
(from Old Chelsea) |
Stuart Burrows
(Jacob); The National Philharmonic Orchestra of London conducted by Robin
Stapleton |
3:29 |
|
You are the world
to me (from Der singende Traum) |
Peter Morrison
(Uta); The Chandos Concert Orchestra conducted by Barry Knight |
4:28 |
|
|
Peter Tchaikovsky |
1812 Overture, Op.
49 |
The Temple
University Choirs and the Philadelphia Orchestra conducted by Eugene Ormandy |
16:50 |
|
Andante Cantabile |
The New York
Philharmonic conducted by Leonard Bernstein |
9:30 |
|
|
Capriccio Italien,
Op. 45 |
The RCA Orchestra
conducted by Kiril Kondrashin |
15:59 |
|
|
Festival Overture
on the Danish National Anthem |
The Philharmonia
Orchestra conducted by Geoffrey Simon |
13:14 |
|
|
Francesca da
Rimini, Op. 32 |
The Royal
Philharmonic Orchestra conducted by Charles Munch |
23:36 |
|
|
Marche Slav, Op. 31 |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
9:47 |
|
|
Piano Concerto No.
1 in B flat minor, Op. 23 |
Van Cliburn
(piano); The RCA Orchestra conducted by Kiril Kondrashin |
34:40 |
|
|
Polonaise and Waltz
from Eugene Onegin |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
11:35 |
|
|
Romeo and Juliet |
The Philadelphia
Orchestra conducted by Riccardo Muti |
20:28 |
|
|
Serenade in C major
for String Orchestra, Op. 48 |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
29:45 |
|
|
Suite from Swan
Lake |
The National
Philharmonic Orchestra of London conducted by Richard Bonynge |
45:01 |
|
|
Suite from The
Nutcracker |
The Philharmonia
Orchestra conducted by John Lanchbery |
42:35 |
|
|
Suite from The
Sleeping Beauty |
The Russian
National Orchestra conducted by Mikhail Pletnev |
36:39 |
|
|
Symphony No. 4 in F
minor, Op. 36 |
The Philharmonia
Orchestra conducted by Riccardo Muti |
39:50 |
|
|
Symphony No. 5 in E
minor, Op. 64 |
The Oslo
Philharmonic Orchestra conducted by Mariss Jansons |
43:06 |
|
|
Symphony No. 6 in B
minor, Op. 74, Pathétique |
The St. Petersburg
Philharmonic Orchestra conducted by Yevgeny Mravinsky |
44:02 |
|
|
The Tempest, Op. 18 |
The Frankfurt Radio
Symphony Orchestra conducted by Elihu Inbal |
22:38 |
|
|
The Voyevode, Op.
78 |
The Chicago
Symphony Orchestra conducted by Claudio Abbado |
11:31 |
|
|
Variations in A
major on a Rococo Theme, Op. 33 |
János Starker
(cello); The London Symphony Orchestra conducted by Antal Doráti |
15:57 |
|
|
Violin Concerto in
D major, Op. 35 |
Isaac Stern
(violin); The Philadelphia Orchestra conducted by Eugene Ormandy |
33:00 |
|
|
Carl Teike |
Old Comrades |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
3:47 |
|
Georg Philipp
Telemann |
Concerto in B flat
major for 3 Oboes, 3 Violins and Continuo |
John de Lancie,
Charles Morris, Stevens Hewitt (oboes), Norman Carol, David Madison, William
de Pasquale (violins); The Philadelphia Orchestra conducted by Eugene Ormandy |
10:28 |
|
Concerto in G major
for Four Violins and Orchestra |
Alice Harnoncourt,
Walter Pfeiffer, Peter Schoberwalter and Kurt Theiner (violins); The
Concentus Musicus of Vienna conducted by Nikolaus Harnoncourt |
7:26 |
|
|
Ambroise Thomas |
A vos jeux, mes
amis, permettez-moi (from Hamlet) |
Dame Joan
Sutherland (Ophélie); The Orchestra of the Royal Opera House, Covent Garden
conducted by Francesco Molinari-Pradelli |
8:50 |
|
Have you heard of
the land? (from Mignon) |
Diana Montague
(Mignon); The Philharmonia Orchestra conducted by David Parry |
6:19 |
|
|
Overture to Mignon |
The New York
Philharmonic conducted by Leonard Bernstein |
8:45 |
|
|
Virgil Thomson |
Suite from The
Plow that Broke the Plains |
The Symphony of the
Air conducted by Leopold Stokowski |
13:47 |
|
Vincenzo Tommasini |
The Good-Humoured
Ladies (after Domenico Scarlatti) |
The English Chamber
Orchestra conducted by Richard Bonynge |
11:44 |
|
Michael Torke |
Bright Blue Music |
The Baltimore
Symphony Orchestra conducted by David Zinman |
9:15 |
|
Paolo Tosti |
Goodbye |
Ben Heppner
(tenor); Members of the London Symphony Orchestra |
4:20 |
|
Joan Tower |
Made in America |
The Nashville
Symphony Orchestra conducted by Leonard Slatkin |
13:16 |
|
Ralph Vaughan
Williams |
Benedicte |
Heather Harper
(soprano); The Bach Choir and the London Symphony Orchestra conducted by Sir
David Willcocks |
14:20 |
|
Fantasia on a Theme
of Thomas Tallis |
The Philadelphia
Orchestra conducted by Eugene Ormandy |
14:36 |
|
|
Fantasia on Greensleeves |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
4:39 |
|
|
Five Variants on Dives
and Lazarus |
The London Symphony
Orchestra conducted by Richard Hickox |
10:36 |
|
|
Prelude to 49th
Parallel |
The BBC
Philharmonic Orchestra conducted by Rumon Gamba |
2:14 |
|
|
Symphony No. 4 in F
minor |
The New York
Philharmonic conducted by Leonard Bernstein |
33:51 |
|
|
The Lark Ascending |
Hugh Bean (violin);
The New Philharmonia Orchestra conducted by Sir Adrian Boult |
14:50 |
|
|
Two Hymn-Tune
Preludes |
The London Symphony
Orchestra conducted by Bryden Thomson |
8:16 |
|
|
Giuseppe Verdi |
Ah! fors è lui…
Sempre libera (from La Traviata) |
Monserrat Caballé
(Violetta), Carlo Bergonzi (Alfredo); The RCA Italiana Opera Orchestra
conducted by Georges Prêtre |
9:52 |
|
Anvil Chorus (from Il
trovatore) |
The Metropolitan
Opera Orchestra and Chorus conducted by James Levine |
2:44 |
|
|
Bella figlia del
amore (from Rigoletto) |
Dame Joan
Sutherland (Gilda), Luciano Pavarotti (Duke of Mantua), Sherrill Milnes
(Rigoletto), Huguette Tourangeau (Maddalena); The London Symphony Orchestra
conducted by Richard Bonynge |
4:02 |
|
|
Caro nome (from Rigoletto) |
Christine Schäfer
(Gilda); The Berlin Philharmonic Orchestra conducted by Claudio Abbado |
4:41 |
|
|
Chorus of the
Hebrew Slaves from Nabucco |
The Chorus and
Orchestra of the Royal Opera House, Covent Garden conducted by Lamberto
Gardelli |
4:56 |
|
|
Chorus of the
Scottish Refugees from Macbeth |
The Ambrosian Opera
Chorus and the Philharmonia Orchestra conducted by Riccardo Muti |
6:37 |
|
|
Desdemona's Prayer
from Otello |
Renata Tebaldi
(Desdemona); The Vienna Philharmonic Orchestra conducted by Herbert von
Karajan |
5:04 |
|
|
Di quella pira
(from Il trovatore) |
Leontyne Price
(Leonore), Plácido Domingo (Enrico); The Ambrosian Opera Chorus and the New
Philharmonia Orchestra conducted by Zubin Mehta |
3:21 |
|
|
Dies Irae from the
Manzoni Requiem |
The London Symphony
Orchestra and Chorus conducted by Leonard Bernstein |
4:00 |
|
|
Ernani! Ernani
involami (from Ernani) |
Susan Dunn
(Elvira); The Orchestra del Teatro Comunale di Bologna conducted by Riccardo
Chailly |
3:58 |
|
|
Gloria all'Egitto
(from Aida) |
The Chorus of the
Royal Opera House, Covent Garden, the Trumpeters of the Royal Military School
of Music and the New Philharmonia Orchestra conducted by Riccardo Muti |
6:53 |
|
|
La donne è mobile
(from Rigoletto) |
Luciano Pavarotti
(Duke of Mantua); The London Symphony Orchestra conducted by Richard Bonynge |
3:03 |
|
|
Libiamo ne'lieti
calici (from La traviata) |
Ileana Cotrubas
(Violetta), Plácido Domingo (Alfredo); The Bavarian State Opera Orchestra and
Chorus conducted by Carlos Kleiber |
3:00 |
|
|
L'onore! (from Falstaff) |
Dietrich
Fischer-Dieskau (Falstaff); The Vienna Philharmonic Orchestra conducted by
Leonard Bernstein |
4:12 |
|
|
Mercè, dilette
amiche (from I vespri siciliani) |
Martina Arroyo
(Elena); The John Alldis Choir and the New Philharmonia Orchestra conducted
by James Levine |
3:59 |
|
|
Morir! Tremenda
cosa!.. Urna fatal del mio destino (from La forza del destino) |
Sherrill Milnes
(Don Carlo); The London Symphony Orchestra conducted by James Levine |
5:17 |
|
|
O don fatale (from Don
Carlos) |
Birgit Nilsson
(Eboli); The Orchestra of the Royal Opera House, Covent Garden conducted by
Argeo Quadri |
4:34 |
|
|
Overture to I
vespri siciliani |
The New
Philharmonia Orchestra conducted by Riccardo Muti |
8:21 |
|
|
Overture to La
forza del destino |
The Berlin
Philharmonic Orchestra conducted by Claudio Abbado |
7:21 |
|
|
Overture to Nabucco |
The National
Philharmonic Orchestra of London conducted by Riccardo Chailly |
7:24 |
|
|
Pace, pace mio Dio
(from La forza del destino) |
Leontyne Price
(Leonora); The London Symphony Orchestra conducted by James Levine |
5:32 |
|
|
People's Chorus
from Don Carlo |
The Orchestra and
Chorus of La Scala, Milan conducted by Claudio Abbado |
9:06 |
|
|
Prelude to La
traviata |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
4:14 |
|
|
Questa o quella
(from Rigoletto) |
Luciano Pavarotti
(Duke of Mantua); The London Symphony Orchestra conducted by Richard Bonynge |
1:50 |
|
|
Ritorna vincitor!
(from Aida) |
Montserrat Caballé
(Aida); The New Philharmonia Orchestra conducted by Riccardo Muti |
7:02 |
|
|
Santo di patria…
Allor che i forte corrono (from Attila) |
Dame Joan
Sutherland (Odabella); The London Symphony Orchestra and Chorus conducted by
Richard Bonynge |
5:52 |
|
|
Se quel guerrier io
fossi!.. Celeste Aida (from Aida) |
Luciano Pavarotti
(Ramadès); The Orchestra of La Scala, Milan conducted by Lorin Maazel |
4:08 |
|
|
Tu del mio Carlo
(from I masnadieri) |
Montserrat Caballé
(Amalia); The New Philharmonia Orchestra conducted by Lamberto Gardelli |
4:10 |
|
|
Una vela! Una vela!
(from Otello) |
Mario Del Monaco
(Othello), Aldo Protti (Iago); The Chorus of the Vienna State Opera and the
Vienna Philharmonic Orchestra conducted by Herbert von Karajan |
6:41 |
|
|
Louis Vierne |
Carillon de
Westminster, Op. 54, No. 6 |
Jane Parker-Smith
(organ) |
5:52 |
|
Henri Vieuxtemps |
Violin Concerto No.
4 in D minor, Op. 31 |
Alexander Markov
(violin); The Monte Carlo Philharmonic Orchestra conducted by Lawrence Renes |
27:21 |
|
Violin Concerto No.
5 in A minor, Op. 37 |
Jascha Heifetz
(violin); The New Symphony Orchestra of London conducted by Sir Malcolm
Sargent |
17:17 |
|
|
Antonio Vivaldi |
Concerto in B minor
for Four Violins, RV 580 |
The Academy of
Ancient Music conducted by Christopher Hogwood |
9:05 |
|
Concerto in C major
for Diverse Instruments, RV 558 |
The English Concert
conducted by Trevor Pinnock |
10:16 |
|
|
Concerto in C major
for Two Trumpets, RV 537 |
James Thompson and
Robert Early (trumpets); I Musici de Montreal conducted by Yuli Turovsky |
7:30 |
|
|
Gloria in excelsis
(from the Gloria in D major, RV 589) |
The Monteverdi
Choir and the English Baroque Soloists conducted by Sir John Eliot Gardiner |
2:14 |
|
|
Violin Concerto in
E major, RV 269, Spring |
Simon Standage
(violin); The English Concert conducted by Trevor Pinnock |
9:42 |
|
|
Violin Concerto in
F major, RV 293, Autumn |
Gidon Kremer
(violin); The London Symphony Orchestra conducted by Claudio Abbado |
11:04 |
|
|
Violin Concerto in
F minor, RV 297, Winter |
Anshel Brusilow
(violin); The Philadelphia Orchestra conducted by Eugene Ormandy |
8:26 |
|
|
Violin Concerto in
G minor, RV 315, Summer |
Nadja
Salerno-Sonnenberg (violin); The Orchestra of St. Luke's |
11:16 |
|
|
Josef Franz Wagner |
Under the Double
Eagle |
The London
Philharmonic Orchestra conducted by Sir Adrian Boult |
3:06 |
|
Richard Wagner |
Allmächt'ge Jungfrau,
hör mein Flehen! (from Tannhäuser) |
Lise Davidsen
(Elizabeth); The Philharmonia Orchestra conducted by Esa-Pekka Salonen |
7:33 |
|
Allmächt'ger Vater,
blick herab (from Rienzi) |
René Kollo
(Rienzi); The Staatskapelle Berlin conducted by Othmar Suitner |
9:01 |
|
|
Bridal Chorus from Lohengrin |
The Robert Shaw
Chorale and the RCA Orchestra conducted by Robert Shaw |
4:59 |
|
|
Dawn and
Siegfried's Rhine Journey from Götterdämmerung |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
13:21 |
|
|
Dich, teure Halle
(from Tannhäuser) |
Jessye Norman
(Elizabeth); The London Philharmonic Orchestra conducted by Klaus Tennstedt |
3:33 |
|
|
Elsa's Procession
to the Cathedral (arranged by Lucien Calliet) |
The Eastman Wind
Ensemble conducted by Frederick Fennell |
6:19 |
|
|
Entry of the Gods
into Valhalla from Das Rheingold |
The Vienna
Philharmonic Orchestra conducted by Sir Georg Solti |
5:24 |
|
|
Festmarsch from Tannhäuser |
The Harvard Glee
Club, the Radcliffe Choral Society and the Boston Symphony Orchestra
conducted by Erich Leinsdorf |
6:52 |
|
|
Final Scene from Götterdämmerung |
Birgit Nilsson
(Brünnhilde), Gottlob Frick (Hagen); The Vienna Philharmonic Orchestra
conducted by Sir Georg Solti |
8:44 |
|
|
Forest Murmurs from
Siegfried |
The Cleveland
Orchestra conducted by George Szell |
7:03 |
|
|
Im fernem Land
(from Lohengrin) |
Plácido Domingo
(Lohengrin); The Royal Philharmonic Orchestra conducted by Sir Edward Downes |
5:41 |
|
|
Magic Fire Music
(from Die Walküre) |
The London Symphony
Orchestra conducted by Leopold Stokowski |
4:33 |
|
|
Music from Act III
of Die Meistersinger von Nürnburg |
The New York
Philharmonic conducted by Leonard Bernstein |
13:36 |
|
|
Nur eine Waffe
taugt… Höchsten Heiles Wunder! (from Parsifal) |
Peter Hofmann
(Parsifal); The Chorus of the Deutsche Oper, Berlin and the Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:32 |
|
|
Overture to Rienzi |
The Vienna Symphony
Orchestra conducted by Wolfgang Sawallisch |
12:12 |
|
|
Overture to Tannhäuser |
The Vienna
Philharmonic Orchestra conducted by Karl Böhm |
14:50 |
|
|
Overture to The
Flying Dutchman |
The Metropolitan
Opera Orchestra conducted by James Levine |
11:03 |
|
|
Pilgrims Chorus
from Tannhäuser |
The Norman Luboff
Choir and the New Symphony Orchestra of London conducted by Leopold Stokowski |
4:09 |
|
|
Prelude and Good
Friday Music from Parsifal |
The Columbia
Symphony Orchestra conducted by Bruno Walter |
22:47 |
|
|
Prelude and
Liebestod from Tristan und Isolde |
The Concertgebouw
Orchestra of Amsterdam conducted by Bernard Haitink |
16:46 |
|
|
Prelude to Act I of
Die Meistersinger von Nürnburg |
The Chicago
Symphony Orchestra conducted by Fritz Reiner |
9:53 |
|
|
Prelude to Act I of
Lohengrin |
The Philharmonia
Orchstra conducted by Otto Klemperer |
9:56 |
|
|
Prelude to Act III
of Lohengrin |
The Boston Pops
Orchestra conducted by Arthur Fiedler |
2:54 |
|
|
Ride of the
Valkyries from Die Walküre |
The Cleveland
Orchestra conducted by George Szell |
5:35 |
|
|
Senta's Ballad
(from The Flying Dutchman) |
Birgit Nilsson
(Senta); The Philharmonia Orchestra conducted by Leopold Ludwig |
8:20 |
|
|
Siegfried Idyll |
The San Francisco
Symphony Orchestra conducted by Pierre Monteux |
16:40 |
|
|
Siegfried's Funeral
March from Götterdämmerung |
The Gewandhaus
Orchestra of Leipzig conducted by Andris Nelsons |
9:14 |
|
|
Song to the Evening
Star (from Tannhäuser) |
Sherill Milnes
(Wolfram); The New Philharmonia Orchestra conducted by Anton Guadagno |
5:48 |
|
|
Transformation
Music from Parsifal |
The Southwest
German Radio Symphony Orchestra conducted by Erich Leinsdorf |
6:07 |
|
|
Emil Waldteufel |
España, Op. 236 |
The Slovak State
Philharmonic Orchestra conducted by Alfred Walter |
6:27 |
|
Estudiantina, Op.
191 |
The Monte Carlo
Philharmonic Orchestra conducted by Willy Boskovsky |
6:59 |
|
|
The Skaters, Op.
183 |
The Orchestra of
the Vienna Volksoper conducted by Franz Bauer-Theussl |
8:37 |
|
|
William Walton |
And in that same
hour (from Belshazzar's Feast) |
Benjamin Luxon
(baritone); The Brighton Festival Chorus, the Collegeum Musicum of London and
the Royal Philharmonic Orchestra conducted by André Previn |
11:40 |
|
Crown Imperial |
The City of
Birmingham Symphony Orchestra conducted by Louis Frémaux |
9:05 |
|
|
Johannesburg
Festival Overture |
The New York
Philharmonic conducted by Andre Kostelanetz |
7:35 |
|
|
Music from The
Battle of Britain |
The London
Philharmonic Orchestra conducted by Carl Davis |
12:33 |
|
|
Orb and Sceptre |
The Philharmonia
Orchestra conducted by Sir David Willcocks |
7:09 |
|
|
Overture, Scapino |
The London
Philharmonic Orchestra conducted by Bryden Thomson |
8:54 |
|
|
Spitfire Prelude
and Fugue |
The Royal Liverpool
Philharmonic Orchestra conducted by Sir Charles Groves |
7:24 |
|
|
Suite from Henry
V |
The Philharmonia
Orchestra conducted by Sir William Walton |
15:15 |
|
|
Suite from The
Wise Virgins (after Johann Sebastian Bach) |
The City of
Birmingham Symphony Orchestra conducted by Louis Frémaux |
19:23 |
|
|
Symphony No. 1 in B
flat minor |
The Scottish
National Orchestra conducted by Sir Alexander Gibson |
43:17 |
|
|
Franz Waxman |
Fantasia on Tristan
und Isolde |
Chloë Hanslip
(violin), Charles Owen (piano); The Royal Philharmonic Orchestra conducted by
Leonard Slatkin |
11:08 |
|
Fantasy on Themes
from Bizet's Carmen |
Mayuko Kamio
(violin); The St. Petersburg Orchestra of the State Hermitage Museum
conducted by Saulius Sondetzkis |
9:51 |
|
|
Carl Maria von
Weber |
Huntsmen's Chorus
from Der Freischütz |
The Leipzig Radio
Chorus and the Dresden State Orchestra conducted by Carlos Kleiber |
2:28 |
|
Invitation to the
Dance, Op. 65 |
The New York
Philharmonic conducted by Leonard Bernstein |
8:38 |
|
|
Konzertstück in F
minor, Op. 79 |
Peter Rösel
(piano); The Staatskapelle Dresden conducted by Herbert Blomstedt |
17:10 |
|
|
Ocean, thou mighty
monster! (from Oberon) |
Christine Brewer
(Rezia); The Philharmonia Orchestra conducted by David Parry |
8:59 |
|
|
Overture to Der
Freischütz |
The Philharmonia
Orchestra conducted by Neeme Järvi |
9:39 |
|
|
Overture to Euryanthe |
The Berlin
Philharmonic Orchestra conducted by Herbert von Karajan |
9:05 |
|
|
Overture to Oberon |
The New York
Philharmonic conducted by Leonard Bernstein |
9:34 |
|
|
Piano Concerto No.
1 in C major, Op. 11 |
Nikolai Demidenko
(piano); The Scottish Chamber Orchestra conducted by Sir Charles Mackerras |
19:39 |
|
|
Kurt Weill |
Suite from The
Threepenny Opera |
The Contemporary
Chamber Ensemble conducted by Arthur Weisberg |
20:33 |
|
Jaromir Weinberger |
Polka and Fugue
from Schwanda the Bagpiper |
The Cincinnati Pops
Orchestra conducted by Erich Kunzel |
8:38 |
|
Edward White |
Puffin' Billy |
The BBC Concert
Orchestra conducted by Vernon Handley |
3:48 |
|
Charles Marie Widor |
Toccata from the
Organ Symphony No. 5 in F minor, Op. 42, No. 1 |
Jane Parker-Smith
(organ) |
5:40 |
|
Henryk Wieniawski |
Légende in G minor,
Op. 17 |
Anne-Sophie Mutter
(violin); The Vienna Philharmonic Orchestra conducted by James Levine |
7:44 |
|
Scherzo-tarantelle
in G minor, Op. 16 |
Itzhak Perlman
(violin), Samuel Sanders (piano) |
4:30 |
|
|
Variations on The
Scarlet Sarafan, Op. 6 |
Marat Bisengaliev
(violin), John Lenahan (piano) |
7:13 |
|
|
Violin Concerto No.
2 in D minor, Op. 22 |
Gil Shaham
(violin); The London Symphony Orchestra conducted by Lawrence Foster |
23:56 |
|
|
Hugo Wolf |
Italian Serenade |
The Orchestre de
Paris conducted by Daniel Barenboim |
8:00 |
|
Ermanno
Wolf-Ferrari |
Music from The
Jewels of the Madonna |
The Academy of St.
Martin-in-the-Fields conducted by Sir Neville Marriner |
15:41 |
|
Overture to Il
segreto di Susanna |
The Orchestra of
the Royal Opera House, Covent Garden conducted by Lamberto Gardelli |
2:57 |
|
|
Overture to La
dama boba |
The BBC
Philharmonic Orchestra conducted by Gianandrea Noseda |
8:18 |
|
|
Henry Wood |
Fantasia on British
Sea Songs |
The Leeds Festival
Chorus and the English Northern Philharmonia conducted by Paul Daniel |
14:41 |
|
Guan Xia |
Gazing at the Stars |
The Nuremburg
Symphony Orchestra conducted by En Shao |
9:35 |
|
Xian Xinghai |
Piano Concerto in D
major, Yellow River |
Daniel Epstein
(piano); The Philadelphia Orchestra conducted by Eugene Ormandy |
20:13 |
|
Carl Zeller |
Don't be cross
(from Der Obersteiger) |
Marilyn Hill Smith
(Martin); The Chandos Concert Orchestra conducted by Barry Knight |
4:24 |